Knowledge

CHEMICAL HAZARDS

Alumina Hydrate

  • Al2O3 * 3H2O
  • A fine white powder used to make shelf primer.
  • Made form bauxite by the Bayer process

Aluminoborosiclicate:
  • SiO2, Al2O3, CaO and B2O3
  • Glass
  • See silica:

Aluminum Oxide:
  • Al2O3
  • A crystalline refratory and abrasive.

Ammonium Biflouride:
  • NH4F2
  • Contact
    • Moderately toxic.
  • Ingestion
    • potentially fatal
  • Inhalation
    • vapors produced in water solution are corrosive to the lungs.
    • chronic exposure can cause bone and teeth damage
  • Misc.:
    • requires protective gear, ventilation, and extreme caution.

Anitmony Oxide:
  • SbO3
  • Acute ingestion/inhalation
    • diarrhea, metallic taste in mouth, pulmonary congestion, severe mouth and nose irritation, shallow breathing, vomiting.
  • Chronic ingestion / inhalation
    • headache, kidney damage, liver damage, loss of appetite, nausea, sleeplessness, weight loss.
  • Mics.
    • birth defects, miscarriage
    • possible human carcinogen
    • may vaporize during firing
    • can react with acid, forming toxic stibine gas.
    • avoid if possible.

Asbestos:
  • Impure hydrated magneium silicate minerals
  • Contact:
    • can cause "asbestos corns"
  • Ingestion:
    • possible cause of stomach cancer.
  • Inhalation:
    • asbestosis (form of lung fibrosis), intestinal caner, lung cancer, mesothelioma, stomanch cancer.
  • Misc.
    • fibers remain in the body

Barium Carbonate: BaCO3
  • Inhalation / ingestion:
    • heart irregularities, intestianl spasm, lung diesease (baritosis), severe muscle pain.
  • Misc.:
    • eye, throat, nose, and skin irratation.

Beryllium Oxide:
  • BeO
  • Contact:
    • chronic skin ulcers.
  • Inhalation / ingestion:
    • berylliosis (pneumonia like disease).
    • can cause bronchogenic cancer.
  • Chronic exposure:
    • damage to heart, liver, llungs, kidneys.

Borax:
Boric Acid:
  • H3BO3
  • Contact:
    • slight.
  • Absorption, ingestion, inhalation:
    • abdominal pain, diarrhea, skin rash, nausea, vomiting.
    • can be absorbed through burns or wounds.
  • Chronic poisioning:
    • gastroenteritis, liver damage, loss of appetite, kidney damage, skin rash.

Borosilicate:
  • SiO2, B2O3 and Al2O3
  • A glass with relatively higher amounts of siclica and boron than soda lime glass, and words at a higher temperature and is called a "hard" glass.
  • See silica

Cadmium Oxide:
  • CdO
  • Acute ingestion:
    • resembles food poisoning.
  • Chronic inhalation / ingestion:
    • anemia, bone damage, gastrointestinal problems, kidney damage, liver damage, loss of smell, tooth damage.
  • Misc.:
    • human carciogen, possibly can cause prostate and lung cancer.
    • fumes emitted at high temperature may be fatal.

Calcium Carbonate:
  • CaCo2
  • A fine white powder used in shelf primer and other products.
  • Naturally occurring as chalk, limestone, marble and other substances.

Carborundum:
Ceric Oxide:
  • CeO2
  • A pale, yellowish white compound that can be used as a glass polish.

Cerium Oxide:
  • CeO
  • Contact:
    • slight
  • Inhalation:
    • moderate
  • Ingestion:
    • moderate
  • Misc.:
    • toxic to animals.
    • eye contact with dust can cause damage.
    • long term inhalation can cause scarring of the lung.

Cobalt Oxide:
  • Co2O3
  • Contact:
    • allergies, dermatitis.
  • Inhalation:
    • very toxic.
  • Chronic inhalation:
    • asthma, possilby fibrosis.
  • Acute ingestion:
    • diarrhea, vomiting..
  • Misc.:
    • possible carcinogen.

Copper Carbonate:
  • Cu2CO3
  • Contact:
    • allergies, irritation to eyes, skin, nose throat.
    • ulceration and perforation of nasal septum.
  • Acute ingestion:
    • gastronintestinal irritation, poisioning, vomiting.
    • if vomiting doesn't happen then more serious poisoning can result.
  • Chronic ingestion:
    • can cause anemia.

Copper (ous) Oxide:
  • Cu2O
  • Contact:
    • eye irritant.
  • Inhalation:
    • irritation of upper respiratory tract.
  • Ingestion:
    • moderately toxic.

Copper (ic) Chloride:
  • CuCl
  • Contact:
    • irritation to eyes, throat, nose and skin.
    • ulceration, perforation of the nasal septum, congestion.
  • Acute inhalation ( during fuming):
    • metal fume fever (resembles the flu).
  • Acute ingestion:
    • gasstrointestinal irritation, vomiting.

Gold Chloride:
  • AuCl3
  • Chronic inhalation / ingestion:
    • anemia, damage to: liver, kidney, and nervous system.
  • Misc.:
    • severe allergies.

Hydroflouric Acid:
  • HF
  • Contact:
    • very corrosive to the eyes, skin.
    • delayed severe burns.
  • Inhalation
    • burning of lungs, chills, coughing, fever, painful breathing.and chemical pneumonia, pulmonary edema.
  • Ingestion:
    • possilby fatal
  • Chronic exposure:
    • kidney damage, systemic poisioning, osteoflourosis.
  • Misc.:
    • HF poisioning is not imediately felt.
    • Attacks the bone marrow.
    • HF burns require removal of tissue.
    • Use bifloride paste instead.

Lead Chromate:
  • PbCrO4
  • Contact:
    • allergies, irritation, and skin ulcers.
  • Chronic inhalation:
    • Allergies, lead posoning, lung cancer, perforation of the nasal septum, respiratory irritation.
  • Ingestion:
    • Chromium poisoning: circulatory collapse, gastroenteritis, kidney damage, and muscle cramps.
    • Lead poisoning.
  • Misc.:
    • Carcinogen, mutagen, teratogen.
    • Don't use.

Lead Compounds:
  • Inhalation / ingestion:
    • lead poisoning: anemia, affects the blood, affects the gastrointestinal tract, brain and cognitive defects, encephalopathy.
    • headaches, joint pain, liver damage, kidney damage, muscle pain, weakness of extremities.
    • miscarriage, birth defects.
  • Misc.:
    • developmental toxicant, human mutagen.

Iron Oxide:
  • FeO
  • No serious hazards.

Manganese Dioxide:
  • MnO2
  • Contact / inhalation:
    • manganism, dermatitis, repiratory tract irritation, liver damage.
    • Can cause impotence, loss of sex drive, and sterility.
  • Extensive fume exposure:
    • "metal fume fever," like the flu.
  • Manganism:
    • A crippling disease of the nervous system that resembles Parkinson's disease.
    • Early symptom: apathy, headache, irritability, loss of appetite, weakness.

Molybdenum Sulfide:
  • MoS2
  • Contact:
    • slightly irratation.
  • Inhalation:
    • dust is slightly toxic.
    • fumes from exposure to heat is slightly toxic.

Nickel Compounds:
  • NiO, NiCo3, etc.
  • Contact:
    • allergic dermatitis, eye irritation.
  • Inhalation:
    • upper respiratory tract irritation, metal fume fever.
    • suspected lung and nasal carciogen.
  • Acute ingestion:
    • intestinal disorders, irritation, vomiting.

Platinum Chloride:
  • PtCl2
  • Contact:
    • can cause severe skin allergies.
  • Inhalation:
    • emphysema, hay fever symptoms, lung scarring, severe asthma (platinosis).
  • Misc.:
    • People with fine textured skin and light or red har are more susceptible.

Selenium:
  • Se
  • Contact:
    • allergies, eye irritation, skin burns.
  • Chronic ingestion / inhalation:
    • similar to arsenic poisioning.
    • hair loss, kidney damage, liver damage, nausea, nervous disorders, odors (garlicky).
  • Acute inhalation:
    • intense irritation of upper repiratory tract with bronchitis, chemical pneumonia, and possible bronchial spams.
  • Misc.:
    • mutagen
    • selenium compounds when treated with acid can form the toxic gass hydrogen selenide.

Silica:
  • SiO2
  • Inhalation:
    • emphysema, silicosis, tuberculosis.
  • Misc.:
    • the main cause of pulmonary dust disease.

Silicon Carbide:
  • SiC (Carborundum)
  • Inhalation:
    • irratant
    • slighly toxic.
  • Prolonged or extreme exposure:
    • pneumoconiosus.

Silver Nitrate:
  • AgNO3
  • Contact:
    • corrosive and irritant to eyes, skin, and mucous membranes.
  • Inhalation:
    • fumes produced from high heat causes irritation.
  • Ingestion:
    • coma, convulsions, severe gastroenteritis, shock, vertigo.
  • Misc.:
    • very caustic.

Sodium Silicate:
  • Na2SiO3
  • Waterglass
  • Contact:
    • can cause alkali burns.
    • eye, skin, and respirator irritant.
  • Inhalation:
    • can cause irritation.
  • Ingestion:
    • slightly toxic.

Stannous Choride:
  • SnCl2
  • Tin Chloride
  • Contact:
    • eye and skin irritant.
  • Ingestion:
    • gastrointestinal tract irritant.

Tin Oxide:
  • SnO
  • Contact / inhalation:
    • eye and nose irritant.
    • large exposure to dust or fumes for extended times can cause stannosis

Titanium Tetra Chloride:
  • TiCl3
  • Contact:
    • Formation of HCl makes it corrosive to eyes, skin and repiratory system.
  • Inhalation:
    • fumes or spray can cause pulmonary edema/chemical pneumonia.

Titanium Oxide:
  • TiO
  • No significant hazards.
    • Significant exposure to dust and fumes for extended times can cause benign pneumoconiosis

Uranium Oxide:
  • UO2
  • Inhalation:
    • cancer, emphysema, lung, blood and nervous system damage caused mainly by radioactivity.
  • Misc.:
    • Remains radioactive, even though U-235 has been removed.

Vanadium Pentoxide, Trioxide
  • V2O5; V2O3
  • Contact:
    • severe eye, skin, gastrointestinal and respiratory tract irritant.
  • Ingestion:
    • heart and intestinal problems.

Vanadium Tetracloride
  • VCl4
  • Contact:
    • corrosive to eyes, skin, gastrointestianl and repiratory tract.
  • Inhalation and ingestion:
    • irritant, anemia, asthma, bronchitis, discoloration of tongue, loss of vision, pulmonary edema / chemical pneumonia, intestional, kidney and nervous system damage.

Vermiculite:
  • Expanded Mica
  •  
  • Chronic inhalation:
    • asbestosis, lung cancer, mesothelioma.
  • Ingestion:
    • intestinal and stomach cancer.

Zinc Oxide:
  • ZnO
  •  
  • Inhalation:
    • slight irritation of repiratory tract.
    • nausea and "metal fume fever," lasting 24-36 hours.
  • Ingestion:
    • gastrointestinal irratation, vomiting.
    • if no vomiting, could become more serious.
DATES IN THE HISTORY OF GLASS


3100 B.C.

  • Egyptian glass beads.
1500 B.C.
  • Small glass vessel at Egypt and Syria.
300 B.C.
  • Alexandrian Glass manufacture.
1
  • Glass blowing starts, possibly at Sidon.
20
  • Italian glasshouses, and introduction of blown glass.
500
  • Chinese glass.
800 - 1400
  • "Empty Ages" of Western glass.
1000 - 1100
  • Venitian glass beads and small vessels.
1100 - 1200
  • York Minster stained glass.
1240
  • Westmenster Abbey stained glass.
1291
  • Venetian glass industry on the island of Murano begins.
1250 - 1400
  • Fine Islamic enamel work.
1500 +
  • Venice revives fine enameling
1507
  • Dal Gallo from Murano gets privilege to make blown mirror glass.
1549
  • The arrival in England of eight Murano glassworkers.
1573
  • Verzelini stars a glasshouse in London.
1623
  • Sir Edward Mansell get a patent to make any glass, and starts to reshape the English glass trade.
1635
  • Charles I grants a charter to the London Glass Sellers' Corporation.
1637
  • The glass industry of Mozhaisk, Russia is reestablished.
1665
  • The arrival in Paris of eight Venetian glassworkers.
1670
  • The first blown mirror glass factory is started in Lambeth, England, by the Duke of Buckingham.
1676
  • Ravenscroft patents lead glass.
1688
  • Casting and rolling glass is invented by Lucas de Nehou in Tours la Ville.
1722
  • Diamond stippling grows in the Netherlands.
1739

        The glasshouse of Caspar Wistar is
        started in New Jersey.
SAFETY
All students are required to supply their own safety glasses.  If you do not have any, we do sell a variety of protective eye-wear.  Safety glass are to be worn at all times while working in the glass shop.
Working at the point of the torch produces radiation that is bad for your eyes as well as your skin. Good posture and optimum distance from the flame will reduce these hazards.
The most common injuries that occur in the glass shop are minor burns and cuts.
Cuts can be the most serous of the injuries, causing possible tendon and nerve damage. Always be careful when moving around glass. Never push or force glass, and when working with molten glass always stop moving before the glass.
Minor burns are the most common of injuries. Many of these injuries can be avoided by working only one end of your rod in the flame. Also. by placing the hottest end of the rod or tubing away from you when setting them down on the workbench.
More serious burns caused by the flame require immediate attention. Place the burn under cold water, keeping it submerged for approximately 20 minutes. This procedure is necessary, because of the exotic mix of gases and carbon. This mixture formed on the skin can microscopically spontaneously combust casing further damage to your skin. The water will neutralize the mixture of gasses and carbons.

REGULATOR SAFETY
OXYGEN -- Be aware that many petroleum products can spontaneously combust when they come in contact with pure oxygen. Never use oil or oil base products on your regulators or equipment.
PROPANE -- Propane is heavier than air and always store your bottle outside and in an upright position
Flashback Arrestors or Check Valves are advised with the use of all regulators
.
SAFETY TIPS
Be prepared for your project. Have your work site and tools set up prior to turning on the flame.
Know your equipment and surrounding.
Make sure ventilation is on.
Be considerate of your neighbor workers. Do Not make sudden moves or distract others at the flame.
Always ask before borrowing another person's equipment.
We also recommend getting sylvanite (burn ointment), from your local pharmacist.
Avoid creating hazardous waste, i.e. stringers and bubble trash.
Do not force the glass, get it hotter.
Do not burn the glass (looks white-bubbly), move faster.
REMEMBER:
FIRE BURNS AND GLASS CUTS!!!

The Dragon's Glassory:

A glossary of glass terms.

- A -


a (alpha):


Acid Etched:

  • A name registered to a type of Art Glass, made of two layers and two colors of cased glass. Made in the US by Frederick Cader, c 1932.

Acid Etching:

  • The process of etching glass with hydrofluoric acid or ammonium fluoride, stencils and resist of wax or some greasy substance was developed during the 1870s in American Glass Houses. Decorative designs are made by cutting or eating the glass away.

Acid Polishing:

  • The use of a hydrofluoric acid bath to polish glass.

A Cordeline:


Accomac Cut:

  • 1880s to 1890s pattern of popular cut glass.

Acorn:

  • Pattern of pressed glass with an acorn pattern on the ribbing.

Acute Angles:

  • Angles that are less than 90 degrees, and can affect seals.

Adams & Company Glass:

  • A Pittsburgh made pressed glass from 1851, to some forms as late as the 1890s.
    • Noted patterns were:
      1. Baltimore Pear (Fig till approx. 1887 or Gypsy)
      2. Daisy and Button (with thumb print)
      3. Hidalgo
      4. Hobnail with Fan
      5. Moon and Star
      6. Thousand Eye
      7. Wildflower

Advertising Ware:

  • Glass that advertises its maker, the art of a glass, or a line of glass.

Aetna Glass:


Agata Glass:

  • A glass characterized by its mottle look. The technique drizzled volatile liquids onto the glass before refiring. Clear glass and some Amberina glass used this finishing technique.

Agate Glass:

  • A glass made at the Pittsburgh, Sandwich factories, and few few other places, it was made from 1850 through 1900s. Blast furnace slag (a form of glass) was mixed with glass to produce of chocolates, caramels, agates and leathers. It was often variegated and with striations of milk glass tints.

Air Ring:

  • The elongated inclusion of air the encircles a paperweight by the base, often above and below a torsade.

Air Twists:

  • A stem type from the 18th century. Air is trapped as longitudinal channels, it is drawn out in a process of elongation and twisting the mass of glass.

Alabaster Glass:

  • Glass made by James Lloyd at the Sandwich Glass Works, considered an fine imitation of alabaster ware..

Alabastron:

  • Greek
  • A small flask or bottle for perfumes and oils. Appearance often having flat lips, thin neck, cylindrical bodies, and two small side handles.

Albany Glass:

  • A noted glass factory in Albany, N.Y., first established in the 1780s.
    • Production included:
      1. bottles
      2. carboys
      3. jars
      4. window glass

Almond:

  • Or Pointed Thumb Print.
  • A pressed glass with hollowed facets likened to a thumb print having pointed facets.

Almorrata:

  • A Early Spanish glass where vessels have a narrow base and loops to hang, sporting a big central neck and four tapered spouts on the belly.

Alte Schweiss:

  • Literal for "Old Swiss."
  • Reference to early enameled, bi-colored, or decorated glass.

Alumnia Hydrate:

  • Al2 O3
  • Common crystalline compound used as abrasive and refractories.

Aluminoborosiclicate:

  • SiO2, Al2O3, CaO and B2O3
  • A glass that is highly resistant to chemical corrosion.

Amberina:

  • Also called partially colored glass.
  • Dates from 1833 and patented in 1883 for the New England Glass Company of East Cambridge, Mass., and made through the 1890s by its successor, the Libbey Glass Company of Ohio. Manufactured also under the name rose amber in New Bedford, Mass.
  • This blended-color glass is characterized by the lower part of a piece colored a yellowish amber color that merges into a ruby-red color up higher on the work, blending from dark to light. A wide range of table and ornamental wares with diamond designs or swirled ribbing was produced with Amberina glass.

Amber Slag:

  • Milk white glass having streaks of caf³ au lait and chocolate swirls.

Amelung Glass:

  • A soda lime glass, non lead glass with smoky or greenish tones that is engraved and cut with Bohemian and German patterns.
  • John F. Amelung from Bremen, Germany helped start the German Company open a glass house in the United States. at New Bremen, MD.

American Flint Glass Works:

  • Glass works of the Southwick & Co., in Wheeling, Va., dating from the 1840s. Known for its blown mold and pressed glass, flint and colored glass.
    • Production included:
      1. blown mold
      2. blown flint
      3. colored glass
      4. pressed glass

American System:

  • Reference to flask that mold blown, having the slogan "American System." A commemoration over tariffs to prevent British goods dumping in the United States.

Amphoriskos:

  • Greek
  • Toiletry flask often with an appearance of inverted pear shape usually tapered to point or button foots.

Angelic Cut:

  • Cut glass pattern of the 1880s.

Animal Dishes:

  • Pressed covered glass dishes with animal forms.

Animal Headed Glass:

  • Pressed glass with lids having shapes of animal heads, or having knobs with animal heads (usually frosted) or full figures.

Animalistic Glass:

  • Animals characterized in glass.

Anthemion:

  • Greek, stands for honeysuckle.
  • Pressed glass pattern having a honeysuckle flower on a stippled background.

Anneal:

  • The controlled cooling of hot glass to remove stress.

Anneal Cool:

  • The point where glass has cooled through the annealing soak temperature to its strain point. It is important that the cooling rate is slow so residual stress does not mature.

Annealer:

  • The insulated structure for annealing glass.

Annealer Face:

  • A impression made onto a piece of glass from the annealer surfaces. It can be caused when a piece is placed in the annealer while too hot, or the annealer temperature is set too high.

Annealing:

  • The process of controlled gradual cooling of an object after a hot-working process, so the the thicker and thinner parts cool at the same rate. The annealing process prevents the development of stresses that damage glass, toughening it. Annealing is done in a oven or Lehr and allows a uniform cooling rate for varying thickness of parts of an object. Done in stages: the anneal soak and anneal cool.

Annealing Chamber or Oven:


Annealing Point:

  • The temperature of about 35 to 40 degrees F. overt the strain point where internal stress in glass is quickly reduced.

Annealing Range:

  • The range of temperature for annealing an object. This range varies upon the composition of the object. It exist from above the strain point to the anneal soak temperature.

Annealing Soak:

  • Stage of cooling that is held constant allowing stress in glass to stabilize.

ANSI:

  • American National Standards Institute.
  • The organization that sets safety standards for industrial equipment.
  • The organization that sets the standard of measuring the properties of different materials, including glass.

Annular:

  • A disk bead with a relatively large opening.

Apple Green:

  • Ideally means a clear pale green.

Applied Handles:

  • Pressed glass.
  • Prior to 1865, handles were attached as hot rods that were crimped on. In 1865 a special pressing technique was perfected for attaching handles.

Applied Stem:


Aquadag:

  • Graphite powder in a colloidal suspension that is used for mold release and to resurface tools for forming glass.

Arabesque:

  • Bakewell of Pittsburgh pattern of pressed glass having bands of dotted loops with an overall look as stippled and dotted keyholes.

Arbitration Mug:

  • Beer mugs having the figures of employers and labor shaking hands pressed into the handles.

A retortoli:


Argus:

  • Bakewell of Pittsburgh produced this pressed glass pattern with big vertical thumb prints, like Ashburton, or big ovals.

Arrow Cane:

  • Also called Crow's-foot.
  • A section of millefiori created from rods having a three pronged arrow configuration.

Aryballos:

  • Greek
  • A globular shaped toiletry flask with side handles.

Asbestos:

  • A form of hydrated magnesium silicate the is fibrous and fireproof. Gloves made of it are resistant to extreme heat associated with glass working.

Ashburton:

  • An early glass pattern beginning in the mid 1830s, described with big curvate thumb print panels. The pattern was later called Colonial, and still is produced with modern techniques.

Aspirator:

  • A device for making a vacuum, powered by attaching to a water faucet.

Atlantic Glass:

  • A little glass furnace in Crowleytown, N.J..

Atmosphere:

  • Condition of air in a kiln which can vary from oxidation (excess oxygen) to neutral to reduction (deficient of oxygen).
  • In lampworking it refers the conditions that exist in a torch flame.
    1. An "oxidizing" atmosphere is high in oxygen.
    2. A "reducing" atmosphere is low in oxygen and often softer and cooler. A reducing atmosphere can discolor glass.

Attachment Seal:

  • Also called a side arm seal.
  • A method of attaching a glass piece to the main body.

At the fire:

  • Reheating and reworking glass with additional blowing into larger or new shapes. Also, reheating glass at the glory hole.

Aventurine:

  • Italian for "by accident," also called goldstone.
  • A colored glass with gold flakes of the 15th century.
  • Also, in the 17th century crystals of copper provided a lustrous sheen, a method of super-saturating a batch of glass with copper and the copper crystallizes out.

Avoleo:

  • A piece of glass that connects one piece of glass to another. Often it is used in making goblets, connecting the bowl to the stem, or the stem to the foot.

Axis:

  • The line of center when rotating a glass rod.

Ayotte, Rick:

  • Know as the "bird man" of glass with regards to his paperweights.
  • Ayotte worked as a scientific glassblowers in Nashua and started his own business in 1970, Ayotte's Artistry in Glass which made hollow glassware gifts and solid crystal. In 1978 Ayotte Weishts came onto the market.

    - B -


    Baby Beaker:

    • Little glass jiggers for spirits.

    Baby Face:

    • Press glass pattern with forms of Lion and Three Face. Variants had the frosted faces of three cherubim.

    Baccarat:

    • Glassware first produced in Baccarat, France, at a glass manufacturing house of Compagnie des Cristalleries founded in 1764 or 1765 under the name Verrerie de Sainte, by Monseigneur de Montmorncy-Laval, Bishop of Metz; acquired by a Belgian manufacturer in 1817. Baccarat was among some of the best cut glass made in Europe in the 1800s. Helped shape the Art Deco style after being displayed at a 1925 Paris exposition.
    • The company is now Compagnie des Cristalleries de Baccarat.
      • Production included:
        1. Blown glass
        2. Lead glass
        3. Pressed glass
        4. Blown molded glass
        5. Paperweights

    Bacchus Glass:

    • The Birmingham, England factory: Bucchus, Green & Green of the Union Glass Works was started in 1818. In 1833 it became the George Bacchus & Co.. In 1841, the year after the death of Bacchus, it became George Bacchus & Sons. In 1858 it became Bacchus & Sons.
      • Production included:
        1. domestic glassware
        2. paperweights
        3. plate glass
        4. Venetian style glass

    Bagot, Joseph:

    • New York City glass cutter of the 1810s.

    Bakewell Glass:

    • A Pittsburgh glass factory that was set up by Benjamin Bakewell, is considered one of the great glass factories of the United States.
      • Production included:
        1. Pressed glass
        2. Molded glass
        3. Cut glass

    Ball and Swirl:

    • Pressed glass with rows of balls for base lines, edges and having swirled footing and covers.

    Ball Covers:

    • Big blown glass balls that were reputed as being used as milk bowl covers.

    Balloon:

    • A pressed glass pattern showing the flight of a balloon, found on some sugar bowl. It dates from about 1870s, possibly from Ohio, Pittsburgh or Philadelphia, or maybe Boston.

    Balsam Bottle:

    • Glass bottles, that instead of a ground neck stoppers, feature an overturned cup shaped lid that sits over the neck onto the shoulder of the bottle. Some cup and shoulder of bottle may be ground for a better fit.

    Baltimore Flint Glass Co.:

    • A flint glass manufacture founded in 1820 at Baltimore, Md., that operated to the 1840s or 50s.

    Baltimore Glass:

    • Glass of the Maryland Glass Works at Baltimore that made bottled and flasks from 1850, they were a noted exhibitioner at the London Crystal Palace Exposition in 1851.

    Baltimore Glass Works:

    • The noted glass works was started by Frederick Amelung, and others, in 1799. The plant carried on, under different management and owners, until the 1900s.
      • Production included:
        1. Bottles
        2. Flask
        3. Druggist glass
        4. Window glass

    Baltimore Pear:

    • A pressed glass pattern, of the 1880s, that sported a pair of figs on a fig leaf, and war originally named Fig.

    Baluster Stem:

    • Balustra, meaning the flower of a pomegranate.
    • A form of stem of English drinking glasses, adapted from pillars of staircase handrails, having nicely formed corolla tubes. The term is carried over to other crafts such as candle sticks and wood turning, etc..

    Bamper Glass:

    • The Bamper Glass Works, sometimes referred to as "Bamper Hant," was started by the wealthy Dutch merchant, Loderwyk Bamper, and others, in 1754. It is assumed that the glass produced was done in the Dutch traditions.

    Band:

    • A band, dated around the 1870s, that decorated varieties of Ashburton, that had a big thumb print with crisscross or ticktacktoe bands.

    Banded:

    • Pressed glass patterns having stippled bands.

    Barilla:

    • A plant from salt marshes of Alicante, Spain, and other areas of the Mediterranean. Burning the bushes is the source of soda ash for glass making, in the 15th and 16th centuries, in Europe and England.

    Bar Lip:

    • A feature of bottles designed for heavy service, having a thick, heavy ringed lip. Found often on many 19th century glass, particularly on pressed and blown decanter.

    Bar Windows:

    • Windows of close set bars of clear glass, admitting light but not allowing vision

    Baril; Bariz; Barillette:

    • Bottle and flasks with barrel shapes.

    Barley:

    • A pressed glass pattern of finely traced vines, more like hops than a spray of barley. Some pieces have stars, scallops or little panels.

    Barrel Decanter:

    • Style of English decanters, from 1775, sporting wide mid-sections, strong necks, and often adorned with sets of rings. Stoppers were often balls or mushrooms.

    Bartlett - Collens Glass Co.:


    Basal Rim:

    • A feature of some paperweight. It is a foot ring, around the concave base of a paperweight, that protects the base from wear and chipping.

    Basal Ring:

    • The flange found on some English paperweights that is created by in-cutting above the base, it is not a footed paperweight.

    Base:

    • A paperweights bottom.

    Base Glass:

    • The parent or bottom layer of glass, onto which other glass is fused.
    • Also refers to the dominant glass used in fusing.

    Basket:

    • A glass basket or funnel like decoration to hold decorative elements found around some paperweight designs, made from an outer row of millefiori canes.

    Basket Weave:

    • Pressed glass patterns imitating flat with basket weaving.

    Batch:

    • The proportioned raw materials mixture (cullet, sand, soda, lead oxide, lime, potash, etc.), that is heated in a crucible inside a furnace to form glass. Cullet can be a portion of a batch.

    Bay State Glass Company:

    • Founded in the 1850s and operating to 1877, in Cambridge, Mass., this plant made a variety of glass.
      • Production included:
        1. Bottles
        2. Cut glass
        3. Fine flint
        4. Lamps
        5. Molded glass
        6. Plain glass
        7. Silvered glass
        8. Vials

    Bead-forming:

    • See core-forming.
    • The traditional process of making glass beads on metal rods.

    Bead Release:

    • A compound made of daolin clay and alumina hydrate applied to the mandrel for bead making to help a bead release.

    Beaded Swirl:

    • Pressed glass pattern featuring swirls of beads in diminishing sizes such as a strings of pearls.

    Beaker:

    • Tall drinking glass, accommodating ten to sixteen ounces and on, having somewhat glared sides.

    Bear Bottles:

    1. Production of an early Pennsylvanian - German factory.
    2. Bear bottles also refer to containers of Russian production for kummel or vodka.
    3. The reference also includes ridged bottles having seal of a walking bear and the legend "California Fire Extinguisher." These held fire retardant chemicals.

    Beecher, Henry Ward, Bottle:

    • Flask produced with the bust of Brooklyn preacher Henry Beecher, during the 1880s, having the name Beecher molded on the breast.

    Bee Mark:

    • Later glass of the Higbee of Pittsburgh glass works in the 20th century that sported a characterization of a bee and letters HIG..

    Belle Version Glass:

    • Glass of the Belle Vernon, Pa., glass works, from 1834 till the 1880s.
      • Production included:
        1. Bottles
        2. Flask
        3. Hollow ware

    Bellflower:

    • An old pressed glass pattern, from about the 1840s, with vertical ribbing and a horizontal bellflower vine.

    Bells:

    • Table bells, of various forms, produced from the 18th century on by Nailsea Glass Works of England. Many were made offhand or after hours. The Liberty Bell style was produced for the Centennial. Pressed glass butter dishes with bell shaped covers, bottles and candy containers of the style were also produced.

    Benchblow:

    • The technique were an assistant blows into blow pipe, while the gaffer, seated on a bench forms the glass.

    Bench Torch:

    • A torch that is supported on a stand for working at the bench.

    Bending:

    • The result of sagging or slumping of glass.

    Benitier:

    • An open, shallow vessel used to hold baptismal or holy water, in churches or chapels.

    Bentonite:

    • Aluminum silicate clays, with some magnesium and iron, used in adhesives, cements, ceramic fillers and shelf primers. Clays are characterized by sodium and calcium content that have high and low swelling characteristics.

    Bent Glass:

    • The denotes glass that has been actively shaped, such as application of weights, over forms, rather than passive bending by gravity alone. Bending techniques help reduce surface marks and changes of thickness.

    Benitier:

    • Holy water fonts of early molded and cut glass, for churches and chapels.

    Betsy Ross Plate:

    • Pressed glass tea plate depicting Betsy Ross and pierced borders, made about the1880s or 1890s.

    Beveling:

    • To finish an edge at other than 90 degrees with grinding and polishing.

    Biberon:

    • Glass container with a sealed on cover. Its poring nozzle also served for filling the container.

    Bigler:

    • Pressed glass pattern version of Ashburton with big thumb prints, horizontal bands, vertical bobbin shaped spear.

    Bird on Nest Sugar Bowl:

    • Pressed glass bowls having a lifelike bird on nest depictions, produced by Valleryshtal & Portieux, of Lorraine until 1910.

    Birmingham:

    • O'Leary & Mulvaney.
    • Glass factory of the Pittsburgh region from 1832 to 1860.
      • Production included:
        1. Colored glass ware
        2. Cut flint glass
        3. Fancy glass
        4. Molded glass

    Bisque:

    • Bisque-ware molds are used in slumping and sagging techniques. It is a clay ware that is porous and not fired to maturity, but yet ceramically bonded.

    Bit:

    • A small piece of glass.

    Bit Boy:

    • A glass assistant.

    Bitters Bottle:

    • Bottles produced for tonic with high alcohol contents, of some 450 types on record.

    Black Glass:

    • True jet - black glass was a rare American production that included some known vases and covered sugar bowls. American black glass often was a deep red - purple or a dark green.

    Blackberry:

    • Pressed glass patter often of porcelain glass, with banding of blackberry vines, leaves and fruits.

    Blackberry and Grape:

    • Also called Loganberry and Grape.
    • Pressed glass pattern depicting cluster each of blackberries and grapes.

    Blank:

    • A solid piece of glass before cutting.
    • A cut of sheet glass measured for the base to place the designs for fused glass, or reference to a raw, solid piece or glass to be shaped or patterned.

    Blaze:

    • Pressed glass pattern with vertical ribbing ending on top with a strong twisting line.

    Bleb:

    • The small bit of solid glass formed on the end of a tube when sealing glass by pulling from the end. It is some what thercker lens ahps spot melted in to the end of the tube. The bleb can be removed by pulling it off with a glass tube when hot.

    Blister:

    • Large bubbles in sheet and float glass are defects, but sometimes it can be a desired characteristic of art glass.

    Blobbing:

    • The embedding of colored glass chips to create blobs of contrasting color on an object's surface.

    Block:

    • Refers to a tool also called a paddle.
    • Also, pressed glass patterns of big irregular blocks.
    • Also, round wooden molds for centering glass.

    Block with Thumb Print:

    • Pressed glass pattern, like Diamond, having horizontal and vertical division separating blocks, each having an indented thumb print, made in about 1876.

    Blocking:

    • The gather is shaped in a glass mold.

    Blow Hose:

    • A rubber hose, connected to a glass tube, sometimes with a swivel for rotating, that makes it easier to manipulate and/or to see when blowing on a piece of tubing.

    Blow Out the End:

    • Also, blowing out a kidney or sausage.
    • A method of cutting glass tubing. A gob is formed on the end of glass tubing and blown into a thin ball and broken off, then fire polished.

    Blow Pipe

    • The hollow tube, usually of metal, for blowing glass.

    Blowing:

    • The process of inflating a blob of glass to form a shape. The glass is gathered at the end of a "blow pipe," or is an enclosed cylinder of soft glass canes.
      • See also:
        • Dip mold blowing
        • Free blowing
        • Full mold blowing
        • Closed cylinder blowing

    Blown Glass Classification:

    • Classification system for blown glass suggested by Samuel Laidacker in 1941.

    Blown Mold Glass:

    • Glass that has been mold blown in part or in whole.

    Blown Reproductions:

    • Reproduction of blown glass using old formulas, old glass as cullet, traditional tools and techniques. Such glass can be mistaken easily as originals.

    Blown Glass:

    • Free blown as opposed to rolling or drawing. The traditional process of glass production where a molten gather is rolled on a flat surface or marver, and air is blown through a blowpipe, inflating the glass for shaping.

    Blowpipe:

    • A hollow pipe, usually made of a mild steal, for gathering and blowing glass. Glass tubes that are used in flame working.

    Blowtorch:

    • Also called lamp or torch.
    • The gas burner used to heat glass rods for lampworking.

    Boaters:

    • Or Sailors.
    • Glass straw hats, often of milk glass, decorated in colors, flower sprays and gilded emotional verses.

    Bobeche:

    • Circular, shallow cups with central holes for holding sockets of candlesticks.

    Bohemian Glass:

    • Glass actually produced in Bohemia in the styles of Venice and Murano, known for splendid cutting and engraving. The glass was copied by German glass makers who laid claim to the style.

    Bone Glass:

    • Milk white enamel that integrated jaw bones and teeth of horses and cattle to obtain opacity and perceived virtues.

    Boot Glass:

    • Drinking glasses styled as a boot either free blown, mold blown or pressed. Many variations including engraved, cut or enameled; some later styles were match or tooth pick holders.

    Borsell:

    • Italian.
    • A tool with a tong shape used to shape glass. They can have patterns on the jaws to impress the glass (borella puntata).

    Borosilicate:

    • SiO2, B2O3 and Al2O3
    • A glass with relatively higher amounts of siclica and boron than soda lime glass, and words at a higher temperature and is called a "hard" glass.
    • A low-expansion, heat-resistant glass good for scientific apperatus, glass like: PyrexTM, KimaxTMand DuranTM.

    Boston Crown Glass Co.:

    • Factory that operated from 1787 to the 1790s and was known for its hollow ware and window glass.

    Boston Silver Glass Co.:

    • Factory that operated from 1858 until the 1870s, making flint and mercury glass ware.
      • Silvered ware (mercury) included:
        1. Chalices
        2. Door knobs
        3. Curtain hold backs
        4. Goblets
        5. Etc.

    Bottle Pitchers:

    • Pitchers made after blowing glass in a bottle mold.

    Bouquet:

    • One or more flowers creating a floral design in paperweight.

    Bouquet de Mariage:

    • The mushroom design, found in paperweights, where the mass of a mushroom is made of white stardust canes.

    Bouquetier:

    • Glasses with tazza or champagne glass style used for wine or to show flowers.

    Bow Lathe:

    • A lathe that is powered with a thonged bow powering the lathe spindle.

    Bowl Salts:

    • Saltcellars of 18th century blown glass usually having a goblet shape.

    Box:

    • The annealer.

    Box it:

    • To place into an annealer.

    Bradford Blackberry:

    • Pressed glass pattern with vines, leaves and berries curling around plain panel.
    • Emma Bradford, a collector, is credited with its discovery.

    Braintree Glass:

    • Glass (only bottles are known) produced in Braintree, Mass., from 1750 to 1752.

    Brandy Fruits:

    • Jars blown for commercial use for the preservation of fruits in brandies and their syrups.

    Breast Button:

    • Glass breast pump produced in America staring in 1750.

    Bridgeport Glass:

    • Green glass bottles and table ware produced in Bridgeport, Pa., from about 1812 to 1847.

    Bridgeton:

    • Glass factory in New Jersey, that made bottles, flasks and vials from about 1836 to the 1870s.

    Bridging:

    • A temporary support used when working glass.

    Broken Swirl:

    • Blown glass pattern with tooled horizontal indentations or panels, or molded similar patterns that form an angular swirl.

    Brooklyn Glass:

    • J. L. Gilliland & Co., started the plant in 1822, operated for 45 years, producing a variety and styles of glass.
    • The moved to Corning, N.Y., becoming the Corning Glass Company.
      • Production included:
        1. Cut glass
        2. Hollow ware
        3. Lamps
        4. Lantern glass
        5. Lenses
        6. Vases

    Brownsville Glass Works:

    • Factory at Brownsville, Pa., producing bottles and wares from the 1820s to the 1880s.

    Bryce, McKee & Co.:

    • Pittsburgh, Pa., factory started in the 1850s.
      • Production included:
        1. Apothecaries
        2. Perfumery
        3. Table ware

    BTU:

    • British Thermal Units is the amount of heat that raises one pound of water one degree Fahrenheit.

    Bubbles:


    Buckle Patterns:

    • Pressed glass with varieties of oval and waffle patterns.

    Bud Glasses:

    • Small, 2 ü to 4 inch, tumbler like vessels of solid glass with a shallow cone shaped depression. The vessels date from the 1850s to the1890s and were used to show off a single, short stem blossom at contests and shows. Also, these displayed artificial and dried flowers.

    Bull's Eye:

    • Also known as Lawrence.
    • Pressed glass pattern .

    Bull's Eye:

     


    Bull's Eye and Heart:


    Bunker Hill Bottle:

    • Pressed glass perfume bottle with the shape of the Bunker Hill Monument.
    • Produced from 1876 to the 1880s, it was about fifteen inches high, with a ground glass stopper.
    • Also a reference to a pickle jar featuring a view of Bunker Hill Monument, and labeled "Bunker Hill Pickles."

    Burgin & Pearsall Glass:

    • Kensington.
    • Factory the operated from around 1845, making green, and white glass wares.

    Burmese Glass:

    • Mount Washington Glass Co., of New Bedford, Mass., factory that was known for its art glass, blown and pressed. Reputed to contain uranium, the glass has shades ranging from rose pink to light yellow, and was produced for a period of ten years.

    Butt Seal:

    • The creation of one piece of rod or tube form two pieces by joining them end to end.

    Butter Dishes:

    • A European vogue that became popular in America during the 1870s. Butter dishes of pressed glass, replaced blown glass, and have been made in many styles and shapes. Production often is crystal or light green; but, amber, green, yellow, blue, milk, or clear glass can be found.

    Button:

    • A disc like expansion in the middle of a tube.
    • A flat disc made by pressing the end of hot glass rod onto a surface.

    Buttons, Glass:

    • Buttons of glass, in special colors, have been produced by many manufacturers in a variety of styles. Most often these items had other uses, such as bracelets, earring, or necklaces.

    Button Stems:

    • A wide band or bands resembling the rims of buttons found on stems of compotes, goblets, tazzas and wineglasses.

    Butt Seal:

    The connection where two rods or tubes are fused.

- C -


Cabbage Rose:

  • With reference to paperweights, it is the cabbage like strands of glass that create a clichy rose, passibly made in a rose cane mold.

Cabin Candlestick:

  • Vallerystal & Portieux, Lorraine, produced a 2 piece candlestick in the form of a cabin having a gilded roof and central chimney that held a candle.

Cable:

  • Pressed glass pattern, of alternating wide and narrow panels, with a twisted rope pattern; this was an commemoration of the completion of the trans-Atlantic cable.
  • Patterns that look link rope strands, or refers to glass thread applied to surfaces.

Cable Cord:

  • Pressed glass pattern, of alternating clear and colored panels, reputed to commemorate the success of the trans-Atlantic cable.

Cable in Ring:

  • Pattern similar to other "cables," and having a bent cable passing through a deadeye.

Cadalso Glass:

  • Early sixteenth century Spanish glass made by Dutch and Flemish glass blowers. Cadalso features are similar to glass from Nailsea, England having bicolored, spotted, or mottled forms.

Calabash:

  • Rounded, gourd shaped bottles with long tapered necks, similar to chestnut design with more roundness.

Calcium Carbonate:

  • Whitening, Ca CO2
  • Naturally occurring mineral such as limestone, chalk, marble and others. Used in the manufacture of many products, shelf primer being one.

California Glass:

  • California bottle factories started operation during the 1850s, beginning with the Pacific Glass Works.
    • Production included:
      1. Bottles
      2. Carboys
      3. Chimneys
      4. Flasks
      5. Lamps
      6. Shades
      7. Tableware
      8. Vials

Cage Cup:

  • Diatretum
  • An openwork cage like appearance of a cup with under cuts strut work that lets the surface design stand free of the body of the glass.

Cambridge Glass:

  • Cambridge, Mass., porcelain and glass factory, founded in 1814.
  • Producers of the first pressed glass in the United States.
    • Production included:
      1. Amberina (originators) glass
      2. Druggists' glass
      3. Lamps
      4. Overlay glass
      5. Silver glass
      6. Tableware
  • See New England Bottle Company.
  • New England Glass Company (NEGC).
    • It came from the purchase of two Cambridge firms, at auction: the Boston Porcelain & Glass Company and Emmet, Fisher & Flowers, in 1818. On of four partners was Deming Jarves.
    • Production included:
      1. engraved glass
      2. paperweights form approx. 1850 to 1880.
      3. plain glass
      4. pressed glass.

Cameo Glass:

  • Two or mare layers of cased glass in different colors, usually white against dark, that is layered and cut on a wheel to expose the cameo surface in relief. An appearance originally copied from hard stones, imitated with molds and acids baths. The technique was used by the Egyptians and Romans.

Cameo Incrustation:


Camphor Glass:

  • Glass having a cloudy-white appearance like refined gum camphor.

Camphor Jug:

  • Small clear glass jug for storing spirits of camphor.

Canadian:

  • Glass pattern of panels, with bosky views, separated with ivy vines.

Candle Bomb:

  • Amusement device of the 18th century consisting of a water filled glass bead. When placed into a flame, the heated water turned to steam with a band.

Candlesticks:

  • Venice and Murano produced the early examples early in the 16th century, or perhaps before. Candlesticks have been made in a wide variety of styles, and colors. A study could be made on the topic.

Candy:

  • Reference to scrambled millefiori paperwieghts.

Candy Paperweight:

  • Paperweights of nested glass canes that have the appearance of stick candy.

Cane:

  • Thin rods or strips of glass that have been stretched while hot to a workable thickness typically less than 1/4 inch. Often used for millefiori or masaic glass and making cotton twist.
  • Or Floret, a small piece of bundled or molded rods that have been pulled out and cut sto the there pappern appear in their cross section,

Cane Making:

  • The processes of stretching glass into thin rods and strips. Multiple colors can be used in a single cane to patterns.

Cannon and Drum Dish:

  • A drum shaped, milk glass dish; with a cover having a cannon and shot. Thought to be manufactured from the 1870s to 1890s.

Cannonball:

  • Pressed glass pattern of clear glass with marble sized glass balls on the edges.
  • Made by Butler Brothers during the 1880s and known too as Atlas and Crystal Ball.
    • Production included:
      1. butter dishes
      2. cake plates
      3. compotes
      4. goblets
      5. pitchers
      6. sugar bowls

Cannon Burner:

  • A large, surface mix bench torch.

Cantaro:

  • Fifteenth century Spanish glass vessels having two spouts, the bigger one for filling and the smaller one for pouring.

Cap:

  • To seal the end of a blowpiece with a finger, thumb or palm, to prevent the collapse of the blown piece.

Cape Cod:

  • Pressed glass pattern of oval panels separated by an interstice of stippling or ivy.
  • The name was also used for a pattern now known as Hamilton.

Cape Cod Glass Company:

  • Deming Jarves (after leaving Boston & Sandwich) founded the plant in 1858.
    • Production included:
      1. canes
      2. cut wares
      3. lamps
      4. table wares
      5. pressed wares
      6. paperweights
      7. specialty glass
      8. Vasa Murrhina glass

Cap Hanger:

  • The metal cap, used for hanging, on the top of a Christmas ornament.

Carbon Paste Mold:

  • Contemporary technique of lining blown molds with a carbon paste to rid mold marks.

Cardinal:

  • Pressed glass pattern of a jay or cardinal.

Carmen Cut:

  • Cut glass pattern produced from 1880s through the 1890s.

Carmines:

  • Short, squared shaped, red ink bottles, fitted with glass stoppers.
  • General term once used for containers for red ink.

Carruthers, George:

  • Established the Wheeling, Virginia glass works in 1820.
  • Producer of LaFayette and Jackson flasks.

Carpet ground:

  • A background or foil of closely packed identical canes for a background to a design.

Cartoon:

  • With reference to stained and mosaic glass it is the design of tracing paper for planning and laying out piece of the complete design.

Caryatid Bowl:

  • Feature on Caryatid figures, consisting of small globe.
  • Produced by the Boston and Sandwich Glass Company.

Caryatid Candlestick:

  • Figural Candlesticks.

Cascade Glass Works:

  • Pittsburgh, Pa., glassworks started in the 1850s.
    • Production included:
      1. Bar room glass
      2. Blown glass
      3. Colored glass
      4. Cut glass
      5. Plain glass
      6. Pressed glass

Case Bottles:

  • Bottles designated for use in cases, fitting in divisions of the case.
  • Case bottles have been designed in all shapes, sizes, and colors.

Cased glass:

  • Covering a glass with another color glass either by dipping to gather glass over it, or by blowing a parison a prepared cup of different colored glass. It was used by the Romans, an example, Portland Vase, the Bohemians and English of the mid 19th century, and later in the United States.
  • With reference to paperweights, casing creates a windows to view the center.
  • Also known as Overlay Glass.

Casing:

  • Also known as "cup overlay method," glass of one color is fused onto the inner surface of another colored glass. A "cup" of one color is introduced into the other colored glass. By repeating the process, multicolored glass is made.

Cast:

  • That glass made by kiln casting, by Cire perdue (lost wax) methods, or by sand casting.

Cast Glass:

  • The general term is for glass that is cast in one piece molds. The molds are often made of clay or plaster, sometimes for one use.
  • Two or three piece molds are used for casting of poured glass.
  • Forming molds are also used to cast poured glass around objects.

Casting:

  • Processes using molds to form glass.

Caster Place:

  • A special area of a glass factory for the use of expert craftsmen to work.

Castor Bottles:

  • Casting bottles feature either perforated or squirt tops to cast condiments, spices, etc..
  • Casters are frames to hold casting bottles as table piece.

Cast Porcelain:

  • Late 19th century, dense white glass that was usually pressed into forming molds.

Cathedral:

  • Also, known as gothic.
  • Pressed glass pattern featuring Gothic arches, like a cathedral, with either plain or crossed lozenges.

Cathedral Glass:

  • Transparent colored sheet glass.

Celery Handle:

  • Often found on Roman glass, it appears as vertical ribbing on a handle surface.

Ceramic Fiber Insulation:

  • A light material of alumina silicate fibers used in kiln. It absorbs less heat than insulating firebrick during heat up and makes kiln operation more economical.

Ceric Oxide:

  • CeO2
  • A pale, yellowish white compound that can be used a glass polish.

Centennial Glass:

  • Centennial 1876 anniversary glass made by many glass works in many forms and constitutes a broad topic.

Centennial Glass Works:

  • 1876 Centennial grounds glass works exhibition set up by Gillander & Sons.

Centennial Lamp:

  • 1876 production pieces with candle shades having the forms of tumblers, made in many colors and thought to be placed in rows on window sills.

Chain and Shield:

  • Pressed glass pattern having shield forms and inside bands of rope-work with inner pearl like bosses and a central sunburst.

Chain Decanter:

  • Blown molded decanter featuring baroque pattern with belted centers and chain like features.

Chair:

  • The glassblower's bench, which has flat extended arms to support tools held by the glass blower, while working the glass. Also, an archaic term referring to a team of glass makers.

Challinor-Taylor & Co.:

  • Tarentum, Pa., glass works.
    • Production included opalescent glass as:
      1. Duck & swan dishes
      2. Hen and rooster dishes
      3. Table wares

Chambers-Agnew:

  • Pittsburgh, Pa., glass works also known as the Pittsburgh Glass Works (Chambers, Agnew & Co. and A. & D. H. Chambers).
    • Production included:
      1. Bottles
      2. Druggists' glass
      3. Flint table ware

Chaplet Bead:

  • A latticinio thread twist.

Charge:

  • The process of loading a furnace with the batch or cullet to be melted.

Charger:

  • The person who charges the furnace.

Cheater:

  • A small tagged on piece of glass that protect the bottom a piece from being damaged by a punty.

Check:

  • The line of a crack that is visible from stress in the glass and bad annealing.

Checker:

  • Chequer
  • A paperweight design, checkerboard, of evenly spaced canes with a horizontal filigree separating the piece into a grid.

Chelmsford Glass:

  • Chelmsford (Lowell,1826) Mass., glass works that operated from 1802 to 1827.
  • Production included many forms of bottles, but it thought that the Lowell railroad flask was produced by this company. It featured a design of a horse drawn freight car on one side, with "Railroad" marked above and "Lowell" marked below. An eagle was on the reverse side.

Chemical Durability:

  • Glass has the ability to withstand wear and decay from exposure to corrosive materials.
  • Glasses with a high boron content and glasses with a soda lime content over 9 % resist chemical weathering that produces a scummy or foggy surface.

Chemical Etching:

  • The use of hydroflouric acid to remove the surface of glass. A frosted appearance is aceived by adding chemicals to the acid.

Chequer Weight:

  • A paperweight design of millefiori canes separated by short lengths of latticinio twists arranged in a checkerboard manner.

Cherry:

  • Pressed glass pattern featuring cherry clusters.
    • Varieties included:
      1. Cherry
      2. Paneled Cherry
      3. Stippled Cherry

Cherry-Red Glass:

  • Bright cherry-red glass made at Bristol, England from c. 1765, sometimes mistakenly fancied as Bohemian.

Chestnut Bottle:

  • Chestnut shaped bottles with many variations such as:
    1. Blown molded
    2. Diamond pinched
    3. Swirled
    4. Writhen
    5. Others

Chevron Bead:

  • See Rossetta bead.
  • A drawn glass bead with a star design made by its internal patterns of a multilayer fashion. The ends are cut or ground.

Chick:

  • Clear glass knobs and finials featuring a chick hatching from an egg.

Chill Mark:

  • Indentations on the surface of glass made by cold tools, gloves, or water drops.

Choufleur:

  • French, for cauliflower.
  • A form of ground in paperweights formed of loosely set canes with a twist.

Christmas Glass:

  • Pressed glass (1880 to 1900s) alphabet plates featuring Santa Claus and his Holiday Messages, surrounded with holly borders.

Christmas Lights:

  • Small vases with a bulbous form and rounded bases, for holding short holiday candles.
  • Made in many colors, originally may have been votive light shades that came to be used in Christmas creches and suspended from trees.

Chrysoprase:

  • A color of apple green appearance.

Chrystie, James:

  • New York importer of fine English and Irish cut glass.

Cincinnati Glass:

  • Glass works of Gray & Hemingway at Cincinnati and Moscow from 1815; and from 1851 or 1852, Covington, Ky.
  • The Cincinnati plant operated till 1822.
    • Production included:
      1. Bottles
      2. Flasks
      3. Tumblers
  • The Moscow plant
    • produced:
      1. Bottles
      2. Flask
      3. Window glass

Cire Perdue:

  • French, see lost wax process.
  • A casting technique for glass and metals. A wax model or a shaped layer of wax over a form is covered with the external mold. The wax is melted out of the cavity and metal is poured in, or with glass, a powder or fragments of glass are melted down by lengthy heating.

Cinquefoil:

  • A cane garland with five loops.

Circlets:

  • Millefiori canes arranged in small circles in paperweights.

Clam-Broth Glass:

  • Blown and pressed glass described as smoky, pearly, semi-opaque, and looking like clam juice.

Clamp:

  • A substitute tool for a pontil that holds the closed end of the glass vessel, while the open end is shaped.

Clapper:

  • Tool of glass making used to shape or form the footing of a piece.

Claret Jug:

  • Specially made claret wine pitchers having flared spouts, with handles and usually stoppers.
  • Blown pieces exist from the mid 17th century; pressed or cut glass pieces from 1880 to 1910.

Classic Period:

  • Paperwieghts, Frence production from 1845 to 1860.

Claw Beaker:

  • A decorated beaker usually having superimposed hollow truck like claws.

Claw Holder:

  • A tool for holding glass such as on the base, foot, or flared end.

Clear Ground:

  • A paperweight design with clear glass used for the background.

Clementon Glass:

  • Clementon, N.J., factory that produced window glass and bottles from the early 1800s.

Cleveland Glass:

  • Cleveland glass factory started by Anthony Landgraff in 1840.
  • Glass noted for its pale aquamarine color and blue tints and overtones.
  • Later the operated William Landgraff, then Caswell, and later Union Glass Co..

Clichy Glass:

  • Clichy la Grenne founded by Maes, Messrs, and Rouyer, possibly at Billancourt in 1837 or at Sevres in 1838, the operation moved to Clichy shorty after opening.
  • Glass produced in Clichy, France.
    • Production included:
      1. Bottles
      2. Fruit jars
      3. Paperweights
      4. Perfumers' ware

Clichy rose:

  • A rose like cane preferred by the Clichy factory that is imitated.

Clock Bottle:

  • Bitters bottle with a clock face marked Binnerger's, 19 Broad St., New York.

Clockcases, Glass:

  • Pressed glass clock casings, first made in 1845.

Clock-Mill Glass:

  • Rare Dutch glass item likely from the late 16th or early 17th century, some have bowls with engraved legends commemorating the unification of the Low Countries.
  • Tumber bowls were the base for silver mill having a clock face. Blowing through a tube caused the clock and mill to appear to operate.

Clock Wheels, Glass:

  • Pressed glass production of clock wheels, patented by John P. Bakewell of Pittsburgh in 1830.

Close Concentric:

  • Apatperweight pattern of spacing millefiori wieght with tightly packed concentric circles or canes.

Close Packed:

  • Also "close millefiori."
  • In paperweights, it is a tightly packed grouping of millefiori canes.

Closed Cylinder Blowing:

  • The process of inflating a blob of glass to form a shape. The glass is gathered at the end of a "blow pipe," or is an enclosed cylinder of soft glass canes.
    • See:
      1. Dip mold blowing
      2. Free blowing
      3. Full mold blowing
      4. Closed cylinder blowing

Cloisonne:

  • A technique of using gold or silver wires shaped into a designs of cells that hold enamel powder for firing.

Clover Cut:

  • In paperweights, it is the intersecting facets of surface cutting, a form associated with the New England Glass Company.

Cluster:

  • The close arrangement of like cane often used in Clish paperweights.

Clyde Glass Works:

  • New York glass factory, started in 1827.
    • Production included:
      1. bottles
      2. off hand production
      3. window glass

Coating Cement:

  • A colloidal silica used to coat fiber molds and kiln floors in place of kiin wash or shelf primer. To prevent deterioration caused by glass melting into the fibers of fiber insulated kilns.

Coaxial:

  • To have the same axis.
  • Two joined glass tubes or rods need to have the same center axis to rotate evenly in the hands.

Cobalt:

  • A metallic element that is a source of blue color in glass making. An impure form of its oxide of cobalt called the zaffer provides an intense color often toned down by fusing with potassium carbonate and a silicate that makes smalt, which is used to color glass blue.
  • Cobalt can be combined with other elements to produce more colors. For example: lead and antimony oxides produces green, manganese and iron produces a fine black.

Coefficient of Expansion:

  • A measure of percentage change in length or per degree C. change in temperature.

Coffeyville Glass:

  • Coffeyville, Kansas plant started in 1903 and became the Premium Glass Co. in 1905. It later moved to Sapulpa, Oklahoma. The company divided into the Barlett Collens Glass Co. and Liberty Glass Co., in 1918.
    • Productions included:
      1. Jelly glasses
      2. Globes
      3. Novelties
      4. Oil lamps
      5. Pressed glass

Coffin & Hay:

  • Glass plant successor to one started in 1831 or 1832, by Coffins and associates in Winslow, N.J..
    • Production included:
      1. Bottles
      2. Flasks
      3. Hollow ware

Cold Shop:

  • The shop where cold work is done.

Cold Work:

  • The techniques of cutting, engraving, grinding and polishing glass.

Color:

  • Glass, such as: frit, kugler, powder or rod that is colored with metal oxides and used to impart the color to a piece being worked.

Cog Cane:

  • In paperweights, it is a moled millefiori cane having a serrated edge.

Cog Method:

  • A style of notation used to identify Saint Louis paperweights.

Coin Glass:

  • Blown glass featuring a coin with a stem or foot.
  • Pressed glass with designs of US coins.

Cold Painting:

  • Kalte Malerei -- Germanic.
  • Glass painting technique that uses oil or distemper paint that is varnished or glazed for protection.

Cold Work:

  • Techniques not using hot glass such as: cutting, etching, polishing, sandblasting, and laminating

Colloidal Silica:

  • Extremely fine silica in a liquid suspension used a bonding agent in some cements.

Collar:

  • A metal ring or mask to mark off a disc or template that are used and help center a design that is picked up by molten crystal.

Colonial:

  • Ashburton style pattern of pressed glass, named in the 1870s.
  • Appearance of big "droop"thumbprint and droops over panels.

Color Ground:

  • The background opaque or transparent colors, onto which designs are placed.

Color Twist:

  • The characteristic colored, spiraled stems of English drinking glasses of about 1735 to 1775. Rare and faked, examples often are very restored. Continental examples are known to have poor colors.

Colored Glass:

  • Additions of various elements such as cobalt, copper, gold, tin, etc. provide color to glass.

Columbia Glass Co.:

  • Findlay, Ohio glass manufacturers.
    • Production patterns included:
      1. Dewdrop
      2. Hobnail
      3. Shell

Columbia Tray:

  • Pressed glass tray made in 1892, with a shield shape and the bust of Columbus.

Columbus:

  • Pressed glass patterned items, featuring Columbus, made for the World's Columbian Exposition, at Chicago from 1892 till 1893.

Comb:

  • See feathering and festoon.
  • The technique of dragging a tool across the surface of molten glass to decorate it in an applied design.

Combination Pressed and Molded Glass:

  • Combination molds from the later 1880s or so, permitted simultaneous blowing and mold pressing.

Combing:

  • The process of dragging through bands of softened colored glass at right angles with a pointed object to form a repeated pattern, marvering the resulting threads into the surface. Waves, feathers and zig zag patterns can be made by combing.

Comet:

  • Pressed glass pattern of a comet and bull's eye.

Commode Knobs:

  • Drawer pulls or furniture knobs made of blown glass, often cut and engraved.

Compatibility:

  • Mutual characteristics of glass, having the same thermal coefficient of expansion (a), that allow two pieces to fuse together with no undue stress on cooling.
  • Compatable glasses "fit."

Compote:

  • Tazza, early form.
  • Bowls on a stand of various sizes.

Compound:

  • With reference to drawn or wound beads, it is two or more layers of glass, one on another.

Concentric:

  • A a tightly packed or separated circle, or tightly wound spiral of canes around a common center.

Cone:

  • Small clay pyramid made to soften and deform at a specific stage of temperature and time. They are rated by their heat tolerance.

Cone Beaker:

  • Drinking vessels with the shape of tall slender cones often with trailed treads decorating the surface.

Conical Salt:

  • Cone shaped salt cellars, often with a turned over rim, like a valance.

Constitution Tray:

  • Pressed glass pattern featuring the frigate U.S.F. Constitution.

Constriction:

  • A thicker area on the inside of a glass tube.

Constructed:

  • Techniques that join combinations of glass with other materials through glue, epoxies, fusion, bolts, etc..

Continuous:

  • A furnace that steadily melts the batch charged in one end and pulls out hot glass on the other.

Cookie:

  • A gather of glass that has been pooled on a marver and used as the foot of goblets or base for the base of a piece.

Cookie Base:

  • The fat cookie shaped pad that is the base of fruit paperweights made at the New England Glass Company.

Cool to Room Temperature:

  • To allow all residual heat to dissipate.

Cookstown Glass:

  • Crookstown, Pa., glass works producing bottles and windows glass, from 1831 till 1846.

Copper in Glass:

  • Elemental or carbonated oxides produces an excellent green glass. Reds, blacks are produced when iron and maganese compounds are added.

Cords:

  • Inclusions that appear as striations of a different composition than the surrounding glass. Improper and insufficient mixing and melting of the glass is the cause.

Cordy:

  • Term used to describe the stringy look of badly melted glass.

Core-Forming:

  • Or core technique.
  • The use of a removable core around which the glass is formed. Traditionally, the core is made of an organic compound (i.e., animal dung), mixed with a binding agent (often clay). The core is fixed on one end of a metal rod and provides the interior shape of a glass vessel.
  • Rod forming is the similar technique, that is used in bead making, but it is distinguished by a thinner core. Melted glass is wound around the core.

Cork Glass:

  • The Irish, Cork Glass Company, produced a fine glass with somewhat gray, smokey appearance.
  • May be marked either on the bottom or side.

Cornaline d'Aleppo:

  • A two layered compound bead, drawn or wound, often a red tone over white or yellow.
  • Thought to be an imitation of banded carnelian onyx beads.

Corn Ear Bottle:

  • The Ear of Corn, blown mold bottle, was produced from the 1830s till 1840s. Its ribbing and dotting had the look of an ear of corn.

Corning Glass:

  • J. L. Gilliland & Co., started the plant in 1822, operated for 45 years, producing a variety and styles of glass.
  • The moved to Corning, N.Y., becoming the Corning Glass Company.
    • Production included:
      1. Cut glass
      2. Hollow ware
      3. Lamps
      4. Lantern glass
      5. Lenses
      6. Vases

Corset:

  • Victorian novelty bottles shaped like corsets.

Cotton Stem:

  • A stem type from the 18th century. Air is trapped as longitudinal channels, in a process of elongation and twisting the mass of glass, in cane making.

Cotton twist:

  • Twists of opaque white glass.

Coventry Glass:

  • Glass plant at Coventry, Conn., in production from 1813 to 1840s.
    • Production included:
      1. Bottles
      2. Chestnut flasks
      3. Free blown glass
      4. Historic flasks
      5. Inkwells
      6. Jars
      7. Mold blown glass

Covered Wares:

  • Early blown glass pieces date from the early eighteenth century and were sometimes etched, engraved or cut.
  • The broader definition is all wares matched with covers often at convenience.

Cracking Off:

  • The removal of an object from off a pontil. After cooling and scoring, as opposed to shearing, of the hot glass, the blow pipe is softly knocked and the object drops into a sand tray, V-shaped holder held by an assistant.
  • Also the tecique for making a rim on blown vessels, using a piamond point or other shapr stome and a trail of glass, and the vessel is separated from the overblow.

Cracking the Valve:

  • Briefly opening and closing a valve.

Crackle:

  • A method of texturing the surface of glass. Hot glass is immersed in water, cracking the surface while the inside stays hot and remains stable.

Crackle Glass:


Craig & Ritchie:

  • Wheeling, Va., glassmakers from c. 1829 to the 1840s.
    • Production included:
      1. bottles
      2. crown window glass
      3. cut glass
      4. plane glass
      5. pressed wares
      6. vials

Cranberry:

  • A light red glass colored with gold.

Crimp:

  • A style of tweezers to form glass bits.
  • In paperweights, it is a metal tool that is stuck into hot glass to create three dimensional lilies and roses.

Crimped Cane:

  • A vertically ribbed cane.

Crimper:

  • Ridged block mold to shape a bubble of hot glass to obtain the same effect as gaffering (hand crimping).
  • By placing a gather of glass into a crimper twice doubles the number of crimps in the glass..

Crimping:

  • The act of forming crimps in hot glass with a crimper.

Crimps:

  • Another name for "mushers."
  • A tool for flattening glass made of two metal plates on either a tweezer stule or lier style handle.
  • Sometimes used to impress a pattern.

Cristall:

  • Italian, Cristallo.
  • The term for Venetian soda glass made with barilla, of the 14th century, that is made to look like rock crystal (colorless and transparent). It chief characteristic was its softness or ductility that allowed intricate working into shape, and its transparency for the time. Many specimens with the term often have tinges of pale yellow to that of brown or gray.

Cristalleries d'Albret:


Crizzling:

  • Crisseling, glass disease, sickness.
  • Chemical deterioration of glass is referred to as 'weeping', 'sweating', 'sick', or 'diseased'. It is mainly due to the presence of excess alkalis in the glass reacting to moisture in the atmosphere, forming alkaline condensation, or tears, on the glass surface and creates a fissuring to the glass in fine gleaming lines, like small cracks, and surface dulling.
  • A common glass fault before the late 17th century, when George Ravenscroft remedied it.

Crossbill:

  • Scissors-bill flask date from the fourteenth century Italian and maybe Persian factories.
  • A double flask, or gemel, with crossed necks for oil and vinegar.

Crowfoot:

  • Pattern also know as Yale that dates from the 1880s or 1890s.
  • Pressed glass pattern featuring a design like ground-pine frond, or crowfoot.

Crown:

  • Also, dome.
  • That glass that is above the design of a paperweight.

Crown Weight:

  • A hollow paperwieght that alternates bands of colored and lacy white twists that spread out around a central floret by the top of the dome and dlows down the sides before converging by the base.

Crows-foot:


Crown Cut:

  • A popular cut glass pattern from the 1880s to the 1890s.

Crown Glass:

  • Early method of producing window glass.
  • Method of blowing and handling glass to make a crown of glass. A parison is blown into a bubble, cutting off the blowpipe and then attaching a pontil and rapidly spinning it to expand the open end forming a wheel.

Crown Weight:

  • A paperweight that is hollow blown.

Crucible:

  • Ceramic pots for melting glass.

Cruciform:

  • A reference to glass, mostly bottles, that have the shape of a cross.

Crucifix Candlesticks:

  • Religious candlesticks, often made for Catholic churches and home shrines.
  • Crucifix also denotes candlesticks with the cruciform base outline such as Malta or Swiss cross.

Cruet Set

  • A paired set of cruets and a tray.
  • Made of milk or clear glass, usually blown and sometimes having a tooled surface.

Crumb Glass:

  • A method of decorating hot glass by rolling it on small pieces of colored glass.

Crystal:

  • Term for the finest lead or flint ware with the quality like natural rock crystal.
  • Full and Lead: Cristal superieur, full crystal with a lead content of 30%, compared to half lead that has 24%.
  • Patterns of pressed glass having divided panels with simulated lozenge cutting.

Crystallo-Ceramie:

  • The art of glass and ceramic combinations often enclosing ceramic objects with glass giving them a silvered look.
  • A patented name and process created by Apsley Pellatt, for comeo production.
  • Also known as glassed-in paste or sulfides.

Cullet:

  • The glass-maker's assemblage of glass to be used in hot process that has been previously melted and cooled.
  • Some cullet is commercially made and cullet scraps can be added to the batch, at 1/4 to ü of total.
  • Cullet can refer to leftover or waste glass.

Cunningham & Ihmsen:

  • Pittsburgh City Glass Works, from the 1850s to 1880s, started by Cunninghm.
    • Production included:
      1. bottles
      2. colored wares
      3. druggist' wares
      4. fancy glass
      5. window glass
      6. vials
      7. etceteras

Cunningham, I.S.:

  • 1820s glass and china dealer in Boston, noted for large and diverse inventory.

Cupid and Psyche:

  • Pressed glass pattern of Cupid holding a looking glass for Psyche within a circular border.

Cupid and Venus:

  • Pressed glass patter depicting Cupid and Venus within an oval band of pearls.

Cups and Saucers:

  • Considered having large production of blown and pressed glass in black and opaque white glass.

Cup-Overlay Method:


Cup Plate:

  • The small plate to hold a tea or coffee cup when it was fashionable to drink from the saucer.

Curiosities:

  • Wide varieties of objects often made after hours, or offhand work.
  • Some curiosities have been production pieces.

Curling & Price:

  • 1827 Fort Pitt Glass Works in Pittsburgh, Pa., proprietors. Later called the R. B. Curling & C. (1828), and later the R.BV. curling & Sons (1831).
    • Production lasted into 1900s and included:
      1. cut glass
      2. globes
      3. lamps
      4. plain flint ware
      5. pressed glass
      6. shades
      7. tablewares

Currant:

  • Pressed glass pattern of a wide band of currant clusters and leaves.

Curtain:

  • Press glass pattern of curtained panels.

Curtain Holdbacks:

  • Blown or pressed glass heads for holding back curtain.

Cushion:


Cusp:

  • A central pointed stem knob, or reference to the point where two branches of a curve meet and stop.

Custard Glass:

  • A milk and egg custard colored variety of opaque white or milk glass.

Cut Carboys :

  • Fine and large flint glass decanters that were cut or engraved and fitted with stoppers that date from the 1750s to 1880s.

Cut Glass:

  • Glass that has been cut with a wheel of iron or stone and abrasives into decorative abstract patterns often of flutes and facets.

Cutoff Saw:

  • A mechaised abrasive wheel for cutting glass rod and tubing.

Cyclone:

  • A classical pattern of pressed glass, having wide swirls of oval banding.

- D -


DAB:

  • Acronym for Draw and Blow.

Daisy and Button:

  • Pressed glass pattern characterized by cuts aligned vertically, horizontally and obliquely to form alternating daisies and buttons.
  • Production pieces included: clock-cases, frames for pictures, novelty items and tableware.

Daisy and Diamond:

  • Also know as: Daisy in Square, Daisy or Diamond in Hexagon.
  • An American pattern of either blown three-mold or mold-blown glass, the later form thought once to have been made by Stiegel.

d'Albret Glass:

  • The French glass gactory started in 1918, by Roger Witking, that began making sulfides in 1967 under the name "Cristalleries d'Albret.

Dagenhart:

  • Pressed glassware producer from eastern central Ohio, until about 1970s when transferred to Boyds Crystal Art. Mr. Dagenhart was 92 on his passing, and his wife was said to lived past a 100.

Dakota Glass:

  • The name of a Pittsburgh product line, made for the Milwaukee company: Blair & Andree.

Date Cane:

  • Millefiori canes with numbers of letters that identify the year of mamufacture.

Daum:

  • Important modern crystal glassware produced by the Daum Company of Nancy, France. Revered for its clear crystal bowls, vases, table services, lamps, and sculptures that are often decorated with applied pieces of lightly colored crystal.

Day Tank:

  • A furnace that can cycle through its charge and melt during a twenty-four hour sesstion.
  • Usually larger and more expensive than pot furnaces.

Decal:

  • Also called transfers.
  • A specialized paper for transferring design to surfaces such as glass by a process of decalcomania. Sometimes it is baked onto a surface

Decanter Jugs:

  • Wide mouthed wine containers having a decanter shape.

Decolorizing Agent:

  • Chemical that are added to glass to clearify it.

Decorative Paperweight:

  • A reasonably priced paperweight, made for new collectors, made in large quantities and often unsigned or signed with a paer seal.

Deer and Doe:

  • Deer and Pine Tree.
  • Pressed glass pattern of deer (one with antlers) by a tree.

Design:

  • With reference to paperweights, it is the internal decoration.

Devil's Fire:

  • With reference to paperweights, it is a mottled, swirled pattern that is used by Millville.

Devitrification:

  • Also known as "devit."
  • A deterioration process in which crystals form in the glass, or appear as a fog or scum on the surface and give a dull appearance.
  • A fault of the manufacturing process when glass is heated incompletely or unevenly. Also caused by chemical impurities on the surface, and "cold working".
  • Crystallization occurs when glass in held somewhat below its liquidus temperature, about 1400 degrees F. for most glass.

Dewdrop:

  • Pressed glass patterns dating from the 1890s through the 1900s, with thirteen or fifteen varieties.

Dewey Glass:

  • Glassware made for the Peace Jubilee in Philadelphia at the turn of the century, named for the Admiral George Dewey.
  • The Admiral likeness was featured milk-glass platters, colored plates, pitchers, sugar bowls, tumblers, bottles and dish cover knobs.

Diameter:

  • The measure through a circular object at its greatest width.
  • In paperweights, it is the common measure of size.

Diamond:

  1. Blown glass pattern made by tooling and nipping. Known a "nipped diamond-wise" ordip'd diamond waise."
  2. Method of blowing a gather of glass into a ribbed mold, where glass rods were held into the rib, and then nipping the rods to form the diamond (or diapered) pattern.
  3. Glass blown into a mold with a diamond pattern, and expanding it after removal.

Diamond Cut:


Diamond Patterns -- Pressed:

  • Patterns consisting of arranged diamond points.

Diamond Point with Panel:

  • Representation of a thistle like pattern in pressed glass.

Diamond Shears:

  • Also called combination shears.
  • Scissors with a "jaw" to both cut hot glass, and to grip hot glass, blowpipes, or punties.

Diaphragm:

  • The pressure sendor on a regulator.

Diatretarii:

  • Latin
  • The term in some Roman legal documents that distinguish some artisans from the vitrearii (glassblowers). Diatretarii finished glass by cutting and engraving.

Diatretum:


Dichroism:

  • The appearance of one color in relfected light and another with tranmitted light. Such as with gold fuming, the glass has a metallic gold appearance in reflected light, but appears blue, pink, or violet from light shining through it from the back.
  • Reference to glass that shows different colors from different lighting.

Didymium:

  • The combination of two rare earth elements: neodymium and praseodymium.
  • Glass filter lenses made of didymium doped glass absorb infrared and ultraviolet radiation, and the yellow flare produced by hot glass.

Die Sinker:

  • A person who makes metal molds.

Dilution Ventilation:

  • Ventilation that dilutes hazardous vapors with fresh air into the work area with a cross current of air.

Dip:


Dip-Mold Blowing:


'Dip-Overlay Method':


Disc:


Disc Formers:


Diseased:


Dishes:

  • Glass flatware: dishes, trays, salvers, and plates that are blown cut, mold-blown and pressed glass.

Dispensary Bottles:

  • Glass bottles having insignias marks, symbols of organizations, institutions or states.

Doflein, Philop:

  • The maker of molds for glass blowing at the Bridgetown, N.J., Glass Works.

Dog House:

  • The opening for charging a continuous melt furnace.

Dolphin Candlesticks:

  • Pressed glass candlesticks of the Sandwich Glass Works of the M'Kee Brothers of Pittsburgh, and others.
  • A dolphin base supports a candle socket on its tail.

Dolphin Epergne:

  • Possibly French for e'pargne--economy.
  • A big , shallow bowl with a dolphin supporting a glass tray and vase.
  • A double purpose center dish holding several foods.

Dolphin Lamps:

  • Dated from the 1840s or prior.
  • They are alike the dolphin candlesticks but having an oil font instead of a candle socket.

Doorstop:

  • Huge pperweights made mostly by midwest glasshouses in America and English bottlemakers.

Dome:


Domed feet:

  • A characteristic of 17th and 18th century glasses, goblets and sweetmeats. The technique also prevented pontil marks from scratching surfaces.

Dopplewand Glass:

  • c. 1760 Bohemian glass.
  • Revival of old method of applications of gold or silver to glass, and coating it with a layer of glass.

Dorflinger Glass:

  • Christian Dorflinger (b. 1828), a glassmaker taught at the Saint Louis factory of Lorraine, France. Dorflinger came to America in 1846, working in Philadelphia, and Long Island.
  • The Dorflinger museum exist at White Mills, Pa., where Dorlinger retired and built a small glass works for fine cut wares.

Double Dipped:

  • Glassware featuring one color, often opaque white on the inside and another color on the outside.
  • The dip or inner color is shaped on a blowpipe and dipped into the outer color for final shaping.

Double Flute:

  • Pressed glass pattern.
  • Another name for Ashburton.

Double O-G:

  • OOG
  • Refers to shapes of saltcellar or vessel having a double ogival curve or line.

Double Strength Glass:

  • Standard clear windows glass of 1/8" thickness.

Double Overlay:


Double Pressing:

  • Glassware made by pressing the product twice to achieve the desired form.

Dragged Glass.


Drawer Pulls:


Drawing:

  • To pull a glass rod tube out, making it a smaller diameter.

Drawn Glass:

  • The Fourcault method is used to vertically pull or draw the glass. Also referred to as machine antique glass, in the past it produced windows glass of uniform thickness.
  • Drawn tubes can be cut to produce uniform beads.

Drawn Stems:

  • Drawn stems are usually solid, but can be hollow as in some champagne glasses. The process pulls the thicker part of the blob at the end of a blow pipe, as a draw to form the stem. Often the shape is simple, such as round, oval or trumpet shaped.

Dry Strength:

  • Material strength after drying but before firing. With reference to overglazes, it refers to surface bonding capacity, an important property that allows handling.

Duckbill Shears:

  • Scissors, often with short blades and blunt curved tips.
  • Used mosty for trimming a glass vessels lip.

Duncan Glass:

  • Factories that the Duncans held interest.
    • Production included:
      1. amberettes
      2. flint wares
      3. novelties
      4. polka-dotted wares
      5. pressed wares

Duran:

  • A trademark of the Schott Glasswerke for its borosilicate glass.

Dyott, T. W.:

  • Noted glass producer who purchased the Kensington Glass Works to make bottles for his own uses, such as: medicine chests and medicines.
    • Production included:
      1. bottles
      2. carboys
      3. containers
      4. flasks
      5. etceteras

- E -


Eagle and Arms Sugar Bowl:

  • Pressed glass commemorative of the Spanish-American War from 1898 to 1900.
  • Features four eagles, seperated by cannon, on slumping shields that make the feet of the bowl.

Eagle Chimney:

  • Popular design form 1876 to c. 1890.
  • Lamp chimneys and globes with cut or etched eagles.

Eagle Glass Works:

  1. Port Elizabeth, N.J., glassworks started by James Lee and others in 1800 and operated until the 1880s.
  2. A Pittsburgh, Pa., glass plant that operated from the 1820s to the 1850s.

Eagle Mustard Pot:

  • Pressed pattern of milk glass with the head of the eagles forming the cover of the jar, about five inches high.

Edelweiss Cane:

  • A mllefiori cane with a white star shpe around the core of a yellow rod bundle, the desigh look like the edleweiss flower, the Swiss national flower.

Edwards Glass:

  • Early nineteenth century glass made at Belfast, Ireland.

Eglomise Panels:

  • Glass panels painted on their backs with landscape or patterns.
  • Traditionally the term is from Glomi, a Parisian who fixed gold leaf onto the the back of glass, cutting design in the gold and then coating it in colors.
  • Chinese work pre-dates Glomi.

Egyptian:

  • Pressed glass patterns featuring Egyptian and Greek decorations.

Elasticity:

  • The ability to return to initial form after deformation.

Electroforming and electroplating:

  • Thin layers of metal are electrochemically applied to a glass surface.

Element:

  • A resistance coil of wire that heats up when current is applied. Also a part of a kiln.

Ellenvelle Glass:

  • Ellenville, N.Y., glassworks operating from 1836 to the 1880s.
    • Blown glassware's included:
      1. bottles
      2. bowls
      3. flasks
      4. hollow wares
      5. tablewares

Empire State Glass Works:

  • Francis Thill started this Brooklyn, N.Y., glass works in the 1850s.
    • Production included blown ware in:
      1. clear
      2. colored
      3. flint

Enamel:

  • Vitreous enamel paints when fired to fix the colors create a long lasting decoration on glass.

Enameled Glass:

  • Revived method used by Dutch, French, Italian and Swiss glasshouses from the seventeenth century.
  • Glassware was painted with low temperature vitrifiable enamels and refired to fix the enamel.

Enameling:

  • The technique to decorate glass using powdered colored glass, suspended in a liquid, applied to the surface of glass and fired to fuse it onto the glass.

Encased Overlay:

  • See overlay glass
  • A single or double overlay design that is additionally encased in clear glass.

End of Day:

  • See scrambled.
  • A reference to paperweights.

End of the Day Glass:

  • Offhand work done after hours by glassmakers, using up glass remaining from the days production.

Engraved Glass:

  • Pre-Christian technique that today uses copper cutting wheels and diamond pointed tools to create designs in glass.

Engraving:

  • The use of a copper, diamond and or other wheel to abrade the surface, or to use a diamond pointed tool to stipple the surface. Contemporarily engraving encompasses etching and sandblasting under the term engraving.

Enamel:

  • A durable coating of glass that can be opaque or transparent and fuses at a relatively low temperature. It is often applied as a powder to decorate metalwork, pottery, and glass, requiring a lower melting point than the substrate it is applied to. Often it is mixed into a compound with a vehicle. like lavender oil, which allows it to be painted. Firing the object burns away the vehicle.

Enameling:

  • A process for decorating a glass surface by using finely powdered glass, suspended in a liquid medium, applied to the surface and fired, so that the glaze fuses to the glass.

Encased overlay:

  • A single or double overlay design that is encased in clear glass.

Epoxy resin:

  • A bonding agent of synthetic resin used to bond glass in laminations and sculpture constructions.

Equatorial:

  • Reference to the middle width of a bead perpendicular to its hole.

Etched Glass:

  • Method of masking designs on glass with a resistant media like wax, paper, or asphaltum and then exposing it to hydrofluoric acid fumes to etch designs

Etching:


Etruscan:

  • Pressed glass that imitates cut glass. Oval "thumbprint" loops alternate with a trio of spearlike cuts.

Eugenie:

  • Pressed glass pattern by the M'Kee of Pittsburgh works.
  • The pattern features leaves, shields and shields in a French manner and named for the Empress of Napoleon III.

Excelsior:

  • Pressed glass pattern of large thumbprints and raised loop surrounding them, that made diamonds at their junctures.

Excelsior Glass Factory:

  • Camden, N.J., plant started in 1841.
    • Production included:
      • cut
      • engraved
      • flint
      • plain

Expanded Diamond:

  • Method of applying a tooled diamond to a gather of glass and expanding it by blowing.

Expansion Coefficient:


Eye Beads:

  • An eye like circular motif applied to or embedded in beads

- F -


Fabricut:

  • An open weaved cloth that is carbide impregnated and has an open weave that facilitates its use to sand shelf primer.

Facet:

  • Also printy or punty.
  • A concave or glat surface made when a side or top of paperweights are shaped on a grinding wheel.
  • Printy often denotes a facet that is concave

Faceting:

  • With reference to paperweights it is a flat cut on the domed surface.

Facon de Venise:

  • The Venetian manner of glass making, or Venetian like materials performed at places other than Venice.

Faience:

  • A predeccessor to glass. It is made of partially fuse quartz sand with mineral coloration, a type of ceramic of a quartz body and glass-like glaze.

Fan and Diamond:

  • Pressed glass pattern by Bryce, Walker of Pittsburgh, Pa., from about 1875.

Fan Cut:

  • Cut glass patterns from the 1880s.

Farley & Taylor Flask:

  • Assumed to have been made at the Louisville Glass Works (1855 - 1860s).
  • Flasks, quart or half gallon in size, marked with "Farley & Taylor, Richmond, Ky."

Farrell, Felix:

  • From Ireland, Farrell worked at H.W. Stiegel and later the Philadelphia Flint Glass Works, in Kensinton, Pa., from about 1777.

Favrile:

  • See Tiffany.
  • A form of glass patented by L. C. Tiffany in 1894. It is characterized by an iridescent coating on the surface.

Feather patterns:

  • Or festoon
  • A feather like pattern achieve by spiral applications of threads drawn up into pointed vertical lines in a series of hanging loops or festoons, or up and down applications with feather like appearance.

Feathering:

  • A decorative combing of the surface of glass done by dragging a tool across parallel lines at a right angles, and in both directions, to get a feather like appearance.

Festoon:

  • A marbrie weight's swag design.
  • A combing technique like feathering, but the glass in combed in one direction only.

Fiber Frax, Frax:

  • A specialized insulating material used in hot shops, that is hazardous to handle or breath.

Fiber Paper:

  • A fiber paper of alumina silicate used for a fusing surface instead of shelf primer. The fiber impresses a fine matte finish to glass surface.

Fiber Softening Point:

  • The temperature above the annealing range in which glass deforms under its own weight.

Fili:

  • Also Vetro a fili, or filigrana.

Filigrana, Fili:

  • vetro a filigrana
  • Glass canes of a colored center coated by clear glass.
  • All varieties of blown glass, composed of white and sometimes other colored canes.
    1. vetro a fili: all the canes form parallel lines
    2. vetro a retorti (retortoli): each cane is twisted into a spiral.
    3. vetro a reticello: canes cross each other to form a fine mesh, which may trap small bubbles.

Filigree:

  • Also known as lace or muslin
  • Transparent glass with twist of glass rods or threads, to make a fine networked pattern.

Fine, fining, fining out:

  • Process of melting glass over sufficient time frees the glass of bubbles. Some glass is easier to fine than others.

Fire Polishing:

  • The removal of tool marks. sharp edges, or dull surface by reheating a piece at the glory hole. The surface tension of heated glass draws it smooth.
  • Acid polishing is sometimes now used.

Firing Down:

  • During the cooling of the annealing range a small amount of heat is added to the kiln to slow the cooling rate.

Firing Schedule:

  • The fusing cycle record of time and temperature.

Fire Polish:

  • The restoration of surface sheen of a worked edge by reheating.

Fit:


Fixed Liquid Level:

  • The filling of propane tanks by volume.

Flame Annealing:

  • The annealing of glass by a torch flame. It is done by gentle heating of glass, right below its softening point, and letting it "soak" at that emperatire for a couple minutes and allowing it to cool slowly.

Flame Cutting:

  • To cut glass with a flame.

Flame Ware:

  • See pyrex.
  • Glass that is resistant to cracking at room temperature when exposed to flame.

Flame Working:


Flammiform:

  • The form of a flame used for decorated effect. Often this is done at the end of wrythen molding.

Flare:

  • The tooling of glass tubing to spread an end outward.

Flash:

  • The thin coating of transparent colored glass that is applied to a paperweights base.
  • A flash overlay applies the glass over the whole paperweight.
  • To briefly heat a piece of hot glass to maintain its temperature to prevent cracking.

Flashing:

  • Also dip overlay.
  • See fuming, flash..
  • Technique of fusing a glass of one color, dipping, onto the outer surface of a gather of glass that is a different color.

Float Process:

  • The process of floating molten glass over a bath of molten tin, where it spreads to an even thickness and a fire polish.

Floor Model:

  • A piece of glass that has hit the floor, obviously.

Flux:

  • Chemicals, such as lead, soda, potash, used to lower the melting point ot the silica components of glass.

Field & Clark:

  • Glass cutters of Utica, N. Y., from about the 1820s to 1840s.

Figural Bottles:

  • Term for blown glass bottle with the look of the human form.
  • Also term used for bottles of animals, fruits and vegetables.

Figural Candlestick:

  • Usually pressed glass candlesockets supported by a caryatid.

Figural Glass:

  • Ranging from busts to half or full length figures from England in 1850.

Figured Pressed Glass:


Filigree Glass:

  • Art glass made of different colored canes fused along thier legths and then twisted while heated creating an interanal spiral of alternating colors along the length.

Fine Cut:

  • Pressed glass pattern that initates cutting into bars and lozenges by crisscross diamond and diapering.

Fine Ribbed:

  • Pressed glass pattern like Bellflower,Grape or Ivy but without the appearance of those namesakes.

Fire Extinguisher Bottle:

  • Bottle of many forms that held fire extiguisant fluids.
  • The period of 1870s to 1880s propered the invention of many novel devices.

Firing Glasses:

  • Drinking glasses from the 1650s to 1850s with overly thick stems and strong bases to pound tables in applause.

Fish Globe Cage:

  • A blown gold fish bowl that held a bird cage in it's hollow interior.

Fish Scale:


Fislerville:

  • A New Jersey factory started in 1850
    • Production included:
      1. bottles
      2. containers
      3. flasks

Flaccus Glass:

  • Glass made at Wheeling, West Verginia.
    • Production included:
      1. novelties
      2. tablewares

Flag:

  • 1870s: experimental tiles of slag or black glass in flat or tile form used for roofing.
  • 1890s: pressed glass patterns with of a band of stars with molded verticle stripes used on:
    1. creamers
    2. pitchers
    3. sugar bowls
    4. other products

Flanged Cover:

  • Glass covers having the glanged skirt inside atheir rim that fitted into bowls or other glass products.
  • The flanged designed was used through the eighteenth and part of the nineteenth centuries.
  • Used in general until about 1805 when the gallaried rim was produced.

Flashed:

  • A thin coating of different colored glass, seen in section much thinner than casing or overlay.

Flashed glass:

  • Sheet glass with two layers of different colors and usually thicknesses. Sandblasting and etching creates shading and if fused onto a third color, the nature is for fused glass edges to turn up creating a natural outline.

Flashing:

  • Aslo flashed
  • Also known as 'dip overlay method', flashing dips and then fuses a thin layer of different colored glass onto a glass surface. The process is repeatable to create multicolored layered glass.
  • See fuming.

Flat Bouquet:

  • Also nosegay.
  • Aslo refers to the design of some paperweights.
  • A design where components such as flowers and leaves, or cane to depict them, are lain flat and parallel to the base.

Flat Diamond with Panel:

  • Pressed glass patterns of deamond like lattices seperating oval panels.

Flat Sawtooth:

  • Pressed glass pattern, like Sawtooth, but having diamond patterns with flattened points.

Flint Glass:

  • An American term of the 19th century for fine, lead glass.
  • The term originates from the original experimentation with powdered flints instead of lead oxide.

Flip:

  • Drinking glasses usually of over ten ounces in size.

Floating Glass Works:

  • A riverboat, mentioned in publication in 1842, that had a glassmaking facilities that operated on the Ohio River. This operation made the first factory on a boat as well as the first store boat to produce its own wares.

Float Process:

  • The process of floating glass on a surface of molten tin, that spread the glass into uniform thickness with a fire polished surface on both sides.

Floret:


Flower Pattern Glass:

  • Pressed glass pattern of numerous forms of floral depictions.

Flower Troughs:

  • Pressed glass trays or troughs made from the 1860s, in different forms and pattern, for floral arrangements.

Flower Weight:

  • Paperweight that have a lone flower as the main subject.

Flue:

  • The chimney of a furnace.

Flutes:

  • Pressed glass pattern having tapered panels and curved tops creating the lines of the glass work.

Fluting:

  • Vertically surfaces cut in long narrow section, sometimes molded but usually cut with a wheel.
  • Upright markings on pressed glass where the space between the markings are wider than the markings.

Flux:

  • Chemicals such as soda, potash and lead, that lower the melting point of the main silica body of the batch, promoting fusion and flow. Flux added to colors of enamel, allowed them to melt before surface onto which they were applied to.
    1. Venetian glass, soda ash
    2. Bohemian, potash.
    3. Forest, wood ash.
    4. Lead crystal, lead oxide.

Fly Trap:

  • Literally, fly traps of glass dating from the 1840s.
  • A stopperd, short decanter like glass having a "bumped up" bottom with a opening that sat on a footed ring.

Folded Foot:

  • The edge of a foot that is turned under to form a sturdier double rim to rest a glass piece. An important feature for fragile soda glass that disappeared with the arrival of lead glass.

Folded Rim:

  • Also, folded foot
  • A narrow border (turned under) of double thickness glass on the edge of a vessel, often on the foot, provides greater strength and chip resistance on fragile glass such as soda. The appearance of more durable lead glass decreased its need and use. A 19th century variation, folded over glass feet, offered protection against damage.

Foot:

  • That part of a glass object that actually rests of a surface, as opposed to the base.

Foot Flattener:

  • The tool that flattens the foot of stemware, often made of wood.

Footed Decanter:

  • Novelty decanters from the 1820s imported by I. S. Cunninghom of Boston and assumed to be of English or Irish production.

Footed Ware:

  • A glass objects having a base attached.
  • Many forms of footings exist.

Footed Weight:

  • Also pedastal weight or piedouche.
  • A paperweight that has a pedestal with a flange on the bottom.

Forest Glass:

  • A usually green glass of Middle ages, and later, forest glasshouses of central and northern Europe. Iron impurities in the available sands created the green tones, and the glasses were often fluxed with potash from the furnaces.

Form:

  • A heat resistant objects that is used to form the glass, such as in the slumping process.

Founding:

  • Process of making glass in a furnace by melting and fusing the materials.

Four Petal:

  • Pressed glass pattern of circles placed to form four petal that are seperated with squares. The veined petals form wquares in the circles and have a dot or circle centered in each larger circle.

FOW:

  • Acronym for Fold Over and Wipe.
  • Method of building up hot glass on the work.

Franklin Glass:

  • 1. The Franklin Glass Works was started in 1812 in Warwick, Mass.
    • Production included:
      1. bottles
      2. bowls
      3. vases
      4. vials

similar glass ware

  • 2. The Franklin Glass Works was started in 1861 by Gillinder and others at Philadelphia. It later was known as the Gillinder Glass Works.
  • The factory moved to Greensburg, Pa., in the 1880s and later merged with U. S. Glass Co.
    • Production included:
      1. bottles
      2. blown glass
      3. cameo glass
      4. camphor glass
      5. candlesticks
      6. lamps
      7. novelties
      8. shades
  • 3. A Franklin Glass Works existed at Malaga, N.J.

Free-blowing:


Free Will Glass:

  • The Free-Will Glass Manufactory was started in 1835 at Williamstown, N.J..
    • Production included:
      1. bottles
      2. glasks
      3. vials
  • In the 1850s it merged with the Washington Glass Works.

Freezing Range:

  • Temperature range at which glass solidifies.

Frigger:

  • The traditional term of the personal (craftsman) or the pieces they produced for personal or decorative use, or as a present to family members, or as an article to sell to friends or neighbors.
  • An end of the day piece.

Frigging:

  • English
  • These were after hours products that used up left over glass and were sometimes called end of day glass

Frit:

  • Also called jimmies.
  • Glass that has been crushed or ground into powdered graded sizes for later use to add color.
  • Also, a calcine mix of fluxes and sand to melt into glass.
  • Protective dust mask gaurd against silicosis with powdered glass.

Front Loader:

  • An annealer with the door hinged on the front.

Frosted Artichoke:

  • Pressed glass pattern of an artichoke leaf in arranged either as a pyramid or over all application.

Frosted Eagle:

  • Clear glass wares that had etched decor and frosted knobs or finials formed of eagles.
  • The bases were corded and of low footing.

Frosted Glass in Patterns:

  • Any patterned frosted glass.
  • The book Early American Pressed Glass by Ruth Webb illustrates many.

Fruit Knives:

  • Made in the 1840s at Paris.

Fuchsia in Square:

  • Pressed glass patterns of the fushsia flower and foliage in somewhat tapered square panels.

Fugitive:

  • An elusive characteristic such as color or visual effect that is short lived or hard to control.

Full Fuse Temperature:

  • Temperature, 1550 to 1620 F., which glass melt to form a flat surface.

Full Mold Blowing:

  • See Blowing, Full Molded, Full Blown Molded.

Fuming:

  • Also called flashing.
  • Vapor deposition of a thim film of metal on the surface of glass such as: gold, silver, or platinum. This creates either a color tine, iridescence or shiny metal surface.
  • Coating a glass surface with a thinly sprayed film of metal chlorides that creates a wrinkled, iridescent sheen to the surface.

Furnace:

  • An apparatus that can make or melt glass to needed temperatures. A glory-hole in the furnace allows access to the molten glass.

Furnace Glass:

  • Glass that has come out of a furnace to be worked.

Furniture Knobs:

  • Also knows as drawer pulls.
  • Glass objects, for furniture, made from the eighteenth century, either blown, cut, or engraved.

Fuse:

  • The application of heat to join two things together.

Fuse to Stick:

  • The lowest temperature when fusion occurs and glasses stick together, but still retain respective characteristics with no flow between the individual layers of glass.

Fused Quartz:

  • A glass made from pure silica (SiO2). It is very resistant to chemicals and thermal shock.
  • It is used for high temperature work.

Fusing:

  • A process of taking two or more pieces of glass and melting them together.

Fusing Ranch:

  • Founded in 1980, this was a research and education laboratory for the craft of glass fusing and study supplies used in the craft. Noted for an expensive lawsuit that occurred in 1993.

- G -


Gadget:

  • A specialized rod with a plunger activated spring clip on its end to grip the foot of newly made glass objects, while the worker finishes the piece. The replaces the pontil and avoid the mark a pontil would leave. When the work is finished, the glass can be remotely dropped into a bed of sand before annealing.

Gadrooning:

  • A decorative band used on Venetian glass, jelly glasses and lower parts of the bowls of some drinking glasses. It originated from a popular silver form of molded, applied or cut sections of reeds.

Gall:

  • Also known as sandever.
  • Those impurities that come to the surface of molten glass during production and is skimmed off for the pure metal beneath.

Gallatin - Kramer:


Gaffer:

  • English, corruption of the word grandfather.
  • The head glassblower of a factory team. Used to describe the Master of a "chair" or glass working team.

Galle:

  • Art Nouveau glassware made by the Frenchman Emile Galle in the late 19th and early 20th centuries. He made heavy, deeply colored--almost opaque--decorative bowls and vases with distinctive raised designs of leaves, flowers, vines, fruit, and animals on the surfaces. These pieces showed a slight Japanese influence, which was of popular interest at the time.

Galleried Rim:

  • Blown glass of the nineteenth century having a rim to hold the cover from extending into the vessel..

Galvanometer:


Garage:

  • An insulated space to "park" piece at annealing temperature for later work.

Garfield Drape:

  • Pressed glass with the bust of President Garfield surrounded by drapery.

Garland:

  • The wavy patter created with one or more chain of millefiori canes.

G.A.S.

  • The acronymn for the Glass Art Society.

Gasket:

  • A heat seal of ceramic fiber between the kiln and its door.

Gather:

  • See parison..
  • A gob of molten glass on a punty or rod before it is blown.
  • To collect glass onto the punty or pipe, by dripping and twirling.

Gathering:

  • The collection, from the furnace, of hot (or soft) glass onto the end of the blow pipe and the pontil.

Gauze:


Geneva Glass:

  • Glass made at the Geneva Glass Manufacturing Co., from c.1812.
    • Production included:
      1. bottles
      2. hollow ware

Gentlemen Glassmakers:

  • c. 1200 to the mid-eightieth century, Bohemia, England, France, Italy, Spain and the Netherlands.
  • Gentlemen, such as nobles and clerics who learned glassmaking, practicing it as an art, and who often owned the factories where they worked..

Gilded Glass:

  • Process where designs of brown oxide of gold are painted on glass and then fired in a muffle furnace.
  • In American glassworks it was not often used before 1825, but found popularity from the 1850s to the 1890s.

Gilding:

  • See gold leaf gilding and gold painting.
  • Gold applied to glass either as a gold leaf onto a fixative or powder gold mixed with a fixative that is painted or brushed on and fired. Alternately, gold leaf is fused between two layers of clear glass. Gold application dates back to ancient times.

Gilliland Glass:

  • See also Brooklyn Glass.
  • Glass works started in 1820 by John Gilliland and R. and J. Fisher at New York City, and operated a short time.
    • Production included:
      1. bottles
      2. colored glass
      3. cut glass
      4. flint tableware
      5. plain glass

Gillinder Glass:

  • See Centennial Glass and Franklin Glass Works.
  • William T. Gillinder arrived in America in 1854 for a job at Cambridge Glasss, but worked for various glass factories. In 1861 he bought a bottle factory in Philadelphia and named it the Franklin flint Glass Works, which later became Gillinder & Sons.
  • Gillinder was known for his paperweights.

Glass:

  • A product of quartz sand, soda or potash, and lime. The silica is the main component. Soda or potash, alkalies, limit the melting point of the silica. Lime adds atrength to glass as it cools, preventing brittleness.
  • The ingredients are melted at about 1,200 o C.,at which time the atoms of the different components become fluid and distribute themselves randomly, proper cooling freezes that atoms in their random arrangment.

Glass Agate:

  • Marbles of agate colored glass.

Glass Blowers Chair:

  • A workbench with extended arms and seat extending to one side for holding tools.
  • Metal strips on the arms provided stops, onto which the glass makers pipe or pontil could be rotated in a lathel ike manner to work the glass.

Glass Blowing:

  • Art of shaping molten glass by blowing air through a tube.

Glass Buttons:


Glass Caps:

  • Eighteenth century blown pieces similar, but rarer than glass hats.
  • Some pressed glass pieces also were made.

Glass Cement:

  • A binding mixture such as: caustic soda, resin, water, and plaster of Paris; used to attached glass and metal.

Glass Disease:

  • A durability defect of glass, leading to disintegration, due to a wrong balance of oxides and is unusually high in alkali or low in lime. It is characterized by surface moisture and dulling, and crizzling.

Glass Fabric:

  • The first production was by Signor Olivi of Venice in 1830.
  • Generally thought to be twentieth century.

Glass Floors:

  • Opaque colored pressed glass tiles were produced in the 1840s by P. Hewens.

Glass Hats:

  • Wide varieties of glass hats were produced, starting in the seventeenth century, and were widely blown during the eighteenth century. Nineteenth century production include: blown mold, hand blown and pressed glass forms. Hats usually were small containers, or trash receptacles, for things like matches, toothpicks and other small items.

Glass Keys:

  • Dark ruby glass piano keys were produced during the 1840s in Bristol, England in place of ebony.

Glass Line:

  • The top level glass reaches in a charged furnace.

Glass Pens:

  • Blown lead glass pens, finished by grinding or cutting, were produced during the 1840s.

Glass Pincher:

  • The workman who used a shaped pair of tongs to pinch a small amount of hot glass into buttons or other objects such as chandelier parts.

Glass Pot:

  • The crucible that holds the glass mix for melting inside of glass furnaces.
  • Traditionally they were made of fire clay.

Glass Rod:


Glass Screws:

  • The threads on glass pieces, such as lamps and vases, are made of pegs of glass, placed in a forming mold and screwed out, forming threads in the soft glass.

Glass Shades:

  • The bells or covers used for clocks and other pieces.

Glass Soap:

  • Also, glass maker's soap.
  • Manganese oxide additions to melted glass clears the mix and removes green colors from aluminum and iron. The degree of green is adjusted in this manner.

Glass Thimbles:

  • An experimental item produced during the 1930s, but not distributed.

Glass Weaving:

  • Also, crocheting, lace, spun work.
  • To connnect stiches (rows of arches) in a uniform manner, creating a glabric of glass.

Haggerty Glass Works:

  • The factory at Brooklyn, N.Y., started in the 1850s and produced until the1890s.
    • Production included:
      1. bottles
      2. carboys
      3. green glassware
      4. hollow ware

Haik Brush:

  • A natural fiber brush, with absorbent and retentive properties, good for the application of shelf primer and other suspended products.

Half Post:

  • Similar to pillar molding, it is the German method of patterning blown glass. A parison is dipped into hot glass, then plunged, in part, into a mold.

Half Molding:


Hamilton:

  • Pressed glass pattern depicting an imitation band of cutwork styled after Irish forms of Cork or Stourbridge and having rayed flute on top and under
  • Hamilton with Leaf omits the fluting and adds horizontal bandings of leaves.

Hamilton Glass Works:

  • The Hamilton Glass Works was started by Coffin and Hay in c. 1814 and operated until the 1850s.
    • Production included:
      1. bottles
      2. flasks
      3. offhand work

Hand:

  • Pressed glass pattern having twos rows of alternating clear and diamond pointed panels.
  • The finials and handles of covered pieces featured a clenched hand with a baton.

Hand Coolers:

  • Early Victorian glass object, solid or hollow blown, having an egg shaped form, used by women to cool the hands.
  • There were many forms and were often were elegantly decorated in paperweight manners.

Hand Pressed:

  • Glass pressed in a hand operated machine.

Hand Puffer:


Hard Glass:

  • See borosilicate.
  • Borosilicate glass and others that have a high melting point.
  • "Soft" glasses are lead or soda-lime glass.

Harmony Glass Works:

  • The factory was started in 1813 at Glassboro, N.J. and became the Whitney Glass Works in about 1837 or 1838.
    • Production included:
      1. bottles
      2. flasks
      3. tableware
      4. vials

Harp:

  • Pressed glass pattern of six panels with a lyre each.

Hats:


Hat Bottle:

  • Blown glass forms with short necks and an opening in the crown that probably were used as inkwells. Bottomless pieces were made by a lone worker, who unaided formed the hat.

Head Beads:

  • Often relatively large beads of heads with facial features and elaboration's, made at the lamp out of contrasting opaque glass.

Heart and Thumb Print:

  • Also, known as Bull's Eye and Heart.
  • Pressed glass pattern depicting heart shapes divided by large thumbprints, or bull's eyes.

Heart Divided:

  • Pressed glass pattern of hearts as a band, with the hearts divided by vertical bars.

Heat:

  • Physical energy produced from combustion, friction, electrical or chemical action.
  • The total quantity of kinetic energy of an object, not the "temperature." An example is two objects of the same material, but different sizes, at the same temperature; the larger object has more heat.

Heat Base:

  • The quantity of heat of an item of glass.
  • Reading the heat base accounts for the amount of heat and its distribution through an object. This allows an estimation for how much heat needs to be applied to glass to work it.

Heat Sheild:

  • Any device that is placed in front of a heat source for protection from the heat.

Heat Soak:

  • To saturate with heat for a period of time in a kiln.

Heat Transfer:

  • The movement of heat through convention conduction and radiation.

Heintisch, Charles:

  • Charles Heintisch ran an apothecary at Lancaster, Pa., and was a volume dealer of glass.

Herringbone:

  • Pressed glass pattern of alternating narrow panels that had the appearance of herringbone weave.

High/medium/low switch:

  • An electrical control switch for two kiln elements.
    1. Low: both elements work at 25% power.
    2. Medium: one elements works at 100% power.
    3. High: both elements work at 100% power.

High Rock Bottle:

  • Sarasota water bottle, from the second half of the nineteenth century, having a blown molded depiction of a high rock and the date 1767 (the time of the springs discovery).
  • The legend on the bottles are: "High Rock Congress Spring C&W Sarasota, N.Y."

Historical Glass:

  • The term used for glassware that commemorate events such as political campaign and memorial wares, as well as events such as the circus, theatrics and also personalities.

Historic Flasks:

  • Commemorative whiskey flasks that depict portraits of people and emblems of movements, memorials, societies, and trends.

Hobnail:

  • Pressed glass patterns depicting bosses in the manner of hobnail heads.
  • With reference to paperweights is a succession of V-shaped grooves cut into the base, at right angles to each other, that creates a grid pattern.

Hochschnitt

  • German
  • Relief cut or engraved glass.

Hofkllereiglaser

  • German
  • Glass work supplied to the German court buttery, often a term used for enameled glass.

Holder, Holding Tongs:

  • Glass making tool to carry hot glass.

Hollow Stoppers:

  • Blown glass stopper were the fracture, from the pontil, is on the bottom of the piece. The bottom may be opened or pinched shut.

Hollow Ware:

  • A metalworking term used for all containers, and us used for objects that are hollow and are used as containers.

Holloware:

  • A mealworking term for all containers as opposed to flat item; drinking glasses, jars, etc..

Hollowed:

  • Reference to a concave surface like a hollowed diamond or thumb print.

Hollow Weight:

  • Blown paperweights that have a hollow core or bubble.
  • Technique used for crown weights and to incase lampworked figures.

Honeycomb:

  • Pressed glass pattern that is styled as cut facets that look like a honeycomb.

Honeycomb Cane:

  • Millefiore canes that show cell patterns, like a honeycomb, in scross section.

Hookah:

  • Arabic
  • An Eastern form of water pipe.

Horn of Plenty:

  • Pressed glass pattern depicting concentric rings and cornucopias originating from the center and ending in ovals which alternate as thumbprints and waffles.

Horseshoe:

  • Pressed glass pattern with handles or knobs on covers of having a horseshoe form.

Hot Cast Porcelain:

  • The term derives from the patent application for opal or milk white glass

Hot Shop:

  • A facility where hot glass is worked.

Hot Wire Method:

  • A method of cutting glass tubing. A resistance wire heats a scratch around the diameter of a tube; then, it is cooled with a damp cloth, cracking the glass.

Huber:

  • Press glass pattern of a series of flat, narrow and vertical panels.

Humpen:

  • German
  • Large cylindrical beakers often of enameled glass.

Hunting Goblets:

  • Blown goblets of fine glass with cut panels on the sides and carved, overlaid hunting scenes.

Hyalos:

  • Greek
  • Glass works translucent and colorless facets.

Hydrated alumina:

  • See alumina hydrate.

- I -


Ice-Glass:

  • Also verre craquele, broc a glaces.
  • Know also as 'crackle glass', a paraison of soft glass is plunged into cold water, early in the blowing, fissuring the surface. After slow reheating and final blowing, the web of cracks enlarges, creating a frosted look and a restored surface. The French terms refer to one of two Venetian techniques revived in the 19th century.

Icicle:

  • Pressed glass pattern of vertical fluting making a series of waves on top.

Idealized Fusing Cycle:

  • A firing schedule of two heating and four cooling stages: initial heat, rapid heat, rapid cool, anneal soak, anneal cool, cool to room temperature.

Ihmsen Glass:

  • Glass made the factory started c. 1810 at Pittsburgh, Pa., by Ihmsen & Company. It later became the Pennsylvania Flint Glass Works and operated through the 1890s.
    • Production included:
      1. cut
      2. brown glass
      3. bottles
      4. engraved wares
      5. hollow wares
      6. off hand
      7. vials

Incandescence:

  • Visible light emitted from a hot object.

Inclusion:

  • An element of glass or a foreign body enclosed in glass.

Incrustation:

  • The technique of enclosing a sulphide with glass.

Independence Hall Bank:

  • Glass bank having the form of Independence Hall, c. 1876.

Industry Tea Plate:

  • Assumed to be Ohio glass, similar to pressed glass of the Boston & Sandwich Glass Co.
  • These pressed pieces featured a plain edged tray having a stippled background and a centered log cabin surrounded by four scenes: a farmer plowing, a glass factory, a clipper ship and another farmer plowing.

Infinite Switch:

  • A temperature switch for a kiln that determines the percentage of on time of the elements.

Initial Cane:


Initial Heat:

  • Unfused layers of glass are heated initially to just above the strain point and is down slowly to avoid cracking the glass.

Inkwell Tumblers:

  • A drinking glass formed by blowing a parison into a "inkwell" mold, extended, shaped and sheared.

Insufflated:

  • A synonym for blown.
  • 1920s reference to blown molded glassware.

Insulation brick:


Intaglio:

  • Italian
  • An engraving or wheel cutting technique cutting into substance of glass beneath the surface plane; the reverse of cameo.
  • Also a pattern pressed into glass.

Intarsia:

  • Italian
  • Described by Frederick Carder with this borrowed woodworker term for designs applied to the surface of colorless parison and replied with crystal.

Inverted Fern:

  • Pressed glass pattern depicting fern fronds over vertical ribbing.

Inverted Thumb Print:

  • A generic reference to pressed glass patterns of thumbprints extending as bosses on the inside of a piece, rather than the outside.

Iridescence:

  • See weathering.
  • A rainbow of surface colors created with a thin coating of metal or other materials.

Irridizing:

  • The decoration of a glass surface with a spray of metallic salts to give an iridescent finish.
  • Requires local exhaust ventilation.

Iridizing Solution:

  • Metallic salts dissolved in weak acid that is sprayed on the surface of hot glass that produce a surface of rainbow colors.

Irish Glass:

  • Connotation to fine glass.
  • Reference to glassware made at Ballycastle, Belfast, Bublin, Cork, Londonderry, Newry, and Waterloo. Irish glass often posses slight blue smokiness, and often is cut and engraved.

Iron Oxides in Glass:

  • Differing the amount of iron oxide in glass provides a range of colors from green, in low amounts, to yellow in higher amounts and brownish-black at yet higher amounts.

Isaacs, Lazarus:

  • Lazarus Isaacs came to the Philadelphia area, from London, He contracted with Henry W. Stiegel in 1773 to work at the Stiegel plant in Lancaster County, Pa., until 1774.

Isabella Glass:

  • The factory which was promoted by the Stanger family at Isabella, N.J.
    • Production, from 1848 to 1868, included:
      1. bottles
      2. flask

Islington Glass:

  • The glass works Islington England was directed by Mr. Rice Harris c. 1840s to 1850s.
    • Production included:
      1. blown
      2. cut
      3. engraved
      4. plain
      5. pressed
      6. varicolored wares

Ivy:

  • Pressed glass patter depicting vertical ribbing around a piece with superimposed ivy leaves.

- J -


Jack Down:

  • To use jacs to put a crease or neck into a piece.

Jacks:

  • Also known as pucellas
  • A tong like metal tool for shaping glass while blowing.

Jackson Glass Works:

  • Glasswork started in 1827 at Waterford, N.J.
  • Production included bottles and hollow ware of: clear, pale green, blue glass.

Jackson - Mantua Flask:

  • Production of this flask is traced to the Mantua Glass Works.
  • Flask is noted because of the mistake in the cutting of the mold left the "A. Jackson: reversee. The mold was recut and production pieces show evidence of the mistake.

Jacobite Glasses:

  • Dating first from the early seventeen hundreds, these glass cemmemorated the Stuart line of Kings of England. Several forms over the years were made, and different portraits and sentiments embellished them.

Jacob's Coat:

  • Pressed glass pattern of a series of patches, in d`ecor, like that of a quilt.
  • Known in clear and yellow glass.

Jacob's Ladder:

  • Pressed glass pattern mimicking the cutting of lozenge, forming tiers, that appear as a ladder. The ladder panels alternate with one of fine diamond point.

Jacony Salt:

  • Believed to be a reference by H. W. Stiegel to handled basket saltcellar.

Jam Pots:

  • Also, honey pots.
  • An early jam or honey pot with a high lid for a ladel or spoon.

Jamestown Glass:

  • The first American glasshouse known was started at Jamestown, Va., between 1610 and 1611.
  • The facilities, first manned by eight imported Dutch and Polish blowers, was notably crude. It is assumed it produced crude black or dark green bottle, and is known for its bead (probably in colors) production that were used for trade with the Indians. It it also known to have produced window glass.

Jarves, Deming:

  • b. 1790, d. 1869.
  • Deming Jarve became a "glass factor," wholesale sales agent in 1818 and had an interest in the New England glass Co., Cambridge, Mass. In 1825 he helped start the Boston & Sandwich Glass Company. He later help start the Cape Cod Glass Works in 1858.
  • In 1854 he published Reminiscences of Glass Making.
  • He is considered the second most publicized American glassmaker, after Stiegel.

Jasper, Jasper Ground:

  • A mottled ground of small particles of glass often in two colors that imitate jasperstone.

Jeanne D'Arc Bottle:

  • A blown molded bottle portraying a woman in early Victorian garb, holding a tablet. The mark "D.D. Deposee Lorraine" was impressed upon the bottom.

Jersey City Glass Company:

  • The factory was started in 1824 and produced untill the 1860s.
    • Production included:
      1. bottles
      2. cut glass
      3. druggists' wares
      4. fancy bottles
      5. flasks
      6. flintware
      7. gilded glass
      8. lamps
      9. offhand work
      10. plain glass
      11. pressed glass
      12. vials

Jimmies:

  • Another name for frit.

Johnson Glass Works:

  • Also known as the Aetna Glass Works.
  • The factory was started in the 1790s at Frederick, Md. and was shortlived.

Jug Decanter:


Jump Ring:

  • A small ring that connects pieces of jewerly.

- K -


Kaleidoscope:

  • A style of a lense shaped glass button with a tin backing and painted with colored flecks.
  • Another type with a thin lens and back by Eglomise decoration, in black and gold, or painted in colors bay have been Dutch or French.

Kaligraphic Ornament:

  • A Bohemian glass cutting technique that mimics calligraphy or elegant pen work applied in all over ornamentation.

Kantharos

  • Greek
  • A bell shaped drinking cup stood on its foot and having a pair of side handles.

Kaolin:

  • Al2O3 * 2 SiO2 * 2 H2O
  • A major ingredient of shelf primer and crucibles. Also known as China clay that fires to a white color.

Keene Glass:

  • Glass made at Keene, N.H., by either the Keene Glass Works or the New Hampshire Glass Works from 1815 to 1850.
    • Production included:
      1. cut ware
      2. historic flasks
      3. pictorial flasks
      4. polished wares

Kensington Glass Works:

  • A factory started in the eighteenth century and named the Kensington Works in 1804.
  • In 1825, Dr. Dyott had an interest in the factory, calling it the Philadelphia & Kensington Glass Factory.
  • In 1833, Dr. Dyott gained control of the factory renaming Dyottville Glass Works. Dyott failed in 1838.
  • The factory remained active under different management until 1926.
    • Production included:
      1. bottles
      2. carboys
      3. colored wares
      4. drug jars
      5. flint wares
      6. historic flasks
      7. mineral water bottles
      8. pickle jars
      9. preserve jars

Kent Glass:

  • A partnership among Edmunds & Parks, at Kent, Ohio produced bottles, flasks and blown three mold wares from c. 1825 through c. 1835.
  • Production of the factory started in c. 1850 by Kent, Wells & Company in Kent, Ohio. It shortly became the Franklin Glass Company and then the Rock Glass Works in 1864.

Kentucky Glass:

  • Production of the factory started in 1850 by Taylor, Stanger, Ramsey & Company of Louisville. It was taken over that year by Douglass & Taylor. In 1856 it was taken by Douglass, Rutherford & Company. In 1859 taken by Krack, Stanger & Company.
  • Cut glass made by local cutter of the area who procured blank glass from the above factory or Pittsburgh or Wheeling.

Ketchum Glass:

  • Production of the factory started in 1840 by Daniel Ketchum at Linden, N.J., and operating until the 1880s.
    • Production included:
      1. candlesticks
      2. decorated wares
      3. offhand work
      4. ornamental wares
      5. vases

Kevlar:

  • A synthetic fabric used for protective gear such as bullet proof vest and heat resistant gloves.

Kewbas:

  • The production of novelty glass by Union Glass Works of Somerville, Mass. The novelties were colored glass over milk white glass and coated with clear glass.

Kick:

  • A concavity formed by the pontil in an object's base. It can add strength and surrounds the pontil mark so as it will not damage surfaces that it rest on. At the apex of a kick can often be found the mark of the pontil.

Kiln:

  • Apparatus for heating glass to a temperature lower than a glass furnace, but higher than a lehr, in which fusing and slumping can be done. Working temperature ranges from 1200 to 2400 F where fusing and slumping can be done. The temperature can be reduced to serve as a lehr.

Kiln sitter:

  • A mechanical device that automatically shuts off a kiln when it has done its heat work.

Kiln wash:


Kimax:

  • A trademark of the Kimble Glass Company for a borosilicate glass like Pyrex.

Knife:

  • A knife of a rectangular blade, often made from hard substances such as tungsten carbide.
  • Used for the "Scratch and Break" method of cutting glass.

Knife Edge V Blade:

  • A tool for making a sharp constriction.

Knights of Labor Beer Mug:

  • A handled beer mug impressed with a gentleman's figure shaking hands with a knight and lettered with "Knights of Labor."

Knobs with Screws (Glass):

  • A one piece furniture knob invented by Deming Jarves or the Boston & Sandwich Glass Company. The knobs consisted of a glass pull, outer shank, and heavy glass screw.

Knop:

  • A term to cover a number of shapes used for a knop or bulge that are used in stems and finials of wine glasses.

Kugler:

  • A term for color.
  • A brand name of color bars from Germany.

Kugler Oven

  • A small oven for prehating glass pieces.

Kuttrolf:

  • German
  • A German flask of the late Middle Ages and on, also in Venetian and facon de Venice glass of the sixteenth and seventeenth centuries. They were characterized by necks divided into several tubes.


- L -


Lace:


Lace Globe:

  • A large globe shaped vessel that served as a lens to focus light from candles and lamps onto the work or lacemakers.
  • Such a globe was used in professions such as: cameo and gem cutters, and watchmakers.

Lacy Glass:

  • A mold pressed glass characterized of an fully ornamental surface of a diaper ground of dots to place the primary motif.

Lafayette Fruit Jar:

  • A glass preserve jar that had the silhouette bust Lafayette with his name.

Lafayette Glass:

  • Reference to glass commemorating Layfayette's visit to America in 1824 to 1825.
  • Also used to refer to glass made at the Lafayette Glass Works.

Lafayette Tumbler:

  • Blown molded tumblers inscribed with "Welcome Lafayette."
  • Assumed to be made for sale to banquet committees of towns visited by Lafayette.

Lalique Glass:

  • Glass produced by Ren'e Lalique of Paris, from 1906.
  • Glass in the forms of blown, cut, decorated and pressed was made. Also known are French perfume bottles.

Laminate:

  • Glass construction technique that glues together layers of glass.

Laminated Safety Glass:

  • Two sheets of gloat glass with a intermediate layer of transparent plastic in between by an application of heat and pressure.

Lamination:

  • The process of layering together sheet or plate glass with bonding resin.

Lamp:


Lamp Bead:

  • Tradiationally, beads of cottage industries in Murano and Venice. Beads were made at a lamp from rods of glass.
  • Today, beads that made at a lamp.

Lamps:

  • Many forms of blown and pressed glass lamps are known.
  • Blown varieties include cut, mold-blown, overlay, plain and in combination.
  • Often mechanisms brought up fluid from a lamps reservoir.
  • Glass chimneys and globes were produced for lamps, starting in the 1700s.

Lampwork, Lampworking:

  • Also flame working.
  • Techniques that apply localized heating to glass rods and tubes, with specialized lamps, lending the term 'lamp work'.
  • The working of glass rods and tubes at a bench with a small flame of a gas blowtorch, and manipulating it with tools such as tongs, knives, forceps, shears and other small tools.
  • Also the making of representational paperweights.

Lanay - Hautin Glass:

  • Pressed glass from Paris, France, produced by the factory of Lanay-Hautin.
  • Often mistaken for Sandwich glass.

Lancaster Glass:

  • The Lancaster, N.Y. factory was started in the 1840s, becoming a employee co-operative in the 1880s, and continued production to the 1900s.
    • Production included:
      1. bottles
      2. bowls
      3. flasks
      4. jugs
      5. lily pad creamers.
      6. offhand work

Lapidary:

  • The lapidary is a person who uses cutting, flaking, grinding and polishing to shape and finish a product.

Last Supper Trays:

  • Pressed glass trays that excellently portrayed Da Vinci's Last Supper.
  • Assumed to date after the 1880s.

Lateral Pressing Molds:

  • A glass mold with sliding lateral pieces that allowed the removal of pressed glass with side wall impressions.

Latticino:

  • Also known as latticinio.
  • See Zanfirico.
  • A basket weave pattern; or lace a uniformly chaotic pattern..
  • An archaic Italian term for describing vetro a filigrana. It is a lacy looking glass of embedded opaque white rods that form that pattern.
  • Glassware made by embedding a vessel of clear glass with threads, or canes, of opaque--usually white--glass so as to form patterns of vertical stripes or spirals on the sides of the vessel. When the threads formed a netlike pattern with an air bubble in each free space between the threads, it was called netzglas, or net glass. A specialty of Venice in the 16th century.

Lattimo:

  • Italian, means milk, derived from latte .
  • Describes an opaque white glass of tin oxide or arsenic. A traditional source of decorative canes.
  • Single threads and collapsed tubes.
  • a fili:

 

  • Cable twists.

    • a retorti:
    • a retortoli:
    • a filigrana:

Laub und Bandelwerk :

  • German
  • Leaf and floral strap work of decorative patterns.

Lava Glass:

  • This form of glass was produced by the Mt. Washington Glass Works from the 1870s.
  • It is believed that volcanic lava was added to the sand and lead mixture to make the glass.
  • Urns and vases were the dominant production, some pieces were antiqued with acids.

Lavender Oil:

  • A binder for applications of enamels, its is a light oil made from the lavender plant.

Lazerville Glass:

  • The Lazerville Works at Wellsburg, Va., produced bottles and vials from the 1840s.

Lead Crystal:

  • A colorless glass fluxed with 20 to 30 percentage total of lead oxide.

Lead Glass:


Leading a Crack:

  • To cut a large tube with a starting crack ing leading it around a tube by touch ahead of the crack the molten end of a small rod.

Leaf Formers:

  • Angled or flat.
  • Molds on the end of pliers for making imprints of leaves in hot glass.

Leaf Patterns:

  • Many forms and variations of leaf exist.
    • A partial listing includes:
      1. Acorn
      2. Barberry
      3. Budded Ivy
      4. Cabbage
      5. Holly
      6. Ivy
      7. Ivy in snow
      8. Maple leaf
      9. Sprig
      10. Stippled Ivy

Lee:

  • Pressed glass of the Empire period, named for Ruth Webb Lee.
  • The pattern has a double line or beveled pointed ovals with the point down and around the piece.

Leerdam:

  • Fine modern glass colored in shades of green, gray, blue, purple, and yellow. Manufactured by the Royal Leerdam Company of The Netherlands, Leerdam glass is one of the best-known kinds of glass in the world today. Unica, glass pieces of especially high quality, are also produced by this company.

Lehmann, Caspar:

  • A metal engraver employed by Emperor Rudolph II who developed methods for cutting and engraving glass.

Lehr:

  • Italian, corruption of l'era.
  • Apparatus for annealing glass, consisting of a long continuous annealing oven that moves pieces along by hand or automation to different temperatures of stages of annealing. Also, used to fire enamels and luster painting on glass objects at low temperatures.

Lennox Glass Works:

  • Factory started in 1854 at Lennox, Mass. and operated under different management until the 1870s.
    • Production included:
      1. bottles
      2. druggist wares
      3. paperweights
      4. plate glass
      5. specialties
      6. vials

Libby Hats:

  • Commemorative frosted glass hats sold at the World's Clumbian Exposition at Chicago in 1893.
  • Marked with "Libbey Glass Company, Toledo, Ohio" impressed inside the crown.

Liberty Bell:

  • Pressed glass pattern depicting the Liberty Bell sold at the 1876 Centennial.
  • Gillinkder & Sons produced plates and novelties depicting the Liberty Bell that were marked with "100 years ago," and dated 1776-1876.

Liberty Glass Company:

  • Sapulpa, Okla.
  • Originally started as the Coffeyville Glass Company, Caffeyville, Kansas, in the 1900s by George F. Collins. The factory produced pressed glasswares until it was destroyed by fire.
  • Collins went to Sapulpa, starting the Premium Glass Company that produced pressed tableware.
  • Collins went into partnership with H.U. Bartlett and operated two plants as Bartlett-Collens Glass Company that split up in 1918. One plant retained the name and the other took the name Liberty Glass Company.

Lighthouse Bottle:

  • c. 1890s
  • A bottle shaped like a lighthouse sitting on granite blocks, with the top clear panel depicting the lighted section of the lighthouse.

Lily Pad Decoration:

  • A vessel characterized by a gather drawn up around the base into four or more curved and rounded skin-like projections.

Lime Glass:

  • Glass that has no flint or lead, which characteristics are achieved by chalk, sodium bicarbonate, sand and niter.
  • The glass was developed by Leighton at the plant of Hobbs, Bruckunier, at Wheeling, Va., c. 1860.
  • Lime glass became the choice for pressed glass by 1866.

Lincoln Drape:

  • Pressed glass pattern depicting swags of drapery with large pendent tassels.

Linear Coefficient of Expansion (LCE):


Liners:

  • Early silver dishes were damaged by salt, glass liner are used to protect the metal and often has patterns that display the color of the glass liner.

Lion Glass:

  • Pressed glass pattern depicting the head, or figure of a crouching lion with extended forelegs as knobs on cover, or the depiction of lions on clear or frosted bands.
  • Also a pattern of lion heads on stems and figures on plates.

Liners:

  • Glass liners that protect metal (silver in days of old) dishes from pitting damages from salt. Blue is the most popular color for liners.

Lion Mask Stem:

  • A blown stem made in a mold of two festooned connected lions' masks.

Lip:

  • A gather of glass or bead on the edge of an open tube.

Lip Wrap:

  • A thread of often colored glass added to the mouth of a vessel usually before fully opening it.

Lipper:

  • A wooden tool used to widen lips and shape rims and spouts.

Liquidus temperature:

  • The temperature point where crystals dissolve when melting, or form when cooling.

Liquid gilding:


Little Harry's Night Lamp:

  • A small lamp about one and a half inches high, thought to have been made at Sandwich.

Local Exhaust Ventilation:

  • Ventilation that removes hazardous fumes or vapors from a work area and brings in fresh air.
  • A fume hood is an example of this type of ventilation.

Lockport Glass:

  • Factory started at Lockport, New York, in 1840 and operated to the twentieth century.
    • Production included:
      1. bottles
      2. flasks
      3. hollow wares

Log Cabin:

  • Pattern used on glass in the Harrison presidential campaign.
  • Pattern of a log cabin on bottles, cup plates, and pressed wares.

Logan, John, Plate:

  • Portrait plate of pressed glass with the depiction of John Logan, a vice presidential candidate of the James G. Blaine campaign. It was produced in 1884 and has a border of Gothic pointed elements and circular scallops.

Long Barrel Bottle:

  • A bitters bottle having the legend "Bourbon Whiskey Bitters," and the form of a high barrel with ten hoops.

Loop & Dart:

  • Pressed glass pattern, having many variations.
  • The designs main element is a series of loops with pendent (hanging) darts.

Loop & Jewel:

  • Pressed glass pattern having delicate festoons of the classic Greek tradition.

Loop - Drag:

  • Decorations of glass threads applied to glass in clear or contrasting colors. These are tooled in forms of loops onto the glass object and marvered into the surface of the hot glass object.

Loop Stich:

  • The lace work of rows of connected loops, uniform in shape and size.

Lorenz Glass:

  • Glass produced by Frederick Lorenz, a German who learned at, and purchased the O'Hara Works at Pittsburgh in about 1819, and operated it until approximately 1838.
  • Lorenz also purchased other glass factories and was a abundant producer.

Lost Wax Process:

  • A casting process that uses a wax model embedded in clay and baked, melting the wax ( which is lost ), creating a mold into which molten glass can be poured. The mold is broken, and the glass object retrieved.

Louisville Glass:

  • Reference to glass made in Louisville, KY by the Kentucky Glass Works at a time when Louisville rival Cincinnati and St. Louis for Mississippi Valley trade.
  • In 1850 the plant advertised private mold and bottle production.
    • By 1860 production included:
      1. confectioners' glass
      2. druggists' wares
      3. lamps
      4. tumblers

Ludlow Glass:

  • Glass made by Ludlow, Mass., Manufacturing company from the mid 1810s.
  • Production is believed to been bottles, and possibly off hand work.

Luster, Lusters:

  • Metal oxides suspended in organic binders, leave a thin layer of meal oxides that fuse to the glass during firing.

Lustred Glass:

  • Also luster painting.
  • The use of metal oxides such as silver and copper to create a stain when fired. The flame reduces the silver and copper and appears as a yellow to reddish brown films that fuse onto the glass as a lustrous sheen.

Lutz, Nicholas:

  • A glass blower from Saint Louis, Lorraine who came to the US and worked at the Dorflinger's Plant at White Mills, at Boston & Sandwich factory, at Mt. Washington Glass Works and at Somerville, Mass.
  • He was a noted glass blower that worked in the Venetian manner, striped and cane glass, paperweights and luxury specialties.

- M -


Macedoine:

  • Paperweights that contain mostly filigree twists.

Maestro:

  • Italian for master.
  • The Mastro usually head a team of glass workers.

Magic Inkstand:

  • A bottle that held a solid ink in the form of a salt, that inked several fillings of water.

Magnum:

  • Paperweight over 3 1/4 inches in diameter.

Magnum Decanter:

  • Containers that date from the eighteenth century and held two or more quarts of liquid.

Magoun, Joseph

  • An investor who worked for the New England Glass Company. His patents for them improved pressing methods.

Maid of the Mist Cup Plate:

  • Small pressed glass plate that depicts the suspension bridge below Niagara Falls and the steamboat "Maid of the Mist."

Mailbox Bottles:

  • Blown molded bottles having the shape of 1890s style letterbox.

Malaga Glass:

  • The factory started in 1810 as the Franklin Glass Works, by the Stangers at Malaga, N.J.
  • Production included:
  1. bottles
  2. flasks
  3. hollow ware

Malti:

  • Italian glass tile.

Mandrel:

  • A rod or wire that a glass bead is wrapped onto.
  • They are made from: stainless steel (most common), bamboo splints , brass, ceramic, and rolled copper foil.

Marbrie, Marbled:

  • Paperweight patterns of colored looped bands originating from a cane on the top of the paperweight and runs on the side to the bottom. The design components are lie close to the surface of the dome.

Marbled Glass:

  • Glass that shows marbling in tints and striations.
  • Also known as agate, calico and mosaic.

Maria:

  • The area of a rod or tube that has been expanded by compressing its length.

Marinite:

  • A refractory insulation board used instead of a kiln shelf.

Marked Pontil:

  • Or Marked Bull's Eye
  • Reference to the stamping by makers of crown glass with their initials or name onto the pontil mark of the crown.

Marquesette:


Marshallville Glass:

  • Glass made during the 1820s at the glass factory at Marshallville, Md., also known as the Cumberland Glassworks.
  • Production was mainly hollow ware and window glass.

Martins Ferry Glass:

  • Glass produced from the factory at Martins Ferry, VA., in the area of Wheeling.
  • Mostly bottles were produced from 1850 and pressed glassware after the 1860s.

Marver:

  • French, corruption of the term marbre, "marble."
  • The flat polished, stone, like marble, or metal surface onto which the hot glass gather is pressed and rolled into shape. Also, adornments such pieces of glass or gold leaf can be applied by marving.
  • Also, to marver is to shape glass by rolling it on a marvering surface.

Marvering:

  • To form glass on a table or flat surface of stone or steel.

Mary's Lane Glass:

  • Glass made at the Mary's Lane Works at Dublin, Ireland from 1746.

Massachusetts Glass Company:

  • Factory started at Charlestown in the 1850s and operated until the 1870s.
  • Production included:
    1. amber glass
    2. black bottles
    3. green wares
    4. jars

Mashing Pliers:

  • Also called disc formers.
  • The for squeezing the end of a hot rod to make a flat, round disc.

Mature:

  • A desired point of firing enamel, glaze etc.

Mauerl, A. W.:

  • German glass cutter and engraver and is thought to have learned the art in Bohemia, worked in Germany and in London from 1699 to 1710.

Maw & Son Glass:

  • A London firm whose wares were imported into the United States by Peter Van Schaack & Sons, of Chicago largely from the 1870s to 1880s.
  • Imported were: heavy and large glassware such as druggists' display jars and merchandise jars up to twenty gallons in capacity.

Maysville Glass:

  • Glass produced at Maysville, KY during the 1820s.
  • Production included:
  1. bottles
  2. bowls
  3. flasks
  4. philosophical glass
  5. vials

Mazarene Blue:

  • A purplish blue color, somewhat like unltramarine, that is used as ground color or overlay color.

McCully & Company:

  • A noted Pittsburgh PA company, started by Craig & O'Hara.
  • McCully & Co. operated the Empire, Phoenix, Pittsburgh Glass Works, and the Sligo Glass Works started in 1820.

McKee, J. & F.:

  • A Pittsburgh, PA glass manufacturers.
  • S. & J. McKee produced bottles and flasks from 1834.
  • A factory started by J. & F. McKee from 1850 produced:
  1. barroom glass
  2. decanter
  3. flint wares
  4. lamps
  5. molded glass
  6. pressed glass
  7. preserve jars
  8. tablewares
  9. wine bottles

Mechanic Glass Works:

  • Little record is available of this manufacturer other that a quart flask with molded sheaves of grain and a legend "MECHANIC GLASS WORKS PHILADA.," and probable dates of from the 1840s to 1860.

Medallion:

  • Pressed glass pattern of panels and decorative element found in amber, blue, clear, green or yellow colors.

Medicine - Bottle Hats:

  • Glass hats blowing a parison into a mold of a bitter or medicine bottle and formed into a hat

Medford Glass:

  • Glass made at made Medford. N.J.. The factory was a cooperative in the 1840s, under other management by the 1820s and operated to the twentieth century.
  • Production was fancy tablewares.

Melt:

  • The batch of molten glass.

Melting Point:

  • The temperature, which below, glass acts as a solid and when above, it can be shaped.
  • The definition by the ASTM is when a round fiber, 0.65 mm. in diameter and 235 mm. long, heated at a rate of 5 +/- 1 degree Celsius, will elongate under its weight at a rate one mm. per minute.

Merese:

  • Primarily ornamental, and providing added strength, it is a one or more small flattened ring of glass usually between the bowl and stem, or the stem and foot of a glass.

Metal:

  • The tradtional term for glass in the molten state.
  • The term referring to the body of glass during and after manufacture.

Metal:

  • The material of molten or cold glass that distinguishes it from the object that is made.

Metalic Overglaze:

  • Fine particles of metal that produces a shiny metallic surface on glass.

Mezza-Forma:

  • Also, mezza-stampatura, or half molding.
  • The process for making the ribs on the lower part of a blown glass vessel.

Milk Glass:

  • Or opal glass.
  • Opaque white glass originally made in Venice before 1500 and in Florence between 1575 and 1587, where it was intended to simulate porcelain. In Northern Europe it was made only to a very limited extent, with rare 17th-century examples coming from Germany and Bohemia. In the 18th century, some milk glass was produced in England as well. Widely used to make tableware, especially covered dishes with figurines of barnyard animals on their lids.

Milk Bottles:

  • A general description is a wide necked sloping shouldered bottle, usually of a pint or quart in volume. Lips often were ringed and indented to allow oversealing over the top.
  • Custom dairies used bottles before 1870.
  • Large scale production of milk bottle in the United States began in about 1886.

Milk - White Glass:

  • Any opaque white glass that looks like milk in color, like Chinese porcelain.
  • The first Opaque white glass was soda glass.The oxide of tin is added to lead glass to achieve the milk color at Bristal, England in c. 1750.
  • The method was known by the Greeks (perhaps the Egyptians also), and was produced during the sixteenth and seventh century and became popular in the United States beginning in the 1820s.

Milled Treading:

  • An application of decorative ribbons and threads notched by runner like a roulette, or repeated indentation by edges of tongs (pucellas).

Milled Ring:

  • Vertical grooves that decorate collars, foot rims and trailings.

Millefiori, Millefiore:

  • Italian means a thousand flowers.
  • A mosaic of glass that is blown and embedded with thin sliced sections of multicolored glass canes to form concentric bands and flower like designs.

Millefiori canes:

  • The process of making millefiori patterns by enclosing shapes of glass in concentric layers of glass. The canes start out thick but are finished by drawing them. Traditionally two men walk away from each other, drawing out the cane, laying the cane into forms o the floor to cool. Canes are sliced thinly to be used as millefiori pattern for paperweights, door knobs or stops, bottles, etc..

Millefleurs:


Millville:

  • In 1806, James Lee started the first factory at Millville, N.J.
  • In 1832 Mr. F. Schetter of Baltimore started another glass works at Millville, that produced green glassware.
  • The Whitall interest assumed both plants before 1854 and became the Whitall-Tatum Works. Production included:
  1. bottles
  2. druggists' wares
  3. flasks
  4. inkwells
  5. jars
  6. paperweights
  7. philosophical wares
  8. perfume bottles
  9. novelties
  10. vials
  11. wares for medicine and nursing
  • The fine "roses" paperweight was produced from the 1880s to the 1900s.
  • The factory made marked atmospheric fruit jars that were produced by the millions.

Minerva:

  • Pressed glass pattern that depicts the warrior goddess Minerva, medallions of the form are surrounded by rings of pearls.

Miniature:

  • Paperweights up to 2 inches in diameter.

Mirror Glass:

  • The first glass mirrors are credited to a French glassmaker, who in 1290 backed flat glass with sheet lead. This method spread to Italy by a Fleming. Such glass mirrors were the cheap mirrors of the Middle Ages.
  • Good glass mirrors were made of plate glass, first at Venice.
  • The Vauxhall Works of Buckingham, England produced mirrors that used tinfoil gloated on a mercury film.
  • Silver glass novelty wares were blown with a double wall, mercury was deposited between the two walls.

Mirror Monogram:

  • Monogram technique where letters are reversed to make a mirror images with symmetrical ornamental form.

Missisquoi Bottle:

  • These were Saratoga water bottles made at the Congressvill, N.Y. factory, for waters of Missisquoi Springs.

Mitre cut:

  • A sharp groove in glass made with a V-edged wheel.

Moil:

  • See overblow.
  • That portion of a gather surrounding the blowpipe, or punty, supporting the glass on the end.
  • Waste glass left on a blow pipe or pontil. It is knocked off, into a collecting bin as cullet.

Mold:

  • Or mould.
  • See blowing, casting, overblow.
  • Forms of refractory material, metal or wood used to shape glass. Molds can be patterned, and the mold process assures that identical results can be obtained.

Mold Blowing:

  • To blow into a mold to finish the shape and patterns, or into a mold with desired patterns that is then shaped by blowing.

Mold Marks:

  • Marks in pressed glass that appear between parts of a mold. Such marks are less pronounced during initial production, but as the molds wear the marks become more pronounced.
  • More advanced molds hides the marks into the designs of the molded glass.

Mold Pressing:

  • Dating from the nineteenth century when gobs of glass where squeezed between two parts of a mold. Also denotes the pressing of a mold onto hot glass, or exerting force other than blowing onto glass, to shape.

Molded Glass:

  • The term usually designated blown molded glass that has been blown partially or wholly in a mold.

Molded Glass - True,


Molten:

  • A physical state of being made liquid by heat, or being melted.

Montage:

  • The assemblage of different pieces of tubing, often different colors, that has been blown into form.
  • A montage may be twisted or altered in other ways to yeild a elaborate pattern of its colors.

Montague Cut:

  • Cut glass pattern popular in the 1880s and 1890s.

Montauk Cut:

  • Cut glass pattern introduced as a named design in c. 1885.

Monteith:

  • The term originates from big punchbowls with serrated edges that hung stemmed drinking glasses.
  • The term refers to sherbet glasses having the form of steeple salt cellars, which imitate the Bristol salt cellars.

Monument Lamp:

  • Lamps having a conical glass reservoir on a pressed glass base of monument form that is marked "N.E.G.Co.," (New England Glass Company."

Moonstone:

  • The term designates glass semi opaque milk glass that looks like the moonstone gem.

Morning Glory:

  • Pressed glass pattern depicting the flower, leaf, and vine of the morning glory.

Mosaic:

  • Objects formed by fusing of thin slices and lengths of canes.

Mosaic Cane:

  • A glass rod of different colors that run the length of the rod and its cross section have a colored pattern, so that the rod can be cut into wafers or murrini to exhibit the design.

Mosaic Glass:

  • The general term is a matrix of embedded colored patterns of opaque glass.
  • The name is given to purple and whites glass pressed in fluted design, made in the 1880s and 1890s.

Moscow Glass:


Mosque Lamp:

  • A term describing the outer shell of lamps used to light mosque that where characterized by first three and then six loop handles for suspending chains.

Moss Cane:

  • A elaborate cane made of green rods that may have a central white rod.

Mother of Pearl Glass:

  • A processed glass which achieves its look by thin coatings of colored glass and treatment with acid fumes.
  • The Phoenix Glass Company made much of this glass.

Mould:


Mould Pressing:

  • The technique of quikly pressing a mould onto soft glass on a marver.

Mount Pleasant Glass:

  • Glass produced at the Mount Pleasant, N.Y. factory that was started in 1846.
  • Production was amber, dark green, and olive green glass and included:
  1. bottles
  2. cornucopia flasks
  3. flasks
  4. hollow wares
  5. medicine bottles
  6. some Saratoga water bottles
  7. Success-to-the-Railroad flasks
  8. Townsend Sarsaparilla bottles

Mount Washington Glass Company:

  • In 1837 the company was started by Deming Jarves at South Boston.
  • Paperweights and plaques were made there.

Mount Vernon Glass:

  • Glass made at Vernon, Oneida County N.Y., from the 1820 through the 1840s, when production was moved to Mount Pleasant.
  • Production included:
  1. bottles
  2. container
  3. historic flasks

Mount Vernon Mark:

  • Refers to stamping impressed on a gob or prunt of glass. Such stamps had a space for the mark of the party for whom the glass was made for.
  • The Mount Vernon mark was a top line "MT. VERNON" and bottom line "GLASS CO."
  • Many factories produced custom marked prunt wine bottles. The practice is a vestige of the eighteenth century when the well to do bottled their own wines.

Mount Washington Glass:

  • The South Boston, Mount Washington Works was started in 1837 and merged with the Pairpoint Manufacturing Co. in 1894.
  • Production included:
  1. blown lamps
  2. blown wares
  3. candelabra
  4. chandeliers
  5. chimneys
  6. cut
  7. globes
  8. pressed wares
  9. etceteras

Mounted Glass:

  • Techniques to protect edges and/or display glass with metal mounts. Pewter was a metal used to mount glass until the 18th and 19th centuries when silver became more commonplace Gold has also been used, particularly for items like small boxes and objets d'art. Hallmarks help date glass, but dates for glass may be actually older. Mounting also is a way to display pieces such as bowls or fragments otherwise not salvable.

Muffle kiln:

  • An apparatus for heating materials without exposure to direct fire, and can be placed inside a furnace. An example would be a low temperature kiln for re-firing glass to fix enamel or gild.

Mug:

  • The general designation for any glass tumbler of any size having one or more handles.

Mullion:

  • The vertical strip between the panes of a window.

Mullite:

  • A substance with a high alumina content that produces a particular mullite crystal that has excellent refractory characteristics. It is used for kiln shelves.

Murano:

  • An island by Venice with a tradition of glassworking.

Murano Glass:

  • An act of the Doges in 1292 moved the glassmaking industry of Venice to this Adriatic island. This was to prevent the art of glass making from going to other lands.
  • Most glass that is called Venetian is in fact Murano.

Murrini:

  • Italian
  • Wafers of glass cut from mosaic cane that show its cross section design.
  • A modern form of glass mosaic characterized by big pieces and streaks of different colored glass, rather than geometric designs of millefiori glass.

Museum Jar:

  • A glass jar with a lid that seals hermetically with a screw and washer and was used to preserve museum specimens in alcohol.

Musher:


Mushroom:

  • A paperweight.
  • Also Tuft.
  • Millefiori canes arranged in a vertical and spreading mushroom or umbrella shaped bundle. The close or concentric designs usually are encircled by a spiral torsade about the base.

Mushroom Stopper:

  • A stopper for decanters used from 1775 through the 1840s.

Muskingum:

  • Any glass produced at factories in Muskingum County, Ohio.
  • Factories included:
  1. Flint Glass Works
  2. Puman Glass Works
  3. Sullivan factory at Zanesville
  4. White Glass Works at Zanesville

Muslim:



- N -


Nailhead:

  • A pressed glass pattern displaying broad panels of lattice work and having nailheads or bosslike elements at the intersections.

Nailheads, Glass:

  • Decorative glass heads for nails and range from a quarter inch to three inches; and may be blown, cut,engraved, molded or pressed glass.
  • Glass nailheads were first produced in the eighteenth century.

Nailsea Glass:

  • Any glass produced at Nailsea, England.
  • Denotes a style of mottled and striated glass of two or more colors that are mixed with milk white glass and having loop, mottled, splashed or swirled effects.

Napoleon Bottle:

  • Bottles having the shape of Napoleon. It is possible attribution error as the bottles may date from the mid 1800s.

Neck:

  • The constricted part of a vessel by the lip.
  • To cut in a transfer point by pressing in with jacks, usually by the moile.

Neck Seal:

  • Chestnut shaped bottles having a rounded bottom and a seal impressed on the prunt of glass, or a gob of glass on the neck.
  • Also known as bootleg or saddle bottles.

 


Neck Wrap:

  • Also called a moile wrap.
  • A way of keeping heat at the neck or moile by adding a hot gather of glass around it. This can prevent cracking if the area is becoming stressed.

Nelly Bly Glass:

  • Glass that honors the newspaper woman Elizabeth Cockrane, "Nelly Bly."
  • Production generally was novelty glass, the lamp and platter set depicting Nelly in traveling garb was widely distributed.

Neologist:

  • A vague reference, often as a joke word, for people who work with neon.

Nerd:


Nevers Figures:

  • Glass toys in the forms of glass figurines and animal like objects produced at Nevers, France.
  • Used in creches.

New Albany Glass Works:

  • Glass works started in c. 1812 at New Albany, PA. that operated into the 1890s.

New Amsterdam Glass:

  • Production from the two glass houses of the Dutch community of New Amsterdam, (Manhattan).
  1. The works of Johan Smede' started in c. 1650.
  2. The works of Evert Duykinks, started in c. 1652.

New Boston Glass Co.:

  • The glass company started at Perryopolis, PA., in the 1810s.

New Bremen Glass:


New England Bottle Company:

  • Glass works at Cambridge, Mass., started by Deming Jarves in 1826 and produced through 1826.
  • Production included:
  1. bottles
  2. carboys
  3. ink bottles
  4. jam pots
  5. mustard jars
  6. snuff bottles
  7. etceteras

New England Glass Company (NEGC):


New Geneva Glass:

  • Glass house started by Albert Gallatin, in 1797, at New Geneva, PA.
  • The factory was purchased in 1803 by the Kramers, partners and employee and operated to 1847.
  • Production of free blown and pattern molded glass included:
  1. bottles
  2. bowls
  3. creamers
  4. footed bowls
  5. jars
  6. flips
  7. goblets
  8. milk bowls
  9. tumblers
  10. sugar bowls
  11. etceteras

New Granite Glass Works:

  • Glass works started by at Stoddard, H.H., in 1865 and operated through 1871.
  • Production included:
  1. bottles
  2. hollow wares
  3. snuff jars

New London Glass Works:

  • The glass works started in the 1850s at New London, Conn., and operated through the 1860s or 1870s.
  • Production included:
  1. bottles
  2. flasks
  3. jars
  4. vials

New York City Glass Works:

  • See Gilliland Glass.
  • Started by Stephen Long in c. 1820.
  • Production included:
  1. frosted glassware
  2. plain glassware
  3. novelties

Newcastle on Tyne Glass:

  • Glass produced at this location in England since the sixteenth century and imported to America from the eighteenth century and through the nineteenth century.

Newel Finials:

  • Glass balls for decorating the tops of stair newel post.

Newel Posts:

  • The paperweight post on the end of a flight of stairs that supports the handrail.

Niagara Falls Platter:

  • Pressed glass platters depicting a frosted design of the falls with a clear sky.

Nibbles:

  • Hand groused frit.

Nipt (Nipp'D) Diamond Waies:

  • Neighboring ribs or embedded rods on a vessel of hot glass are pinched or nipped to produce a diamond pattern. The ribs sometimes are made with mezza-forma.
  • The design is Venetian and the term Ravenscroft (c 17th century).

Northwood, H.:

  • A glass expert who came to America from England in the 1880s, working at the LaBelle and Bridgeport (Buckeye) Glass Works at Bridgeport, Ohio.
  • He operated his own works at Indiana, PA., from the 1890s to 1900s.
  • He was known for his fine pressed wares in "custard glass," a off white milky glass.

Nosegay:


Notched:

  • Folded edges or V-shaped cuts such as in cut glass.

Novelties:

  • The general term for small pieces.

Novelty Bottles and Vials:

  • Numerous varieties of glass produced from the mid eighteenth century through the twentieth century.

Nuppenbecher:

  • German
  • Beakers characterized with green bases and thorn like prunts.

Nursing Bottles:

  • Also known as "ninny bottles and were made at American glass houses from the mid-eighteenth century.
  • Early bottles were conical and engraved and cut, often fitted with silver nipples.
  • Later models were bulbous or flat ovals with glass nipples and often had a filling and cleaning hole at the center of one side..

- O -


Obsidian:

  • Native Volcanic Glass.

Oenocheo

  • Greek
  • An ovoid jug with large loop handle and flat bases and often a trefoil lip for pouring.

Off Hand Glass:

  • US, see frigger.
  • Hand made glass, often other than normal production work, such as done for pleasure.

Off Hand Glass Blowing:

  • The gathering and working of a gob of hot glass on the end of a hllow metal tube or rod.

Ogival:


O'Hara (Pittsburgh) Glass:

  • The O'Hara Works was the name used for several factories consolidated by the Lyon interest at Pittsburgh during the 1870s.
  • Production included:
  1. cut glass
  2. engraved wares
  3. fine blown wares
  4. fine pressed wares
  5. gilded glass
  6. specialties

Ohio Glass:

  • Reference to glass made at one of the many Ohio glass plants.

Opal Glass:

  • A dense white glass with impressed over all with floral pattern.
  • Dishes have a looped openwork rims or borders.
  • The ribbed and banded patterns have panels and floral medallions.

Opalescent Glass:

  • Glass the has a milky iridescence like an opal created by William Barr of Steubenville, Ohio, c. 1888.

Opalescent Rib:

  • Pressed glass pattern with vertical ribs, swirled or plain, of opal or bluish opal glass.

Opaline:

  • A book shaped or rectangular paperweigh of opaqe or transparent opaline glass that has a somewhat raised nosegay, oval medallion or milleifiori patterns inside.
  • A Clichy line of work.

Opaque:

  • Not transparent or translucent, but impenetrable by light.

Opaque twist:

  • Also known as the cotton twist in US
  • The use of opaque white and other colored rods that are twisted and patterned, then drawn into thin, workable rods for decorative work.

Opaque White:


Openwork:

  • Reference to the edges or rims of glass with an openwork patter of loops, swirls, and swags after the style of nineteenth century porcelain. Generally it was pressed in milk white glass, and often dates after 1865.

Optic Mold:

  • A upside-down cone shaped mold with internal ribs to form glass. Optics are usually made of aluminum, brass or bronze and come numerous shape and sizes.

Optical Glass:

  • Used in microscopes and cameras, is prepared more carefully than any other glass. It must be free of bubbles, ripples, or streaks. The two main classes of optical glass are crown glass, which has low refraction and dispersion, and flint glass, which has high refraction and dispersion.

Orrefors.

  • Phenomenal 20th-century glass made in Orrefors, Sweden. It is characterized by uncomplicated decoration yet careful interest to engraving detail. The glass can give the observer a feeling of looking at liquid caught in glass. Ariel glass has air bubbles making designs in blankets of colored or uncolored glass. From 1915 to 1917 the painters Simon Gate and Edward Hald developed the Graal process. Colored decorations, in relief, are encased in a coat of colorless, transparent, crystal to make a smooth surface.

OSHA:

  • Occupation Safety and Health Administration.
  • The government agency that establish guidlines for work place safety, such as: safe handling of hazardous materials, and fsafety equipment.

Oval Miter:

  • Pressed glass pattern in the Ashburton tradition with a series of pointed ovoid forms

Overglaze:

  • A material made with finely ground glass and applied to a prefused surface of glass, preventing devitrification and making a very glassy finish.

Overblow:

  • The small part of the paraison, that remains between the mold and the blow pipe. It is usually removed after annealing by cracking off.

Overlay:

  • The outer edge of cased glass.
  • The method of applying one color over another.

Overlay Glass:

  • Often an acronym for cased glass.
  • A cased glass of layers of different colors that have been cut to expose the layers of colors.
  • Double overlay has two outer layers of different colors.

Overlay Imitation:

  • A novelty glass that possibly dates from the 1870s, that used a resist form of blowing and treating glass to create an overlay effect.

Overlay Lamps:

  • The lamps, with true overlay, were made from the 1850s with many dating from 1860, and burned kerosene or coal oil..

Overlay Paperweights:

  • Paperweights coated with one to three layers of colored glass that have been cut with windows to view the inner design.

Overlaying:

  • The creation of two or more fused layers of different colored glass by one of three methods:
  1. Casing: cup overlay method.
  2. Flashing: dip overlay method.
  3. Casting: flat production, such as cameos.

Overglaze:

  • Finely ground glass, applied as a powder or suspension, of particular composition and applied to pre-fused surfaces. This avoids devitrification and a glassy surface.

Overshot:

  • Reference to glassware novelty art ware, made at Sandwich, with icy sharp crystalline finish.

Oxide:

  • Compounds of elements combined with oxygen. Several oxides are important in the production of glass.
  • Silicon
  • Sodium
  • Potassium
  • Calcium
  • Lead

Oxidizing:

  • An oxidizing flame is high in oxygen and is usually hotter and more defined than a reducing flame.



- P -


Pacific Glass Works:

  • Glass works started in 1867 at Potrero, CA.
  • Production included:
  1. bottles
  2. hollow wares

Pad:

  • The area of a hot shop where glass blowing takes place.

Paddle:

  • Also block.
  • A curved wooden paddle for shapeing the dome of a paperweight.
  • A wooden paddel for shaping glass, that can be soaked in water.
  • Also can be used to offer protection form heat.

P.A.E. Hat:

  • Souvenir glass hats of Pan-American Exposition at Buffalo,N.Y., dated 1901.

Palmer, Richard:

  • A Philadelphia importer of Bristol and Irish glassware during the 1790s to 1800s.

Palmette:

  • Pressed glass patter depicting palm leaf and palm leaf in diamond pointing with stipple band.

Panel Weight:

  • Paperweights with clusters of canes making sections separated by either: canes,exposed section of the ground, filigree twist, or rods.

Pantaloon Eagle:

  • Early flasks that featuring an eagle with large legs as if surround in feathered pantaloons.

Pantin Glass:

  • The company started by E. S. Monot at La Villette, by Paris, as the Monot et Cie. It moved to Pantin, No. 84 rue de Paris.
  • Production included:
  1. chandeliers
  2. crystal glasses
  3. paperweights.
  4. perfume bottles
  5. tumblers

Paper:

  • The term used for folded wet newspaper. It's flexible and offers protection to use in shaping hot glass by the feel of hand.

Paper Glass:

  • A development of Schonbein, of Basle, Switzerland (after his invention of gun cotton).
  • Paper, treated with a catalytic, was made transparent, strong and flexible to form into bottles and window panes.

Paper Weights:

  • The fashioning of paper weights, as a vogue, started in the 1830s.
  • A glass ball around a decrative pattern.
  • Refers to latticino, millefiori and colored weights,( but not sulphides), as well as forms such as: animals, fruits and flowers.

Paraison:

  • Or parison.
  • See gather.
  • Contemporarily, denotes the balloon of glass at the end of a blow pipe expanding the gather of glass, the term emphasizes the first bubble.

Pardessus, S. J.:

  • Glass producer on New York City during the 1850s.
  • Specialized in glass shades or bells of clear glass.
  • Also produced sheet glass that was fluted white enameled glass and plan fluted panes for greenhouses, roofing and architecture.

Pastry Mold:

  • Millefiori cane which flare or skirt out on the basal end.

Pate de verre

  • Literally means glass paste
  • The technique of grinding or crushing glass into a paste and casting it into mold.

Pattern Glass:

  •  

Pattern Mold:

  • Reference to glass that is patterned in a pattern mold before complete blowing.
  • Metal molds that have ridges or serration on the interior into which the hot gather of glass was blown and impressed with the pattern and then worked into final form.

Patterned:

  • With reference to paperweights it is pattern of millefiori weights making groups of florest.

Peabody Pattern:

  • Pressed English glass having a registry mark and a crown surrounded by sixteen stars and the name "George Peabody."

Peach Glass:

  • Also known as peachblow.
  • A yellow tinted glass made with gold oxide attributing a ruby red effect and opacity. Its color was created by reheating during blowing and in annealing ovens.

Peachblow:

  • Reference to glass fashioned after the noted Morgan peachblow porcelain vase.
  • Peachblow is characterized by peach like tints in gradations over the milk white base.
  • The line of "peachblow" included:
  1. bowls
  2. creamers
  3. lamps
  4. lampshades
  5. mugs
  6. tumblers

Peacock Eye:

  • Pressed glass pattern of the 1840s, fashioned eighteenth century art form in Hungary.

Pearl:

  • A pressed glass element consisting of a raised pearl shaped dot.
  • A small gob of hot glass added during blowing that can be tooled, drawn or nipped.

Pebbles:


Peephole:

  • A plugged hole in a kiln for observation,

Peg Lamp:

  • An adapter for candlesticks consisting of a glass receptacle to hold lamp fluid and a peg at the bottom to fit the candlestick. The peg lamp supplied more light than the candle it replaced.

Pedestal:

  • Tall stemmed. Once a stem type called Silesian in England.

Pedastal Weight:


Peephole:

  • A hole of a kiln that has a plug that can be removed for viewing.

Pell-Mell:


Penholder:

  • Also shot glass.
  • A short flanged vase with a paperweight base. The originals were filled with shot to hold quill pens.

Penrose Glass:

  • Early nineteenth century glass made at Waterford, Ireland; the name was molded in the bottoms of pieces.
  • Production included:
  1. decanters
  2. lamp gases
  3. vases

Perfume Bottles:

  • Perhaps the most varied form of glass produced by manufacturers.

Petal and Loop:

  • Also known as "Loop Without Petal."
  • Pressed glass pattern that is a variation of Ashburton, displaying large loops with indented outlines.

Petal & Loop Candlestick:

  • Candlesticks with a petal making the socket and a looped base candlestick of the Colonial type.

Peterboro Glass:

  • The glass factory started at Peterboro, NY. about the late 1780s or 1790, initially for making window glass.
  • Different management produced to the late 1820s:.
  1. bottles
  2. decanters
  3. flasks
  4. jars
  5. offhand work
  6. window glass

Philadelphia:

  • Pressed glass pattern having alternate loops, plain and horizontally ridged.

Philadelphia Glass:

  • The first glass factory in Philadelphia was started in 1683.
  • In 1771 the Philadelphia Glass Works was organized. It was also known as "American Flint Glass Manufactory." It operated under different management..
  • In 1804 the Philadelphia Glass House name was changed to the Kensington Glass Works.

Phillips, William:

  • William Phillips started a glass factory at Pittsburgh during the early 1840s.
  • Production included:
  1. cut wares
  2. plain glass
  3. pressed glass

Phoenix Glass Works (Philipsburg):

  • The works was started in the 1880s at Philipsburg, PA.
  • Production included:
  1. blown wares
  2. cameo glass
  3. Venetian style eleganices

Phoenix Glass Works (Boston):

  • The works was started in the 1820s and made flintwares to the 1970s.

Phoenix Glass Works (Pittsburgh):

  • The works was started by the McCully interest in the 1830s and operated to the 1870s.
  • Production included:
  1. bottles
  2. containers
  3. vials
  4. etceteras

Photosensitive glass:

  • Glass that is sensitive to exposure to ultraviolet radiation or heat treatment.

Piedouche:


"Pick Out Center" Method:

  • The technique for cutting glass tubes by forming the end then so the the speed of the torch flame will blow a hole in the tube.

Pickett:

  • A late pressed glass pattern.

Pickle Jars:

  • Between 1840 and 1890 a large variety of containers for pickles were produced.
  • The more decorative jars were made to be used as vases when emptied.

Pictorial Portrait Flasks:

  • Historic flasks the display the bust portraits of noted people, political candidates.

Pictures, Glass:

  • General term for pictures on the reverse side of a pane of glass, either directly painted or indirectly applied..

Pictures in Gold & Silver, on Glass:

  • An old technique used by Italian glassmakers of the thirteenth and fourteenth centuries.
  • The interior of the glass is coated with gold or silver and then etched or cut, at different depths, and colors are added.

Pikes Peak Flask:

  • Blown mold flasks that memorialize Pikes Peak.
  • Over thirty forms are known.

Pillar:

  • Pressed glass pattern of large thumbprints.

Pillar Molded:

  • The technique of reapplying hot glass over a slightly cooled parison of glass and forcing the layers together in a mold to create the pillars on the hot outer glass. Blowing the glass then leaves the inside smooth and leaves the pillar design on the outside.
  • The technique was used as early as 100 A.D..

Pinchbeck Weight:

  • A zinc-copper ally disk, simulating gold or silver having a bas-relief design. A magnifying is fitted on a alabaster or pewter base.
  • It is not a real paperweight since the design is not fully encased in glass.

Pinched trailing:

  • Similar pattern to nipt diamond.
  • A wavy pattern of applying bands, lines or threads and pinchering them together to create a wavy decoration.

Pinchering:

  • The shaping of soft glass with pincers.

Pineapple:

  • Pressed glass pattern of pineapple shapes outlined with diamond point and grooves, alternating with stylized three petaled tulip shapes.

Pioneer Flint Glass Co.:

  • Coffeyville, Kansas planted started in 1903 and became the Premium Glass Co. in 1905. It later moved to Sapulpa, Oklahoma in 1910. The company divided into the Barlett Collens Glass Co. and Leberty Glass Co., in 1918.
  • Productions included:
  1. Jelly glasses
  2. Globes
  3. Novelties
  4. Oil lamps
  5. Pressed glass

Pipe:

  • The particularly designed steel or stainless steel tube to blow hot glass.

Pipe Cooler:

  • The device used to cool, with runniing water, hot pipes or punties when they are to hot to hold.

Pipe Warmer:

  • The heated open chamber where pipes and punties are preheated.

Pitkin Glass:

  • Glass produced at the East Manchester, Conn., plant in 1783 by William & Elisha Pikin.
  • Production of olive, light green and amber ware included:
  1. bowls
  2. demijohns
  3. flasks
  4. inkwells
  5. snuff jars
  6. swirl ribbed bottles
  7. vials

Pittsburgh Glass:

  • Glass made at one of the many Pittsburgh glass factories.

Pittsburgh Steamboat:

  • A pressed cup plate, made in 1836, displaying a side wheel steamboat and the marking " UNION GLASS WORKS, PITTSBURGH."

Plate Lettered:

  • Technique that used a bottle mold with slotted side to hold different plates for plate letter molding.

Plate Glass:

  • Float window glass that is more than 3/16 " inch thick.

Plate Quality:

  • Glass that is uniform and optically true.

Plating:

  • Descriptive of the process of casing, it is a 19th century term, used especially in America.

Pleat & Panel:

  • Late issue pressed glass pattern.

Plique-a-jour:

  • An enameling technique like cloisonnþ but without the metal base, akin to a miniature stained glass window.

Plymouth Cut:

  • Cut glass pattern from the 1870s to the 1880s.

Plymouth Rock Paper Weight:

  • Glass molded in the form of Plymouth Rock, made in 1876, but dated 1620 with an inscription memorialized Mary Chilton, who first set foot on it.
  • The paperweights were made by the Providence Inkstand Company as souvenirs.

Point:

  • A glass tube section that has been pulled to a taper on either end to serve as handles for working the section.
  • Good for handling large diameter tubing.

Poisons:

  • Deep green or deep blue glass bottles, made in the 1860's, with sharp diamond pointing and sharp diamond pointed stoppers, and having "POISON" deeply impressed on top and sides.

Pokal:

  • European term for a covered goblet.

Poland Water Bottle:

  • Blown molded bottle in the shape of a bearded man referred to as either Father Christmas or Father Time.
  • Two vertical panels on the front are marked "Poland Water," and "H. Ricker & Sons Proprietors." The back of the bottle has the Poland Water Co. seal.

Polariscope:

  • A device for measuring strains in glass by showing the stress patterns..

Pole Turner:

  • The assistant who turns the pipe.

Policeman:

  • A short section of rubber tubing that can be pinched or sealed shut, used to seal off the end of a tube temporarily.

Polychrome:

  • Having more one color.

Polishing:

  • Similar to grinding but the polishing material is fine rouges applied with revolving buffs The action removes little glass and depends on flow.

Political Glass:

  • Glass that bears the likeness of political candidates or their symbols.

Polka Dot:

  • A bi-colored pressed glass that simulates overlay cut glass. The surface is characterized by numerous glass dots on a colored background.

Pomona glass:

  • Glass made 1885 by the New England Glass Company or Joseph Locke.
  • Partially colored coated glass having a pebbled characteristic that is etched, and sometimes having decorated patterns.

Potash-Lime Glass:

A glass that uses potassium compounds for flux and lime for the stabilizer.


Potentiometric:


Pontil; Punt; Punty

  • The pontil takes the expanded glass from the blowing iron so the top can be finished.
  • The metal rods or tubes used to hold, inflate and work a glass object during its hot manufacture. Additionally, it can gather added glass from the furnace as needed. A blow pipe can be used as a pontil during finishing.

Pontil mark:

  • Or pontil scar.
  • The usually small, round or a ring-shaped scar on a glass vessel, usually centered on the base where the pontil was attached. The rough mark was once the sign of handmade glass until the 19th century when it was ground flat.

Pontil Marked Pressed Glass:

  • Early pressed glass that bears the mark of a pontil used to remove the glass from a mold.

Pontil rod:


Poodle Bottle:

  • A blown molded bottle that has the form of a French poodle that sits upright with a unmarked barrelhead between its paws to paste labels on. The mark "Design Patent 89968" appears on the bottom of some.

POOP:

  • A mnemonic for: Propane-Oxygen Oxygen-Propane. The safe order for turning on a torch: propane then oxygen; and turning it off: oxygen then propane.
  • The same order can be used on other gases such as natural gas, or hydrogen.

Port Elizabeth Glass:

  • Glass made at the Port Elizabeth, N.J. factory started Stangers and others from c. 1810 to 1814.
  • The business split up and part of it moved to Marshallville, N.J..

Portland Glass:

  • A variety of pressed glass that was made at Portland, Me., from 1864 to 1870s.

Pot:

  • Open, closed, smaller skittles for small batch colored glass.
  • A crucible of fire clay that a batch of glass in made in. Pots last from 3 to 6 weeks.

Pot Arch:

  • Furnace used to fire pots initially.

Pot Furnace:

  • A furnace that holds pots that are used for melting glass.

Pot Ring:

  • A fire clay ring that float on the surface of an open pot. The ring keeps the glass within relatively still and the glass is gathered within the ring.

Pot Settling:

  • The transference of the pot from the pot arch to the melting furnace.

Potash Glass:

  • Traditionally burning beechwood or wine residue produced the flux. Potash glass is an ingredient for lead glass, and is harder than soda glass suitable for engraving and cutting on wheels. Waldglass are forms of German and Bohemian potash glass.

Potash-lime glass:

  • Glass fluxed with potassium compounds and stabilized with lime.

Pot furnace:

  • A furnace that uses refractory containers, or pots, to melt the glass in.

Pot Ring:

  • Fire clay rings that float on glass in an open pot. Inside of the ring, the glass is relatively still and is where the glass is gathered to be free as possible from bubbles and impurities.

Pot settling:

  • Transference of the pot from the arch to the melting furnace.

Potichimanie Vases:

  • Potiche, jar of porcelain; manie, vogue.
  • A fad of the mid nineteenth century that imitated Chinese porcelain by lining glass vases with pictures and coating them with plaster of Paris or other material.

Powder:

  • Color glass that has been powdered and is dusted or rolled onto hot glass.

Powder Booth

  • Also powder box.
  • The enclosure used to give protection with powdered glass.

Powder & Shot:

  • A late pressed glass.

Powder Horn Bottle:

  • A long, slender bottle with a slight bend in the neck.

Powder Flasks:

  • Historic flasks that have been described as being powder flasks.

Premium Glass Co.:


Premixed Torch:

  • A torch that mixes the gas and oxygen in the body of the torch before burning.

Prescription Bottle:

  • Bottles made for druggists that are designated as prescription bottles.

Pressed Cut:

  • A cut glass were the cutting is done over a pressed in master pattern, eliminating much of the cutting.

Pressed Glass:

  • Glass that has been pressed in a mold to achieve a design.

Pressed Glass, Late:

  • Pressed glass patterns that were produced from the 1880s to 1900.

Pressed Glass Patents:

  • A patent for pressing glass was issued to E. Robinson of Cambridge, Mass., in 1826.
  • A patents for improving pressing methods were issued in 1828 and 1830 to Deming Jarves.

Pressed Glass Patterns:

  • Patterns created in glass ware by the use of molds.

Pressed Inside & Out:

  • A pressed glass technique were the mold and plunger both make an impression on the inside and outside of the glass.

Pressed On Handles:

  • The technique were molded handles are placed into another mold were additional hot glass is molded and bonds onto the handles.

Pressing:

  • Shaping glass by applying force to glass in a mold.

Press-molding:


Pressed glass:

  • A mechanical process of pressing glass into mold, either manually or automated.

Pressing Mold Identification:

  • Characteristics that distinguish glass molded in brass or iron pressing molds. Glass pressed in brass molds have a softer finish described as satinlike or velvety, where glass pressed in iron molds have a sharper finish described as brittle or razor like. The later forms were often fire polished for longer periods to soften its sharp edges.

Princess Feather:

  • Also called Lacy Medallion.
  • A pressed glass pattern with a stippled background impressed with feather like form and cartouches and pyramid like diamond pointing.

Printy:

  • printie
  • The opposite of a prunt it denotes a print inside of a hollow, or below the surface pattern. Often a shallow, often concave, circle or oval.
  • With reference to paperweights see facet.

Prism:

  • A pressed glass pattern having a series of vertical bars ended in defined points in a pattern like lamp prisms placed upside down.

Prism & Crescent:

  • A pressed glass pattern that has prism shapes and crescents making panels between fan like forms.

Prism & Flute:

  • A pressed glass pattern of bands of fine ribbing or flutings that may have engravings.

Prism with Diamond Points:

  • A pressed glass pattern of vertical prism forms ending with bands of diamond pointing.

Profile:

  • The form of a paperweight when inspected from the side.

Protection:

  • To sheild from heat.

Providence Glass (R.I.):

  • Glass made at the Providence Flint Glass Works from 1831 to 1835.
  • Production included:
  1. bottles
  2. pressed glassware
  3. tableware
  4. vials

Pruessler:

  • The name of a glass enameler who simulated cutting and engraving by using brush lines in black enamel and gold.

Prunt:

  • Additional blobs of glass, usually circular, left as is, pinched, stamped or inflated, decorating or identifying the sides of vessels.

Pucellas:


Puebla Glass:

  • Glass that was made from 1648 at Puebla, Mexico glass factory that operated for three hundred years.

Puffer:


Pulled Point:

  • A glass tube that been drawn out, the drawn sections are used to handle the main diameter of the tube.

Pungents:

  • Fancy or plain flasks of two dram size that were made to hold pungents such as aromatic oils, ammonia and other pungent compounds.

Punty:

  • French for pontil.
  • puntee, see pontil
  • A solid steel rod for gathering, or to attach to the bottom of a blown piece, allows for the blowpipe to be struck off and the piece to be reheated for finishing.
  • With reference to paperweights see facet.

Punty Boy:

  • A glass assistant.

Punty Wrap:

  • Like a moile wrap, or neckwrap.
  • Hot glass is wrapped on the punty to keep it warm and help reduce stress and cracking of glass.

Pyrex:

  • A borosilicate glass manufactured and trademarked by Corning Glass Works. It is very heat shock resistant, having a low coefficient of expansion.

Pyrometer:

  • A temperature measuring device for high temperatures.

Pyrometric cone:


Pyxis:

  • Greek
  • A toilet table covered box often of cylindrically shape with low dome covers.


- Q -


Quartz Inversion:

  • The reversible physical changes that occurs in quartz crystals when they becomes heated to a temperature of 1050 degrees F.

Quatrefoil:

  • A millefiori cane with a central four lobed design.
  • The faceting design of exterior adornment of certain paperweights
  • Garland pattern

Quench:

  • To rapidly chill a hot object in water. Used to chill or crack a surface.
  • A practice used to crack off glass from pipes and punties.

Quilling:

  • Also known as pinched trailing.
  • Rigaree applications on glass with a wave link form.



- R -


Radiant heat:

  • Heat emitted by a glowing hot element.

Railroad:

  • A pressed glass pattern depicting railroad scenes or railraod trains.

Railroad Flasks:

  • Whiskey flasks that depict either a horse drawn car or a steam locomotive and usually bear the legend "Sucess to the Railroad."

Railroad Plate:

  • A oblong pressed glass plate with circular incurvate corners and depicting a locomotive and train.

Raindrop:

  • A pressed glass pattern of small pear like drops and no diamond points or lozenges.

Rapid Cool:

  • The stage of cooling from highest temperature to optimum annealing temperature.

Rapid Heat:

  • The stage of fusing when unfused glass is heated from the strain point to the fused level.

Random Spacing Scheme:

  • With reference to paperweights, it is the assortment of upright, tightly packed canes, in the all-over design.

Ravenna glass Company:

  • The glass factory started in the late 1850s at Ravenna, Ohio and produced until the 1880s.
  • Production included:
  1. bottles
  2. flasks
  3. off hand work

Ravenscroft Glass:

  • George Ravenscroft made flint glass and used lead glass to produce a fine crystal glass. Ravenscroft was know as a master of "wrythen" and "nipp'd diamond waies" methods of tooled decoration.
  • Ravenscroft had a factory at Henley on Thames, England; and marked some of his fine wares with a raven's head pressed into a prunt of glass.

Reaper Tray:

  • A 1890s pressed glass tray. Its center panel depicts a reaping machine drawn by a horse inside a border of crossties and rails.

Rebound:

  • Heat returning to a kiln from the brick, insulation and shelf after the rapid cool stage.

Redford Glass:

  • Glass made from the 1830s to the 1850s at Redford, N.Y..
  • Production included:
  1. crown glass
  2. off hand work

Reducing:

  • Low in ozygen.
  • Reducing flames can draw oxygen out of hot glass and discolor the surface.

Reducing Atmosphere:

  • The oxygen deficient atmosphere of a smokey kiln or furnace. Used to reduce oxides into metallic states such as with lustre pigments.

Reduction Lathe:

  • A lathe used in sulphide manufacture that cuts a smaller reproduction of original bronzed images into steel.

Reduction Lens:

  • A lens used in sulphide manufacture to inspect the surface smoothness of a cameo.

Refractories:

  • Clays and substances that can resist high temperatures and deformation, composed of alumina, silica, and zirconia.

Refractory Pot:

  • A pot made of fire proof (refractory) clays, for melting glass ingredients in.
  • Pots typically have a life of tow or three months.

Regulator:

  • The apparatus for adjust and reducing pressures of gas and oxygen to safe and usable levels.

Reheat:

  • To put glass into a furnace or glory hole to add heat and regain fluidity to blow or work the glass.

Relief:

  • Figures and forms projecting off of a background.

Renaissance:

  • A period originating in Italy in the 14th century and spread through Europe to the 16th century. It was characterized by a revival of intellectural and artistic achievements.

Resist Tape:

  • An adhesive tape for used to stencil glass for sand blasting and other processes.

Reticllo:


Reticulated:

  • A Venetian technique from the 16th to 18th centuries, glass is knitted or looped, into an open network or "knitting."

Retorti:


Rib mold:

  • Vertical ribbing of a patterned mold.

Ribbed, Ribbing:

  • Upright and convex markings impressed on a parison of glass, by a mold, which are wider than the spaces between the markings.

Ribbed Grape:

  • A pressed glass pattern depicting fine vertical ribs and horizontally arranged, on top of, grapevines having stem, leaf, and clusters.

Ribbed Palm:

  • Also called Spring.
  • A pattern of verticle ribbing onto which a large palmate leaf is impressed.

Ribbon:

  • A pressed glass classification.
  • A cane with a flat ribbon like component that can be twisted; used in chequer weights, crown weights and torsades.

Ribbon Burner:

  • A torch with an lengthened burner for heating long areas of glass.

Ribbon Glass:

  • Glass strips of different colors and dkinds are fused to produces vessels.

Ricardi Cut Glass:

  • Passquale Ricardi was a noted New York glass cutter during the early 1800s.

Rice & Johnson Glass:

  • Glass made during the 1840s at Harrisburg, N.Y..
  • Production included:
  1. bottles
  2. tableware
  3. vials

Rigaree:

  • Trailing ribbons of glass, press into parallel notches, appearing as a ruffled color.

Ring:

  • The circle or row of millefiori canes in concentric paperweights.

Ringed Jars:

  • Confectioner's jars produced from the 1750s.
  • The jars are stright sided cylinders with belled covers and decorated rings of often colored glass on the outside of the jars.

Ringed Knop:

  • A decorative knop applied around the bulb ofnthe stem or between bulbs on the stem of a glass.

Ripple:

  • A pressed glass pattern of ripples, like that formed on a pool of water.

Ritchie & Wheat:

  • Glassmakers from Wheeling, Va..

Robinson, George:

  • George Robisnon had a glass firm at Wheeling, West Va., during the 1860s.
  • Production included:
  1. black glass bottles
  2. druggist wares
  3. enameled wares
  4. plain wares

Robinson, T. & J.:


Rochester Glass:

  • The Rochester, Pa., works produced blown and pressed glass from 1872.
  • The factory was as the Rochester Tumbler Works.
  • Production included fancy or palind, blown goblets and tumblers for cutting.

Rock Crystal:

  • Natural clear quartz, a natural glass.
  • Reference to wares carved from clear quartz.

Rock Ground:

  • The ground coarse and granular ground of paperweights made with green glass, sand and mica flakes.

Rod:

  1. A round stick of glass.
  2. A section of glass with a masaic pattern running its length.

Rod-forming:


Roemer:

  • Dutch: roemen, to praise, dating from the fifteenth century.
  • A reference to large, engraved and cut glasses or goblets.

Rolled glass:

  • Sheet glass made between rollers, or a roller and a table.

Rollers:

  • A apparatus with wheeled rollers to support and rotate glass tubes and rods while working.

Rolling Pin:

  • A rolling pin made of glass.

Rolling Pin Bottles:

  • A glass rolling pin with a neck and opening so that the pin could be filled with either hot or cold water.

Roman Glass:

  • Roman glass at the time of Caesar's conquest came from Egypt.
  • Under Tiberius rule, glass making was started outside of Rome.
  • Constantine moved the captital to Constantinople and established glass factories.

Roman Rosette:

  • A late pressed glass pattern.

Rooster Finials:

  • A variation of the swan finial depicting a rooster, that serves as a finial, knob or handhold on a cover.

Rommer:

  • Aslo, rummer.
  • A round-bowled, thick stemmed spirit or wine glass.

Rondelle:

  • A round of glass made by spinning and flattening an open bubble of glass.

Rose Glass:

  • Also called New Bedford Rose Glass.
  • Glass colored with gold oxide to mimic the variegated colors of a rose petal.
  • Produced by the Mount Washington Glass Works, New Bedford, Mass., from the 1880s.

Rose Paperweights:

  • Usually credited to Ralph Barber from Millville, N.J., who arrived from England and worked at the Dorflinger plant at White Mills, Pa.. There it is thought he learned the technique from E. J. Larsen.

Rose Pompadour:

  • A dainty pink ground found in some Clichy paperweights and Sevres porcelain.

Rosetta Bead:

  • A cane made from drawn glass canes having an internal pattern of layered contruction.

Rosette:

  • A primary design of close packed canes, in a round group, that symbolize a glower.

Rosette & Palm:

  • A pressed glass pattern of alternating palm shapes and rosettes.

Rouge:

  • A polish for metals and glass made of ferric oxide, having a reddish color.

Roughing:

  • The preparation of a surface, making it course and irregular, for finishing and polishing or grinding..

Rhyton:

  • (Greek)
  • Drinking vessel with the forms of human and animal heads and rims for placement.

Ribbon glass:

  • Strips of different kinds and colors of glass fused to form a vessel. Also a Venetian type of glass embellished with lattimo stripes.

Roemer:

  • German
  • Drinking glasses with flared or oval bowls over prunt decorated hollow stems joined to a foot made of a spiraled thread.

Running Stitch:

  • A form of lace work made of rows of connected arches of the same size and shape.

- S -


Saddle Bottles:

  • Bottles having a gourd shape and round bottoms that were racked on an angle, or on sanded shelves, and hung in slings on walls. Often such bottles were carried in netted slings on saddles.

Safety Glass:


Saint Louis Glass (Missouri):

  • Glass works started in 1842 ( operated to the 1880s under different management), in Saint Louis by the Eads family.
  • Production included:
  1. blown glass
  2. bottles
  3. flint glass
  4. hollow ware
  5. pressed glass
  6. vials

Saint Louis Glass (France):

  • Reference to glass made by Compagnie des Cristalleries de Saint Louis, or La Verrerie de Saint Louis, in the Vosgest Mountains.
  • The company was started in 1767 as the Verrerie Royale de Saint Louis in the Munzthal forest of the Lorraine region

Salem Glass (Mass):

  • A glass factory that operated at Salem starting in the 1640s and either operated for two years or until the 1660s.

Salem Glass (N.J.):

  • The factory was started by Samuel Norcross and others in the 1850s and operated to the 1880s.
  • Production included:
  1. bottles
  2. fruit jars
  3. vials

Saliva:

  • Undesired strings of air bubbles made from inadequate expulsion of air when assembling a picee.

Salt Caster:

  • The Stiegel Works produced casting bottles c. 1770.
  • The bottles were blown glass with a pierced top and a high standing foot that hid the filling hole and stopper.

Salt Mouth:

  • Refers to the neck of a wide mouthed bottle used to pour its granular contents.

Salts:

  • Designation of a open container used for salt.

Sagging:

  • The bending of glass by its own weight when heated.

Sanctuary Lamp:

  • A short glared beaker that can be colored, used to burn votive candles in Roman, or some Greek or Episcopal churches.

Sand Blasted Glass:

  • Techniques first used by B. F. Tilghman of Philadelphia, in the 1860s, using compressed air to erode a surface with abrasive materials like aluminum oxide and silicon carbide. This creates a matte surface.

Sand Ground:


Sanders:

  • Shakers for sand made with a solid, pierced top that allow the passage of the sand.

Sandever:


Sandwich:

  • Techniques that layer a decorative material between two layers of glass.

Sandwich Glass:

  • Made by the Boston and Sandwich Glass Company in Sandwich, Mass., from 1825 to 1888. Founded as Sandwich Manufacturing Company, by Deming Jarves when he left Cambridge Glass. In 1826 it became the Boston & Sandwich Glass Company.
  • Sandwich glass is blown, molded, cut, and engraved. A special mold, the first such equipment made in the United States, was used for its pressed glass. Tableware, lamps, vases, and scent bottles were some items made of sandwich glass. The glass is comparable to Baccarat pressed glass.

Sandwich Star:

  • A pressed glass pattern of four petals imposed onto a diamond creating an eight pointed star,

San Francisco Glass:

  • Glass made at the factory started in the 1860s at San Francisco, Calif..
  • Production included:
  1. bottles
  2. carboys
  3. vials
  4. possibly Bear Bottle fire extinguishers

San Francisco Glass Works:

  • The factory was established by the firm of Hostetter, Smith & Dean during the 1860s.

Santa Claus Bottle:

  • Blown molded bottles depicting Santa Claus, c. 1900,

Saratoga Glass:


Satin Glass:

  • Hobbs, Brockunier and Company of Wheeling, W. Va., was the main producer of satin glass (Similar glass was made in England and during the same period). A dull matte finish made by submerging the vessel in a corrosive acid or in the fumes of acid. The process was synonymous with "frosting" of fancy art made in the United States during the last half of the 19th century.

Saucers:

  1. Glass dishes for serving and using sauces.
  2. The dish used under a refreshment cup or syllabub bowl.

Saws:

  • The use of mechanized diamond blades to saw and shape glass.

Sawtooth:

  • A pressed glass pattern of a large diamond filling up to three quarters of a surface.

Saxon:

  • A pressed glass patter of a sun ray fluting with blocked and starred rims.

Scattered Millefiori:

  • An irregularly spaced concentric millefiori design.

Schaper, Johannes:

  • A glass enameler of Nuremberg, c. 1640.

Schlernitzauer, Nicholas:

  • A glass worker of the Oneida County (N.Y.) Glassworks.
  • Noted for his production of whimsies, bottles enclosing forms of birds.

Schmelzglas (German):

  • An opagque marbled glass that imitates stones such as agate,chalecedony and others.

Schnappsflaschen:

  • Swiss
  • A bladder like blown glass with pinched in sides and a "stuck on" neck that is attached after the blowing operation.
  • Found in ribbed, swirled and dotted glass of usually dark green color.

Schoolcraft, Henry Rowe:

  • A noted overseer in the nineteenth century at the Vernon and Geneva Glass Works of New York State.

Schwartzlot:

  • German
  • A sepia enamel in the form of stained glass painting.
  • Opaque marbled glass that looks like stones such as agate, chalcedony, etc.. Sepia enamel forms from stained glass paintings, used to decorated vessel, sometimes combined with gold. Points are used to scratch in details.

Schuylkill Glass Works:

  • The glass works was started in 1873 by Robert Morres and John Nicholson at Schuylkill, near Philadelphia; it operated until 1808.
  • In 1810 it reopened as Skhuylkill Glass Works.
  • In 1823 as the Philadelphia Glass Works.
  • Production included:
  1. bottles
  2. flint glass
  3. green glass
  4. tablerwares
  5. window glass

Scrambled:

  • end of day, or pell-mell.
  • The design of millefiori paperweights, having broken and whole canes, and sometimes colored or white lace, that are mixed up together and fill the weight.

Scratch and Break:

  • Technique of cutting glass tubing by scratching and pulling apart. The glass is scored with one stroke, the score moistened, facing it to ones body then bending outward and pulling to separate the pieces.

Scratch and Shock:

  • Technique of cutting glass tubing by scratching and applying heat, often used on lathwork.

Sea Horse Bottles:

  • Fragrance bottles having the form of a sea horse, and worked in the Venetian style of crimps and swirls. Found in clear glass or contrasting colors.
  • The bottles were made at Bristol, Nailsea, and some at Sandwich.

Sealed Glass:

  • The impression , or seal, placed onto a prunt that usually signified a customer or vintner.

Seashell:

  • Transparent pressed glass in the form of a seashell, either plain or engraved, and having finials or knobs..

Seeds:

  • Small bubbles that are imperfections in glass, often caused by impurities in the raw batch, or insufficient heat or time during the melting and refining process.
  • Also impurities such as dusk or dirt.

Selenium colors:

  • A metallic element, appears black in powder form, as a colloidal color can strike when reheated. Used with cadmium sulfide creates colors from amber orange to bright red. Soda lime glass gives a lighter rose color.

Separator:


Sepia Enameling:


Serass:

  • An early name for crystal, flint or lead glass.

Serpent stem


Servitor:

  • A helper or attendant.

Setup:

  • The center element or elements in a representional paperweight.

Sepia Enameling:


Sgraffito:

  • A drawing technique that scratches a line into the top layer of grit, enamel, et., to uncover the glass (often a contrasting color) underneath.

Shard:

  • Splinters (larger than frits) of fragile materials such as glass.
  • Brokent pices of glass, often colored, that can be picked up onto hot glass or used for inclusions.

Shaving Mugs:

  • Blown and pressed glass mugs made from the 1850s to the 1920s.

Shear:

  • Scissors used to cut hot glass.

Sheet Fiber Paper:


Shelf Primer:

  • Substance made of hydrated alumina and kaolin clay, binders and suspension media.
  • Also known as kiln wash or glass separator, it keeps glass from sticking to glass or metal forms, molds, or fusing surfaces, and mandrels in bead making.

Shell & Tassel:

  • A pressed glass pattern depicting elements of shells and tassels.

Shield:

  • The object or method to protect a glass worker from a heat source.

Ship Decanters:

  • Decanter with a wide bottoms and long necks for stability on a ships table.

Ship Tumblers:

  • Drinking glasses with a wide bottoms for stability on a ships table.

Shoes:

  • Blown and pressed glass having the shape of a shoe or slipper.
  • Found in clear or colored glass and as bottles or glasses.

Shoe Lamp:

  • A kerosene lamp with a reservoir in the shape of a shoe, dated during the 1860s.

Shot Glass:


Show Bottles:

  • Very large apothecary bottles for exhibiting goods. A popular object of the 1840s to the 1900s.

Siccative:

  • A drying promoter for oils used on under-glaze or over-glaze colors.

Sick, Sickness:

  • See crizzling.
  • Also known as glass disease.

Side Arm Seal:


Signature Cane:

  • Or initital cane.
  • With reference to paperweights it is the cane designating the name, initial or initials or the the paperweight's manufacturer, origin or artist.

Silesian Stem:

  • Introduced into England about 1715 and a common form found in Thurengian glass. A form of molded stem, often ribbed, with shouldered stem.

Silicon Carbide:

  • SIC
  • The substance is one of the hardest known substances, appearing as a bluish black crystalline compound, it is used for abrasives and refractories. It is used for shelving for high fire ceramics and is often used for rough grinding.

Silicosis:

  • A serious lung disease caused by the inhalation of sharp edged particles of glass powder or sand.
  • A concern for people who work in sandblasting or who work with frit.
  • Use a specialized dust mask and local exhaust ventilation as a precaution.

Silhouette Cane:

  • A miilefiori cane that shows, in the cross section, the shape of an animal, flower or figure.

Silk Screening:

  • A stenciling technique that uses a design on a screen of silk or fabric, with empty areas coated with impervious material. The printing, or design medium, is pushed through the un-coated cloth onto the print surface.

Silver Glass:

  • Also called mercury glass.
  • A double walled glass technique that silvered the sealed interior of the wall with mercury.
  • A wide variety of glass items were made with this technique.

Silvering:

  • To chemically deposit a film of silver onto glass.

Silver in Glass:

  • Oxides of silver produce a distinctive yellow color in glass.

Single Overlay:


Single Strength Glass:

  • Window glass that is 3/32 inch thick.

Sinter:

  • Firing to the point where cohesion of material starts.

Skyphos:

  • Greek
  • A side handled cup with a low foot.

Slag Glass:


Slide Caliper:

  • A tool to measre the inside or outside width of a glass tube and container depth.

Slipper Bottle:

  • A glass slipper with a high heel and rough neck.

Slippers, Glass:

  • Slippers made of cut, engraved plain or pressed glass.
  • A large variety were produced from the 1689s through to the 1900.

Slump:

  • To heat glass until it bends.

Slumper:

  • A oven used to slump glass.

Slumping:

  • Intentionally it is the use of gravity to flow hot glass onto the form such as a mold or framework. Also a reference to sagging.
  • Unintentionally it is when pieces sag or droop in an oven that is too hot.

Slump Method:

  • The procedure to test the annealing range for a particular glass in information can not be obtained from the manufacturer.

Smalt:

  • See cobalt.
  • Pulverized dark blue glass.

Smalting:

  • The application of smalt onto still wet, but sticky, paint to produce a weatherproof surface on buildings.

Smocking:

  • A pressed glass pattern that mimics the needlework form of smocking.

Snake Threads:

  • Serpentine treads applied to a vessels surface, often pressed flat with hatching or crass-hatching applied with a specialized tool.

Snow Weights:

  • A hollow paperweight filled with alcohol, flakes of white material and scenery that produce a snow storm when shaken.

Soak, Soaking:


Soda Glass:

  • Soda lime glass.
  • Soft glass.
  • A glass with higher ratios of soda and lime to silica than certain glasses. It has a lower melting temperature than borosilicate glass.
  • Traditionally soda was obtained by burning a seashore plant barilla (also known as glasswort). The Venetian cristallo was soda glass. It has a brownish to yellowish tones, is easier than lead glass to work and lacks resonance.

Sodium Silicate:

  • Na2SiO3* 9H2O
  • A solution of this is known as water glass. It is available as a which powder or liquid of varying viscosity, and is used to bind refractory mold mixes and a low temperature flux.

 


Soffietta:

  • Also known as the puffer, it is a hollow metal rtube with a cone like end, often used to make goblets.
  • This tool continues to inflate a vessel after its removal from the blow pipe, but while still joined to the pontil.

Soft Brick:

  • Also known as insulating firebrick.
  • A refractory brick that is porous with good insulating quality for kilns. The bricks made of it are easily carved with files, knives and sandpaper. When it is coated with shelf primer it is usable for molds.

Soft Glass:

  • The term used for lead and soda-lime glass, which melt at a lower temperature that "har" glasses such as borosilicates.

Softening Point:


Sofietta:

  • Italian name for the tool used as a puffer by a glass blower, after it has been taken off the blow pine but still on the pontil.

Sommerville Glass Company (Union):

  • The company started by Amory and Francis Houghton in the 1850s and operated under different management through the twentieth century.
  • Production included blown and pressed goods and lamps.

South Boston Glass Company:

  • The company was started in 1812 and operated under different managements until the 1850s.
  • Production included:
  1. casters
  2. cruets
  3. globes
  4. jars
  5. lamps
  6. plates
  7. vases

Southern Ivy:

  • A pressed glass pattern of vertical ribbing topped two curved horizontal impress of ivy leaves and vines.

Southhwick Glass (Wheeling):

  • Glass produced at the facility in Wheeling, Virginia.
  • Production included:
  1. blown wares
  2. colored pressed wares
  3. flint glass

Souvenirs:

  • The category of glass wares that include curiosities, novelties, oddities and novelties. The articles were made to be sold or freely given at a happening or to promote a business.

Spaced Millefiori:

  • With regards to paperweights it is the indistinct circular pattern formed from millefiori canes set at equal, or close to equal, distances from another.

Spacing Schemes:

  • With ragards to paperweights, it is the various patterns of millefiori canes set in patterned, random or special designs.

Spangle Glass:

  • A novelty made by Hobbs-Brockunier in Wheeling, Virginia, from 1883. A spangled effect was created by rolling a parison of glass in mica flakes and broken glass, the redipped for final blowing and shaping. Another technique was to roll a parison of glass in spangle dust and blowing it without redipping.

Spanish Glass:

  • A designation of glass wares from Spain that date from the sixteenth and seventeenth centuries.

Sparking Lamps:

  • Night lamps, small in size from two to five inches high. Early examples had a round wick holder and later models had flat wicks.

Spechter:

  • German
  • Tall, narrow and green drinking glassed for the Spessart area of Germany.

Specie Jars:

  • A mid-eighteenth century glass container with "japanned" sheet iron tops. They were used to hold items such as: barley, candies, herbs, sugar, and other items in homes or shops.

Spencer, Joseph:

  • A New York City glass cutter and enameler who worked from his shop from 1810 to the 1820s.

Spigot Bowl:

  • A punch bowl with feet and short stem on the bottom with an opining and metal spigot. Most date from the 1780s to 1850s.

Spiral:

  • A glass rod wound with opaque glass threads.

Spiral Latticino:

  • With regards to paperweights, it is the conves or funnel like patterns made by thrads of latticinio.

Spot & Dot:

  • A trade name for pressed wares with dots or spots forming the pattern or background for patterns.
  • Also a classification for overlay glass having dots and spots cut through the surface layer exposing the underlying layer.

Spread Eagle:

  • A reference to the big side ways, spread eagle on many blown molded flasks

Spread Glass:

  • A method of making window glass from cylinders that were cut open and then placed in a vibrating furnace to spread flat.

Sprig:


Spring Neck Decanter:

  • A decanter of glass with a metallic case that has an extension up along the neck, to the stopper which opens by a spring when the decanter is grasped.

Spun Glass:

  • Reference to glass threads woven into fabric.
  • Also novelties spun of glass by workmen.

Square Shears:

  • Shears that have a square hole in the blade, and are for cutting rods or gobs of glass.

Squat Toilet Bottle:

  • A bottle, for toilet water, made by Millville from 1850s to 1900 and perhaps later..

Squeegee Oil:

  • A compound of pine oil and solvents used in frit application during fused glass work.

Stained Glass:

  • A reference to to decorative items for ecclesiastical use. The glass item was embellished with the stain and fired to make it permanent.

Staining:


Stangate Glass:

  • Production of the Stangate Works, Lambeth, England, by Christy & Company. The company produced color printed glass that used a transfer method with oxide inks that were fired.
  • Production included:
  1. bottles
  2. colored printed glass
  3. enameled wares
  4. flashed wares
  5. paperweights

Stangenglas:

  • German, stange signifies a pole.
  • A tall, narrow cylindrical glass, often have a pedestal foot.

Star Bead:

  • See Rosetta bead.
  • A rosetta bead with a shar shaped pattern.

Star Cut:

  • The decoration of some paperweights of a many sided star cut into the base.

Stardust Cane:

  • A cane of small star shaped rods separated by clear glass, and often around a geometric cane center in paperweights.

Stardust Gound:

  • The ground of some paperweights made of white star rods.

Star Glass Company:

  • A factory at Norristown, Pa., producing from the 1850s to the 1860s.
  • Production included:
  1. chemical wares
  2. lampshades

Star Paperweight:

  • Paperweights having, as a whole, a star shaped design. Clichy specialized in them.

Star Rosette:

  • A pressed glass pattern of a all over pattern of dots and stars.

Stave:

  • Rectangular rod that encloses a design.
  • In paperweights it refers to the flattened glass tube that make up basket designs and Clichy roses.

Steam Stick:

  • A wet cone shaped wooden tool that is placed into the lip of a hot vessel, creating steam and pressure to expand the glass or puff it out.

Stedman:

  • A pressed glass pattern, dating before 1870, of vertical ribbing creating an undulated edge on top of the ribs.

Stenger - Stanger Glass:

  • John Kindiel and Jacob Stanger were indentured German servants under Richard Wistar at the Wistar Factory of New Jersey. The two ran away before finishing their apprenticeships, and perhaps returned.
  • In 1781 Jacob Stanger and his brother were making glass at Glassboro, N.J., it became the Olive Glass Works in 1808.
  • In 1818, the Stangers began a cooperative glassworks at Glassboro. In 1824 this and the Olive Glass Works merged. The company eventually became the Whitney Glass Works.
  • Production of the Stanger plants is believed to have been down in the Dutch styles or the Wistar Works.
  • The production of these factories is grouped as South Jersey.

Stick Up:

  • To attach a punty to a piece.

Stickwork:

  • Reference to an enamel technique were a point is used to etch out internal detail of the enamel.

Stone Cold:

  • Reference to a glass piece that has cooled and shows no movement of flowing glass.

Stones:

  • Crystalline lumps in glass, may also be pieces of furnace brick.

Steubenville Glass:

  • Production of the Steubenville, Ohio glass factory that was started in 1830 and operated to the 1880s under different management.
  • Production included:
  1. blown wares
  2. drinking glasses
  3. pressed wares
  • Also production of the Rockvelle Works that was started in 1836 and produced bottles until c. 1840.

Stiegel Glass:

  • The German immigrant Henry William Steigel came to Philadelphia, Pa., in 1750. Stiegel had a long affiliation with the Stedmans. Steigel began trying out glass making in 1763 at the Elizabeth Furnace. In 1865 he started a factory at the town he had laid out, Manheim. Later in 1769 he started a second factory.
  • Production was mainly bottles and window glass. Steigel glass in know for its clear and colored wares that were produced in the Bristol blowing method.

Stippled Clover:


Stippled Chain:

  • A pressed glass pattern produced by Gillinder in Philadelphia. It is distinguished by subtle chainwork on alternating plain and stippled surface facets that mimic the silverware of the period from 1790 to 1820.

Stippled Star:


Stoddard Glass:

  • Production by the four factories at Stoddard, N.H..
  1. Joseph Foster, from 1842 to 1880.
  2. Two factories of the Granite Glass factories, 1846 to 1856.
  3. South Stoddard Glass Company, 1850 to the 1870s.
  • Production of the plants included:
  1. cologne bottles
  2. dark green bottles
  3. inkwells
  4. medicine bottles
  5. mineral water bottles
  6. soda water bottles
  7. wine bottles

Stone:

  • The specks in a batch that must be removed:

Stopper Mold:

  • A set of two dies in blocks on the end of a pincer arms. Hot glass is placed in the device and squeezed to form a stopper.

Stoppers:

  • The top of many bottles.
  • The nineteenth century produced many stoppered bottles sold by the stopper name.

Stourbridge Glass (United States):

  • In 1823 the Stourbridege Flint Glass Company was started in Pittsburgh, Pa..
  • In the 1830s the company name changed to T. & J. Robinson.
  • Production included:
  1. Blown wares
  2. cut wares
  3. engraved wares
  4. hollow wares
  5. globes
  6. lamps
  7. tableware

Stourbridge Glass:

  • Glass produced from 1556 at the glass making center of Stourbridge England,.
  • Production included:
  1. blown wares
  2. bottles
  3. bowls
  4. cut wares
  5. decanters
  6. drinking glasses
  7. novelties
  8. paperweights
  9. plain wares
  10. pressed wares
  11. tableware

Stouvenal Glass:

  • The production of cut and engraved glass by Francis, Joseph, and Nicholas Stouvenal of New York City, from the period1837 to 1870.
  • Production included decorative and tableware as well as special order work..

Strain:

  • The change of deformation of a piece of glass.
  • The stress within a glass piece that is caused by differential expansion or contraction during heating or cooling.
  • Annealing reduces strains.

Strain Point:

  • The temperature, analagous to freezing, that an internal configuration change occurs in glass.
  • At temperature below this point, stress in glass will dissapate when it reaches temperature equilibrium.

Straightening Points:

  • The technique aligning drawn handles onto the axis of the tube it was drawn from.

Stratified:


Strawberry:

  • A pressed glass pattern of berries and leaves in a band. It is similar to the Blackberry pattern.

Strawberry & Current:

  • A pressed glass pattern of alternating clusters of strawberries and stippled leaves and currants and stippled leaves.

Strawberry Cut:


Strawberry & Thistle:

  • A pressed glass patter depicting beehives and bees with thistles.

Strain Point:

  • Information obtained from determination of the annealing point. The glass is relatively rigid at this point, but internal stress is reduced to minimums over a period of 4 hours at this point.

Stress:

  • The deformation or strains is a piece of glass exerted by forces, expressed in pounds per square inch. Glass strain is caused by stress either compressive or tensile from stretching or compression.

Stressometer:

  • A small polarimeter, designed at the Fusing Ranch. It is a light source with a sole diffusing lens and polarizing lenses, that give a visual indications of the stress existing is two pieces of fused glass.

Stria:

  • Often a reference to antique glass, it is a cord of low intensity. An example is Reamy antique glass, having striae made by gathering glasses of varying viscosity and then blowing into shape. Striae may be seen in clear glass with a stressometer, or polarimeter.

Striae:

  • The undulating marks that appears on glass from uneven furnace temperatures or made from tools when the glass is rotated.
  • In paperweights it is caused by glass of different optical properties in the dome of a paperweight and have an unwanted grainy or sugary look.

Striking:

  • Reference to reheating glass after initial cooling so that the color and opacity form colloidal particles matures. At temperature above normal annealiong temperature, over 1100 degrees F., small particles of the glass matrix enlarge or migrate together.

Stringer:

  • Very fine glass thread that less than 1/16 inch in diameter. Stringers are used in fusing fine detail and smaller than glass rods. Their manufacture can be a by product of glass casting, dipping a punty in molten glass and snapping it from side to side. They can be made from flat glass scraps pulled with a pair of pliers.

Stringer glass:

  • Sheet glass cast with stringers on the underside of hand cast sheets that refract light give line quality.

Stroke:

  • The perceived movement of glass lace.

Stylus:

  • Sharp pointed tools used to mark or engrave.

Stuck Shank:

  • The same as applied stem.
  • A separately blown stem is "stuck" onto a bowl and/or foot of an item.

Stump Lamp:

  • Some what like a peg lamp.
  • A lamp reservoir with pegs on the bottom to fit into a base.

Suffolk Glass Works:

  • The factory started in the 1850s at Boston.
  • Production included:
  1. blown wares
  2. bottles
  3. cut flint wares
  4. globes
  5. plain flint wares
  6. pressed wares
  7. private mold wares
  8. shades
  9. tableware
  10. vials

Sugar Bowl Goblet:

  • Goblets with cylindrical feet, usually blown and tooled with an expanded diamond pattern. Found in blue, clear and amethyst glass.
  • Reputed to be production of the Stiegel Works.
  • The goblets are these days designated as sugar basins or bowls, and have no covers.

Sulphide:

  • A cameo or a relief medallion made from clay silica paste. They are enclosed in paperweights, bottles or glasses. Apsley Pellat was a noted English glass maker (1791-1862) utilized sulphides.

Sunburst:

  • A pressed glass pattern that mimics fine cut glass. It is distinguished by diamond form panels pressed with large and small diamond points having a sunburst of fan form between the panels.

Sunburst:

  • Any of a number blown mold glass patterns such as Bull's eye Sunburst in Square, Sunburst in Diamond, Sunburst in Oval and their variations.

Sun Chimneys:

  • Trade name.
  • A glass cylinder, like a hurricane shade,compressed at the top to create a draft that made a flame take on a ovo-conical shape. It was produced from the 1840s to the 1900s for kerosene lamps..

Suncook Glass:

  • The Chelmsford, N.H. glass works moved to Suncook, N.H. and made window glass until the 1850s.

Sunken Panel:

  • A glass parison of glass is pressed with a mold having deep arched panels and finished into a vase.

Supreme:

  • An early nineteenth century tall, stemmed, large bowled sherbet glass made for large servings of food.

Suspension:

  • A non-colloidal, somewhat course, dispersion of particles in a liquid.

Swan:

  • A pressed glass pattern of finials of covered wares having the swan shape.
  • Also medallions with a swan impression.

Swan Dish:

  • The cover, in the shape of a swan, of ovals dishes with either open ringed or scalloped edges.

Swan Lamp:

  • A night lamp with a swan shaped reservoir of pressed glass.
  • Found in blue, green, pink, rose and white opaque glass.

Swan Finials:

  • Glass finials that have been shaped to look like a swan.

Sweating:


Swedes' Glass:

  • Reference to a vague story of a Swedes or Dutch glasshouse the existed on the Delaware prior to William Penn's arrival, but is mention of it in Penn's papers. It is told that beads and gorgets were made there for trade to the Indians.
  • Swedish glass was imported to the colony that became Pennsylvania and through the eighteenth and nineteenth century

Sweeney & Bell Glass:

  • Production of the company of Sweeney & Company in Wheeling, Virginia from the 1830s on. The company was big importer and wholesaler of foreign glassware.
  • Production included:
  1. fine blown ware
  2. cut wares
  3. plain wares
  4. pressed glass.

Swirl:

  • A paperweight that has two or more colored rods radiating, in a spiral, down from a central cane on top.

Swivel:

  • The apparatus of two metal tubes, one which is stationary and connected to rubber tubing, and the other fits into glass tubing. The glass can be simutaneously rotated and blown into for working, without kinking the rubber tubing.

Syllabub:

  • The bowl used to prepare the drink "syllabub," or glasses to serve it in. The bowls often had a footing and underdish.
  • Sometimes called "baptismal" as sometimes they were used for the ritual.


- T -


Table Facet:

  • A flat round cut onto the top of a paperweight.

Table Setting:

  • A reference to the collecting of pressed glass as a table place settings.
  • A setting has a butter chip, butter plate, salt and pepper vessels, sauce dish, service plate, tea plate and more.
  • Complete settings include: butter dishes, compotes, creamer, goblets, ice cream dishes, salad bowl, sugar bowl, tumblers, water pitcher, wineglasses and more.

Tablet Bottles:

  • Bottles with a screw on cap made to hold medicine tablets and pills. They were made in many sizes and shapes, with the largest manufacture of them from 1850 to 1900.

Taker-in:

  • A gaffer's apprentice, particularly one who assists in taking the finished glass to the lehr.

Tale:

  • The first and last drawing of a parison of glass from the pot.

Tam O'Shanter Stopper:

  • The stopper of a bottle having the form of Scottish cap with pompon.

Tank:


Tank Surface:

  • Furnaces that hold melted glass without any pots.

Taper Cologne:

  • A stoppered or sprinkler top bottle with tapered side walls used in barbershops and on dressing tables.

Target Balls:

  • Glass balls, one and half to three inches wide, that were used as targets when thrown with a sling.

Tassie:

  • Cameo glass made in the 1760s by James Tassie of London. Tassies were molded glass that was polished, made as replicas.

Tazza:

  • Wafer dish.
  • Tazze were dishes for cakes, fruit, etc. and the bases for tall epergnes of smaller tiers. Usually tazza are wide cups and serving plates, they may have handles, and they are mounted on stemmed feet.

Tea Plates:

  • Blown or pressed glass plates, six inches wide, made in many patterns.

Tear:

  • A bubble deliberately encased in blown glass as a decoration. Tears are frequently used in stems of objects.

Teardrop:

  • Decorative, tear dropped shaped bubbles of deliberately trapped air bubbles.

Tecumseh Mustard:

  • A two inch square blockhouse shaped jar with a roof that is the lid and chimney being a handle. These jars probably were used for honey and jams and date c. 1880 to 1890.

Tee Seal:


Temperanceville Glass (New Jersey):

  • Production of the factory at Lewisville, N.J. in the 1830s, which operated until the 1880s. It was so named as solely teetotalers received jobs.
  • Production included:
  1. bottles
  2. bowls
  3. flasks
  4. hollow wares

Temperature:

  • The measure of heat intensity in degrees Fahrenheit or Centigrade.

Tempering Glass:

  • A glass treatment that produces internal stress by rapid cooling from a low red heat with a blast of air that hardens the surface first that compresses as the inner glass continues to shrink. This is a very durable glass, however it does not cut, as it will break into small pieces.

Template:

  • Or disc.
  • With reference to paperweight manufacture, it is a small cast iron disc in which a design is sorted before it is picked up.

Temple Glass:

  • Production by Hessian and other deserters of the British Army at temple, N.H., from 1780 to 1782.

Tendril Stem:

  • A stem that is entwine with a spiral thread, sometimes with contrasting color.

Teracotta:

  • A reddish brown clay used for pottery and building.

Tessera:

  • Reference to squares or individual pieces of a mosaic. Also a reference to pieces of glass or other substances.

Theatrical Glass:

  • Blown molded, cut, etched or pressed glass that commemorated theater, plays and players.

Thermal Coeeficient of Expansion (a alpha):

  • The amount a material will expand (per degree) when heated, expressed exponentially. The smaller a is the more resistant a glass is to thermal shock.
  • PyrexTM 7740, a = 32.5 X 10-Z.
  • The closer the a of two glasses are the more compatible they are.

Thermal Endurance:

  • The capacity of glass to undergo thermal shock.

Thermal Shock:

  • A reference to materials shock from heat. Too rapid of heating or cooling past the strain point temperature of glass causes thermal strains and cracking.

Thermocouple:

  • A thermoelectric device of two dissimilar metals that form a electrical potential difference at their junction. The potential changes with temperature and is measurable.

Thimble Hand:

  • A nineteenth century pressed or tooled glass with the form of a hand with separated fingers to hold thimbles.

Thousand Eye:

  • A pressed glass pattern of graduated circles with diamond points in between.

Thread:

  • A decorative trail of hot glass applied as an object is rotated, usually as a spiral.

Threaded Glass:

  • Glass decorated with small threads applied onto the original glass parison.
  • Glass ware with the surface appearance of separation into small threads.

Threading:

  • Reference to the application of heavy glass thread around bottle or decanter necks and other wares.

Three Face:

  • A pressed glass pattern, also called the Three Graces, said to have begun with George Duncan & Sons of Pittsburgh in the 1870s or 1880s. The faces appeared on the stems of different wares.

Three Mold Pressed Glass :

  • A term for blown three molded glass. The molds were made of three of more hinged pieces which required an assistant to open and close the molds. Such glass usually show lines were the molds joined.

Three Panel:

  • A pressed glass panel of three panels of pear like dots with alternate dots having a flower like impression. It has been found in amber, amethyst, blue, and yellow.

Thumb Pattern:

  • Ashburton style pattern that have a shallow indentation that looks like a thumbprint.

Thumb Squeeze and Turn:

  • A technique to cut rods and tubes. The tube is held between the knife and thumb, rotating the tube while scoring it, then moistening the score and making the break.

Thumbprint:

  • A pressed glass pattern that mimicked the empire or Regency form of cutting. The surface of the glass is a series of ovoid facets approximating the size and shape of a thumbprint.

Thumbprint Cut:

  • An oval, elongated concave window on a paperweight.

Tie-Over Jars:

  • Jars that have a very indented rim to tie down a cover of parchment or paper for a seal. These were preserving jars before the 1850s.

Tiffany favrile:

  • Favrile, Latin for "craftsman"
  • This "Art Nouveau" glass was made by Louis Comfort Tiffany from 1893 to 1933 on Long Island, N.Y. It is an iridescent and unconfined shaped glass, often with silky looking surfaces. Frequently it combined bronze like alloys and other metals to make a range of colors from deep blue to purple, and yellow-gold to green. The glass was very popular in the United States and Europe from 1890 to 1915, and revived in the 1960s.

Tin oxide:

  • SnO
  • A polishing compound for glass that appears as a white powder.

Tip:

  • The apparature on the end of a torch.

Toastmaster's Glass:

  • A wine or spirit glass of small capacity, but normal appearance. These glasses date from the eighteenth century, and allowed the leader of a meal to drink toasts and stay fairly sober.

Toggle Balls:

  • Also misnamed as milk bowl covers.
  • Blown glass balls in sizes from four to twelve inches in diameter used as floats to mark and support nets of fishermen.

Tomato Flasks:

  • The early name used for ketchup bottles produced from the 1850s.

Tooled Glass:

  • Blown wares that have been tooled for shape and decoration.

Tooling:

  • Squeezing or pressing soft glass with tools, while rotated on a pontil or blow pipe.

Top Loader:

  • An annealer that is hinged on the top from where it's loaded.

Torsade:

  • A filigree ring of white with or with out colored thread, usually with complicated patterns and form low border to mushrooms or upright bouquets.
  • With reference to paperweights, it is opaque glass thread wound loosely around the filigree core often found at the bse of a mushroom weight.

Torch:


Toys:

  • A large category of glass production with many divisions.
  • Glass toys production fall into three categories:
  1. regular production
  2. offhand work
  3. after hours work-frigging

Trail, Trailing:

  • The pulling of a strand of glass onto the surface of a glass object, to produce spirals, or other patterns. The trailed glass can be later shaped with tools.

Transfer:

  • To punty.
  • To attach a piece of hot glass to another punty and removing it from the original punty or pipe.

Transfers:


Translucent:

  • The property of transmission of light that diffuses it.

Transparent:

  • Transmission of light, without diffusion, that allows and image to be undistorted.

Trays:


Trefoil:

  • Garlands made of three loops.

Trevor & Ensell:

  • Pittsburgh glassmakers from 1812 to 1818, they known for their blown, flint glass wares.

Tricolore:

  • The originals were the three color of the French flag: red, white, and blue..
  • Later paperweights were made with flowers those colors.
  • A popular item during the Revolution of 1848.

Triple Overlay:


Trumpet Vases:

  • Blown glass vases in sizes twelve to sixteen inches high in a shape like a trumpet on a baluster stem with welted foot, c. 1810, found in amethyst and blue glass. It is likely they are of Bristol origin rather than Stiegel as once thought.

Tuft:


Tulip:

  • A pressed glass pattern of a vertical row of tulips, every one with three rounded petals, the interstices done with diamond pointing. The bowls of covered dishes have a wavy edge made by the petals, which matches the shape of the cover.

Tulip Vase:

  • A vase in which the form of the bowl looks like that of a partially opened tulip.

Tumbler:

  • Traditionally any round bottomed glasses that had no base and thus did not stand up on their own.
  • The term today applies to any drinking glass without a stem or foot that is straight walled.
  • The container of the mechanism that mixes a batch.

Tumbler Hat:

  • A glass hat made after blowing a parison in a tumbler mold.

Tungsten carbide:

  • WC
  • It appears a fine gray powder used for rough grinding and as an abrasive in tool and dies, and wear resistant tool and machine parts.

Turtle Doorstop:

  • Turtles shaped from big gobs of glass. They were made at New England and Lancaster, N.Y. and date probably from the 1850s.

Turn Pole:


Tweezer:

  • Also called pincers.
  • A pointed tong like tool for holding or working hot glass.

Twist:


Twistie:

  • The decoration of glass cane by twisting two or more colored pieces together.

Two and three part glasses:

  • The former are glasses with drawn stems, which are one with the bowl and the foot is added. The later, the stem and bowl are separately made and have a foot added. Three piece glasses can allow for more complicated patterns of the parts.

Two Panel:

  • A pressed glass pattern of two panel pressed with starred squares alternating with two plain panels. Found in clear, transparent and colored glass.





- U -


Umpire Jar:

  • Measuring jar of the Umpire Glass Works of Pittsburgh in the 1890s.
  • Pressed marks for measuring are on the outside.

Underlay:

  • A thin layer of colored glass on the interior of a glass piece.

Union Bowl:

  • A pressed glass bowl: twenty one inch high, twenty two inches in diameter and sixty pounds in weight.
  • Produced by Deming Jarves in 1851 at the Sandwich, Mass. plant.

Union Flint Glass Company:

  • Also known as: Kensington, Pa., Works.
  • Started in the 1820s by men from the New England Glass company and operated untill the 1870s.
  • Production included:
  1. colored glass
  2. cut glass
  3. fine clear glass
  4. plain glass
  5. specialties

Union Glass:

  • Production of the Union Flint Glass Works at Pittsburgh, Pa., started in 1830 and operated by Hay & Campbell from 1831 to the 1850s.
  • Production included:
  1. cut glass
  2. blown flint ware
  3. decanters
  4. lamps
  5. plain tablewares
  6. pressed flint ware
  • Two glass works at Wheeling, Va., used the name Union.
  • Production included:
  1. bitters bottles
  2. green glass
  3. perfumers' wares
  4. vials.
  • Union Glass Company at Somerville, Mass., made pressed glass and blanks for cutting.

United States Glass Company:

  • The plant was started at Falmouth, Mass and produced pressed glass.
  • The plant was later known as Falmouth Glass Works.

United States Platter:

  • A tray, about eight by eleven inches, in the pressed shape of the American flag.
  • The tray has a scrolled edge, stripes as alternating solid bars and starred bands.
  • Dates from the later 1800s.

Upright Bouquet:

  • A three dimensional collection of canes and ornate lampwork flowers on a bed of leaves.

Upright Muslin:


Utica:

  • Also known as Honeycomb.
  • Pressed glass pattern made by the Cape Cod Glass company.

Upright Bouquet:

  • A floral design that is vertically placed.



- V -


Val Saint Lambert Glass:

  • Production of the factory started in 1825 at Val Saint Lambert, Belgium. It was noted for its beautiful crystal wares and press glass that have a dotted and lacy background, a great deal of it marked "Val St. Lambert, Belgique."

Valentine Cup Plates:

  • A designation for cup or tea plates impressed with symbols of arrows and hearts.

Vapor Pressure:

  • The pressre of vapor over a liquid in a closed container.

Vasa Murrhina:

  • The name of a varicolored glass made by dusting a father or parison of glass with metals and metal oxides, then fusing it and finally coating it with another coat of glass.

Vases:

  • Glass vases constitute a large category of glass produced in numerous varieties..

Vase Candle Lamp:

  • A three part vase form candle lamps often tented or colored and with enamel or painted embellishment. They date from the 1850s to the 1890s.

Vase Lamp:

  • The lamp is a frosted cut globe over a sun chimney that sits on top of an oil reservoir which fits into a vase. The vase could be filled with flowers and the reservoir placed on it.

Vase Stoppers:

  • Stoppers in the form of a small vase made for toilet water and perfume bottles.

Vaupel, Louis:

  • A glass cutter of the New England Glass Company, Cambridge, from 1856 to the 1870s.

Vauxhall Glass:

  • Plate glass with beveled edges made at Vauxhall Works, started by the Duke of Buckingham, England, c. 1660. Thee are stories that fine crystal vases and bottles were made at the works.

Venetian Glass:

  • Reference to glass work and sytles done in the Venetian manner that originated in Murano, Italy.
  • Venetian glass is masterfullly crafted or thinly blown.

Venetian Glass Balls:

  • A name for glass paperweights during the 1850s. They are scrambled paperweights of millefiori leftovers, rolled into a ball and covered with glass.

Venetian Brown & Gold:

  • A type of glass used for toys and ornaments described in 1847 as "brown with gold spangles."

Vent:

  • An outlet for air, smoke, and fumes not be confused with peep holes. Kiln vents allow organic fumes, from initial heating, and excess heat to escape.

Ventilating Glass:

  • A faddish window glass of the 1840s that had fine holes drilled at oblique angles for ventilation.

Vermicular Collar:

  • The thin wavy like ring around a stem, glass, or bowl's bottom, or bottle neck. Sometimes they are used for a tall stem, providing a finger lip for grasping.

Vermiculee:

  • A convoluted design, described as appear as worm tracks.

Vermiculite:

  • Expanded mica.
  • A light weight, insulating material, used to allow hot glass to cool slowly.

Vermont Glass:

  • Window glass made at the Middlebury and Salisbury from 1813. It is said that bottles were made until 1817.

Verre de Nevers:

  • French
  • Term for small lampwork figures of opaque colors in the eighteenth and nineteenth centuries from Nevers and other places.

Verre Eglomise:

  • French
  • The mirror and picture framer, Glomy (d. 1786)
  • A technique of applying silver or gold foil on the reversed, cut or engraved pattern, and backing the work with a red, blue, or black ground.
  • It is also a term for a form of Zwischengold decorations for jewelry and medallions.

Verres a Serpents:

  • French
  • An often flat glass with etched gold or silver foil with cold color painting, perform on the reverse side of glass.

Verres a Serpents:

  • French
  • A term for "snake glass" and refers glass with stem with elaborate snakes or dragons.

Verre Tachette:

  • This glass was made by covering a parison of glass with spots of colored enamel and blowing it into objects.

Vetro a fili, vetro a reticello, vetro a retorti:


Victoria:

  • A pressed glass pattern, made by Bakewell of Pittsburgh, that combines leaf shape, pointed oval with diamond zigzag bands.

Viscosity:

  • Stiffness.
  • The amount of resistance to flow of a liquid, measured in centriposes, high viscosity liquids are stiff. Viscosity of glass increases with decreasing temperature, stiffening glass until below the strain point when glass acts as a solid.

Viscosity Gradient:

  • The gradation of the fluidity of glass.
  • To exemplify the gradiant, a piece of hot glass on a rod is easiet to control when the glass is hottest and softest at the end away from the rod ; cooler and stiffer nearby the rod, the viscosity graduates.
  • Cold or hot spot on a piece of glass destroys the gradient.

Violin Bottle:

  • Blown molded bottles that have the shape of a violin.

Viteous:

  • A quality of glass, or resembling the nature of glass, a glassy state.

Vitrarius:

  • The name of a glassblower, with different spellings derived from Latin.

Vitreous Paint:

  • Mixtures of: ground glass, pigments or metal oxide in a suspension. It is painted on glass that is fired, to fuse it onto the surface.

Vitric Panel:

  • A glass pane which can be clear, cut engraved, frosted or otherwise decorated.

Vitro Di Trina:

  • A Venetian glass having lacy threads of opaque white in transparent colored body. As a "modern" glass it may date from c. 1450.
  • The style was produced in Roman glass factories.

Vitro Porcelain:

  • It is a pressed opaque creamy white glass with a high polish. The production by Sowerby & Neville Works, England is marked by a peacock head or star pressed into the glass..

V - Wines:

  • A reference to the shape of simple wineglasses with inverted conical bowls, and having a variety of stems.

Volatile:

  • The ability to evaporate or turn into a gaseous state. Examples are organic binders that creates fumes as they volatilize, necessitates venting.



- W -


Wafer Dish:


Waffle:

  • Pressed glass pattern from Sandwich with the imprinted likeness of a waffle iron.

Waffle Cut:

  • A set of broad perpendicular cuts on the base of paperweights.

Waffle & Thumb Print:

  • Pressed glass pattern of alternating panels of waffles and thumbprints made by the New England Glass Company.

Waldglass:


Wardian Case:

  • Originally a flowers box with a glass bell cover.
  • Later named Vivarium.
  • Method of bringing plants back from distant lands, the glass bells created condensation that watered the plants contained within.

Warp:

  • A result of improper annealing, or incompatible glasses, they are small bends or twist from the flat form of fused glass.

Warwick Glass:

  • Glass made at the Warwick, Maine plant which was started as Franklin Glass Company in about 1812 or 1813 and operated to about 1820.
  • Production included:
  1. bottles
  2. decanters
  3. jars
  4. plates
  5. pitchers
  6. off hand work

Washbowls:

  • Dates range from 1750s to 1830s.
  • Large blown bowls with wide rims for laving bowls of wash and toilet stands.

Washington:

  • Pressed glass pattern made by the New England Glass Co., made from the 1860s.
  • The design has chains of life-like elements forming arches over oval panels and upright tiers of three large thumbprints.
  • The term Washington for this pattern may have originated with the maker who named patterns for American cities.

Washington Bust Bottle:

  • Blown molded bitters bottles in the form of a bust of Washington and marked Simon's Centennial Bitters.
  • Originals, in amber and clear glass have no pontil mark.

Washington Glass Works:

  • Started at Williamstown, N.J., in 1839.
  • Production included:
  1. bottles
  2. druggists' wares
  3. flasks
  4. vials

Washington Spring Bottle:

  • Saratoga water bottle with the bust of Washington.
  • Containers of the Washington Spring Co., Ballston Spa.

Watch Bottle; Whiskeybury Bottle:

  • A novelty flask of four ounce capacity, bearing a paper label or glass covered panel having a watch dial and legend "WHISKEYBURY, " and sometime the phrase "Time to take a drink."

Watch Dish:

  • Six inch in diameter pressed glass covered dish in the form of a watch with stem and openwork ring. The cover is impressed with dial and hands.

Water glass:


Water Sets:

  • Stylish assemblies of glass trays, pitcher and glassware popular from the mid 1850 to the 1900s.

Wax:

  • Beeswax is traditionally used to lubricate jacks to prevent scratching or marking the surface of hot glass when working with the tool.

Waterford.

  • Made in Waterford, Ireland, from 1729 to 1851 and from 1951 to the present, it is characterized by thick walls, deep geometric cutting, and bright polish. Early Waterford glass had a smoky, bluish gray color, considered a drawback (now a collectors item), so clear crystal was produced after 1830. Chandeliers with diamond-cut or scalloped branches, wall lamps, sconces, bowls, and vases were characteristic. Most of the glass prior to 1783 was blown glass, cutting was adopted in that year.

Waterloo Glass:

  • Irish glass made by Waterloo & Co. at Cork.

Weathering:

  • The adverse effects of age, water, and chemicals that decompose glass. Typically the glass degrades into thin iridescent layers, often occurs with pitting. Transparency, details and original color of the glass become obscured.
  • The colorful effect was copied during the nineteent century in Europe and America..

Wear Marks:

  • The tiny scratches that appear an a glass base or foot from normal wear and tear.
  • Sometimes glass is deliberated abraded to stimulate wear, such marks appear more regular that normal wear.

Wedding Ring:

  • Pressed glass pattern of showing big heavy rings, in a chain, surrounding an object.

Weeping:


Weight Method:

  • To fill a propane tank by weight.

Wellsburg Glass:

  • Wellsburg glass was made at Charleston VA, and then at Wellsburg, from 1813 through to the 1840s. It is Virginia glass as West Virginia did not become a state until 1861, or admitted to the union until 1863.
  • Production included:
  1. flasks
  2. flint glass bottles
  3. tablewares

Welted Foot:

  • Reference to the manner of finishing the foot of a footed object.
  • A foot was thinned on the outer edge and folded either over or under and then fused to form a welt to strengthen the work.

Westford Glass:

  • Production of amber flasks and bottles from the plant at Westford, Conn., from the 1850s to the 1870s.

Westmoreland Glass:

  • See Grapeville Glass.
  • Milk white pressed wares produced at the Grapeville, Pa., plant.

Westward Ho!:

  • Originally named pioneer.
  • Production of Gillinder & Sons of Philadelphia that featured "American Themes."
  • The design, in relief on a frosted band, includes bison, log house, and running deer. A crouching Indian appears as a knop or finial on covered pieces.

Westwater Cut Glass:

  • A fine cut glass from John Westwater & Son of Columbus, Ohio.

Wheat & Barley:

  • Pressed glass pattern depicting drooping sprays of wheat and barely in panels.
  • Pattern was pressed in amber, blue, clear, and yellow glass.

Wheat - Price Flasks:

  • Marked flasks of Wheat, Price & Company of Wheeling, Va..

Wheat, Price & Company:

  • Wheeling, VA., glassmakers of the 1830s.
  • Production included:
  1. blown glass
  2. blown mold flask
  3. cut glass
  4. cut glass lamps
  5. flint ware
  6. pressed glass
  7. pressed glass knobs
  8. tablewares
  9. vials

Wheel Stoppers:

  • Also known as Rayed Stopper.
  • Also known as thumb and finger stopper.
  • Stopper for decanters or bottles molded in a shears shaped squeezer, shaped in a flat, button centered rayed finial on a tapered glass plug.

Wheels:

  • Larger stone and steal wheels are fabricated for deep cuts. Copper are used for smaller wheels used for engraving.

Wheeling, Va., Glass:

  • Reference to glass made at Wheeling, VA prior to 1861, when the Western part of the state set up its own government and applied for admission into the Union of the United States.

Whimsies:

  • Usually after hours production of curiosities, oddities and toys.
  • Also products of itinerant glass workers who worked glass with Bunsen burners.
  • Production of diverse pieces mainly date from the 1880s and 1890s.

Whitall - Tatum

  • Glass factory started at Millville, N.J. in about 1806, by James Lee.
  • The Whitall brothers obtained management of the plant in the 1840s.
  • In the 1860s the plant became known as the Whitall-Tatum concern.
  • A catalogue list almost 1000 production items.

Whitefriars Glass:

  • The Whitefriars Glass company of London was built about 1680. It was named for the white robed Carmelite monks who lived at the factory site. In 1834, James Powell ( 1774 to 1840) bought and renamed it James Powell and Sons, untill 1962 when it again was named the Whitefriars Glass Ltd.
  • Production included:
    1. clear glass decanter
    2. drinking glasses
    3. paperweights.
    4. tableware

Whiteman Jars:

  • Patented milk bottles from the 1880s, made for or by A.V. Whitman of New York.
  • Made of clear glass with the name of milk dealer or dairy, and having wire clips to hold a glass top onto the jar.

White, S. S., Trays:

  • Fine milk glass trays having a circular form, in sizes twelve to eighteen inches in diameter and have plain or scalloped edges. The trays are marked with S.S. White.
  • The trays were used by dentist to hold instruments.

Whiting:


Whitney Glass:


Whorl Rod:

  • A millefiori cane that shows a spiral cross section, frequently they are used for the center of a bundle of star rods.

Williamsburg Glass:

  • Brooklyn glass
  • Glass produced at the Willamsburg Glass Works, Long Island, from the 1840s to the 1890s.
  • Production included:
  1. cut glass
  2. fine clear glass
  3. fine colored glass
  4. plain glass

Williamsport Glass:

  • Glass made at Williamsport, now Monongahela City, Pa, from 1816.
  • The facilities were leased by William Ihmsen after several failures.

Willington Glass:

  • Connecticut
  • The Willington Glass Company was started in about 1815 through to the 1870s.
  • Production included:
  1. amber and green glass
  2. bottles
  3. carboys
  4. flasks
  5. hollow wares
  6. vials

Willkomen; Wiederkomen:

  • A popular drinking glass once popular in Europe from the 1500 to the 1600s.
  • The large drinking vessels, filled to the brim, were used to greet guest and to bid farewell.

Willow Oak:

  • Also known as Oak Leaf and Acorn.
  • Pressed glass pattern of a daisy flowers and leaf patterns, curlicues and oak leaves.
  • Found in clear, blue and amber.

Window:

  • A cut facet on overlay paperweights.

Window Panes:

  • Pressed glass panes dating from the 1830s through the 1870s.
  • The decorative five by seven inch pressed panes where used on steamboats where light was desired.

Winsdor Cut:

  • Cut glass pattern that was popular from the 1880s through the 1890s.

Wine Font:

  • A vase like urn that held a spigot in an opening at the bottom, some had a reservoir to hold ice.
  • These held wine for gatherings and date from the eighteenth and nineteenth century.

Wine Tester:

  • A slender bottle that is passed through the bung of a barrel to sample wine without disturbing the contents, its lower end blown solid for weight and its upper lip providing a rim to tie a cord onto.

Winged Stem:

  • Late seventeenth and early eighteenth century wind and ale glasses having stems with tooled wing like projections on the side.

Winthrop Cup:

  • Cut glass pattern popular from the 1880s through the 1890s.

Wiping Off:

  • A method removing extra glass while it is hot.

Wiping On:

  • A method of applying extra hot glass.

Wistar Glass:

  • Wistar glass is considered by some as America's earliest collectable glass.
  • Caspar Wistar is thought to have been born in the Netherlands in 1696 and immigrated to Pennsylvania in 1717, becoming a Quaker. He married Catherine Jensen in 1726, she was from a old and noted Dutch family.
  • A button maker, he brought four glass blowers from the Netherlands in 1739. Indentured men, part of the agreement was that they teach Wistar, and son Richard (and no others), the art of glassmaking.
  • The glass factory was started in 1740 on Alloway Creek, Salem County, N.J. and operated to 1780. It produced glass in the Dutch tradition such as bicolor swirls, lily pad decoration and pearl drawing..
  • Production included:
  1. bottles
  2. chemical glass ware
  3. electric globes
  4. tubes
  5. mustard jars
  6. window glass

Witch Ball & Stand:

  • The base, in the form of a vase or goblet, positions a large glass ball.
  • The pieces were made from 1825 to 1900, apparently the product of off hand work.

Witch Ball:

  • True witch balls were a hollow ball of swirled parti-colored glass, two to seven inches (or more) in diameter.
  • Originated in England and was used by superstitious glassmakers to ward off the evil eye, by hanging in a cottages window.
  • The eighteenth century tradition developed into one of hanging many on a tree or candletrows at Christmas or Twelfth night.

Woodall Glass:

  • George Woodall was employed by Webb & Sons, Stourbridge, England from the 1870s to the 1890s. He produced fine cut glass.

Working Range:

  • The temperature range for forming glass. The upper end refers to working temperature where tools can be used to shape the glass, and the lower end refers to temperatures that allows glass to hold its formed shape.

Wormser & Company:

  • Pittsburgh
  • The company was started in the 1850s and production continued to the late 1880s or early 1890s.
  • Production included bottles and flasks.

Wound Glass:

  • See core-forming.
  • Melted glass is wound around a core or wire. The core or wire is removed.

Wrap:

  • To put a hot blob of glass around another pice of glass, such as a thread or other ornamentation.

Wrythen Molding:

  • A softened and swirled vertical ribbing or fluting that encircles the rising shape of glass. An example is some low stemmed ale glasses.
  • A flammiform denotes a clear edge to similar glass, as the swirls end raggedly in flame shaped pattern.


- X -


Xanthine Glass:

  • See silver in glass.
  • Yellow glass, sometimes made by adding silver to glass.


- Y -


Yoke:

  • Supports for blowpipes that are Y-shaped, often with ball bearing roller.
  • Yokes give support at the glory hole while rotating the pipe.



- Z -


Zaffer:


Zanesville Glass:

  1. The White Glass Works (1815), later known as Shepard & Co., (1822) made this notable glass. Its bottles and vials were often mis-identified as 18th century glass, and is known for its hollow ware. Some historical flasks are marked "Zanesville, Ohio, Shepard & Co."
  2. New Granite Glass Works (1816) was known for bottles and flasks.
  3. Kearn established a plant (1840), assimilated others, making a diversity of glass.

Zanfirico:

  • Italian
  • A fancy cane often with spiral pattern or lace like elements inside.

Zantzinger, Paul:

  • Zantzinger was a trustee of bankruptcy preceedings of the Seiegel Works of Manheim, (Lancaster Co.), Pa, of the 1770s. Zantzinger operatied the plants into the 1780s.

Zimmerman, Joseph:

  • Founded the Milford (or Pendelton), N. J. glassworks around 1849.

Zuccarin:

  • Italian
  • See Kuttrolf
  • Italian version of German Kuttrolf.